'A powerful story and Piers Dudgeon tells it with skill and feeling' Daily TelegraphBorn into the bleak industrial heartland of Tyneside in 1906, an illegitimate child with the courage to escape and discover her true self, denies her people, reaches roc

INSTANT NEW YORK TIMES BESTSELLER From the author of the New York Times bestseller Homecoming—“An ambitious, compelling historical mystery with a fabulous cast of characters…Kate Morton at her very best.” —Kristin Hannah “An elaborate tapestry…Morton doesn’t disappoint.” —The Washington Post "Classic English country-house Goth at its finest." —New York Post In the depths of a 19th-century winter, a little girl is abandoned on the streets of Victorian London. She grows up to become in turn a thief, an artist’s muse, and a lover. In the summer of 1862, shortly after her eighteenth birthday, she travels with a group of artists to a beautiful house on a bend of the Upper Thames. Tensions simmer and one hot afternoon a gunshot rings out. A woman is killed, another disappears, and the truth of what happened slips through the cracks of time. It is not until over a century later, when another young woman is drawn to Birchwood Manor, that its secrets are finally revealed. Told by multiple voices across time, this is an intricately layered, richly atmospheric novel about art and passion, forgiveness and loss, that shows us that sometimes the way forward is through the past.

Kate McLaughlin’s Daughter is a thrilling YA novel about trying to right deadly choices that were never yours to begin with. Scarlet’s life is pretty average. Overly protective mom. Great friends. Cute boy she’s interested in. And a father she’s never known—until she does. When the FBI show up at Scarlet’s door, she is shocked to learn her father is infamous serial killer Jeffrey Robert Lake. And now, he’s dying and will only give the names and locations of his remaining victims to the one person, the daughter he hasn’t seen since she was a baby. Scarlet’s mother has tried to protect her from Lake’s horrifying legacy, but there’s no way they can escape the media firestorm that erupts when they come out of hiding. Or the people who blame Scarlet for her father’s choices. When trying to do the right thing puts her life in danger, Scarlet is faced with a choice—go back into hiding or make the world see her as more than a monster’s daughter.

Anna's personal life is in crisis. Her marriage is struggling, and the disastrous affair she began as consolation has now become a millstone around her neck. The place where she feels most secure is the safe and ordered world of the classroom - until a new pupil arrives in her English group.

From the New York Times bestselling author of The Dressmaker and A Touch of Stardust, comes a Hollywood coming-of-age novel, in which Ingrid Bergman's affair with Roberto Rossellini forces her biggest fan to reconsider everything she was raised to believe In 1950, Ingrid Bergman—already a major star after movies like Casablanca and Joan of Arc—has a baby out of wedlock with her Italian lover, film director Roberto Rossellini. Previously held up as an icon of purity, Bergman's fall shocked her legions of American fans. Growing up in Hollywood, Jessica Malloy watches as her PR executive father helps make Ingrid a star at Selznick Studio. Over years of fleeting interactions with the actress, Jesse comes to idolize Ingrid, who she considered not only the epitome of elegance and integrity, but also the picture-perfect mother, an area where her own difficult mom falls short. In a heated era of McCarthyism and extreme censorship, Ingrid's affair sets off an international scandal that robs seventeen-year-old Jesse of her childhood hero. When the stress placed on Jesse's father begins to reveal hidden truths about the Malloy family, Jesse's eyes are opened to the complex realities of life—and love. Beautifully written and deeply moving, The Hollywood Daughter is an intimate novel of self-discovery that evokes a Hollywood sparkling with glamour and vivid drama.

Raised by unconventional Irish Catholics who knew "how to drink, how to dance, how to talk, and how to stir up the devil," Kate Mulgrew grew up with poetry and drama in her bones. But in her mother, a would-be artist burdened by the endless arrival of new babies, young Kate saw the consequences of a dream deferred. Determined to pursue her own no matter the cost, at 18 she left her small Midwestern town for New York, where, studying with the legendary Stella Adler, she learned the lesson that would define her as an actress: "Use it," Adler told her. Whatever disappointment, pain, or anger life throws in your path, channel it into the work. It was a lesson she would need. At twenty-two, just as her career was taking off, she became pregnant and gave birth to a daughter. Having already signed the adoption papers, she was allowed only a fleeting glimpse of her child. As her star continued to rise, her life became increasingly demanding and fulfilling, a whirlwind of passionate love affairs, life-saving friendships, and bone-crunching work. Through it all, Mulgrew remained haunted by the loss of her daughter, until, two decades later, she found the courage to face the past and step into the most challenging role of her life, both on and off screen. We know Kate Mulgrew for the strong women she's played -- Captain Janeway on Star Trek ; the tough-as-nails "Red" on Orange is the New Black. Now, we meet the most inspiring and memorable character of all: herself. By turns irreverent and soulful, laugh-out-loud funny and heart-piercingly sad, Born with Teeth is the breathtaking memoir of a woman who dares to live life to the fullest, on her own terms.

'On the last day of 1959 my father, the Beau Brummel of morticians, piled us into his green and white Desoto in which we looked like a moving pack of Salem cigarettes. He drove away from Lanesboro, the city in which we all were born, and into a small town on the Kentucky and Tennessee border. It was only a ninety-minute drive, but it might as well have been to Alaska. When our big boat of a car glided into Jubilee we circled the town square and headed towards the residential section of Main Street. My father pulled the car over and our five dark heads turned to face a huge, slightly run down house. My parents were total strangers to this tiny enclave, but it didn't matter because my father had finally realised his dream in this old house, which was to own his own funeral home.'