In 1992 when a Dalit woman left the convent and wrote her autobiography, the Tamil publishing industry found her language unacceptable. So Bama Faustina published her milestone work Karukku privately in 1992-a passionate and important mix of history, sociology, and the strength to remember.Karukku broke barriers of tradition in more ways than one. The first autobiography by a Dalit woman writer and a classic of subaltern writing, it is a bold and poignant tale of life outside mainstream Indian thought and function. Revolving around the main theme of caste oppression within theCatholic Church, it portrays the tension between the self and the community, and presents Bama's life as a process of self-reflection and recovery from social and institutional betrayal.The English translation, first published in 2000 and recognized as a new alphabet of experience, pushed Dalit writing into high relief. This second edition includes a Postscript in which Bama relives the dramatic movement of her leave-taking from her chosen vocation and a special note "Ten YearsLater".

Award For Indian Language Fiction Translation, Crossword Book Awards, 2000. In This Unusual Autobiography, A Young Woman, Bama, Looks Back On Her Life From A Moment Of Personal Crisis, As She Leaves The Religious Order To Which She Has Belonged For Seven Years. She Recreates Her Childhood In Her Village Through A Series Of Poignant Memories And Reflections. Most Importantly, She Examines The Simple Faith With Which She Grew Up As A Roman Catholic And Restates It In The Light Of Her Experience As A Dalit And A Woman.

Other Tongues: Rethinking the Language Debates in India explores the implications of the energetic and, at times, acrimonious public debate among Indian authors and academics over the hegemonic role of Indian writing in English. From the 1960s the debate in India has centered on the role of the English language in perpetuating and maintaining the cultural and ideological aspects of imperialism. The debate received renewed attention following controversial claims by Salman Rushdie and V.S. Naipaul on the inferior status of contemporary Indian-language literatures. This volume: - offers nuanced analysis of the language, audience and canon debate; - provides a multivocal debate in which academics, writers and publishers are brought together in a multi-genre format (academic essay, interview, personal essay); - explores how translation mediates this debate and the complex choices that translation must entail. Other Tongues is the first collective study by to bring together voices from differing national, linguistic and professional contexts in an examination of the nuances of this debate over language. By creating dialogue between different stakeholders - seven scholars, three writers, and three publishers from India - the volume brings to the forefront underrepresented aspects of Indian literary culture.

What are the stages in the life of a butterfly? If you trap a caterpillar in a box, will it blossom into a butterfly? When discrimination and violence are hidden lessons in our schools, can we hope to make a better world? In Just One Word, Bama takes us into the spaces that appear innocent and artless, but where, in truth, hate and prejudice bubble. Bama’s writings embody Dalit feminism and celebrate the inner strength of the subaltern woman, in the throes of caste domination and social discrimination. Painting portraits of unforgettable characters, detailing innocent pleasures and everyday deceits, the stories in this collection are a mirror to her compelling insight into human nature.

This translation of the Tamil novel Sangati is a fine example of Dalit writing, and flouts any received notions of what a novel should be. It has no plot in the normal sense, nor any main characters. In terms of structure, it seeks to create a Dalit-feminist perspective and explores the impact of a number of discriminations--compounded above all, by poverty--suffered by Dalit women.

Sangati is a startling insight into the lives of Dalit women who face the double disadvantage of caste and gender discrimination. Written in a colloquial style, the original Tamil version overturns the decorum and aesthetics of upper-caste, upper-class Tamil literature and culture and, in turn, projects a positive cultural identity for Dalits in general and for Dalit women in particular. Sangati flouts received notions about what a novel should be and has no plot in the normal sense. It relates the mindscape of a Dalit woman who steps out of her small town community, only to enter a caste-ridden and hierarchical society, which constantly questions her caste status. Realizing that leaving her community is no escape, she has to come to terms with her identity as an educated, economically independent woman who chooses to live alone. In relating this tale, Bama turns Sangati into the story not just of one individual, but of a pariah community.

South Asia is a rich and fascinating linguistic area, its many hundreds of languages from four major language families representing the distinctions of caste, class, profession, religion, and region. This comprehensive new volume presents an overview of the language situation in this vast subcontinent in a linguistic, historical and sociolinguistic context. An invaluable resource, it comprises authoritative contributions from leading international scholars within the fields of South Asian language and linguistics, historical linguistics, cultural studies and area studies. Topics covered include the ongoing linguistic processes, controversies, and implications of language modernization; the functions of South Asian languages within the legal system, media, cinema, and religion; language conflicts and politics, and Sanskrit and its long traditions of study and teaching. Language in South Asia is an accessible interdisciplinary book for students and scholars in sociolinguistics, multilingualism, language planning and South Asian studies.