Ginchin Funakoshi was the founding father of the principles and techniques ofarate in Japan. This is the original text of Master Funakoshi's firstxposition of Okinawan karate. The text elucidates his teaching and trainingethods, while the photographs show Funakoshi demonstrating kata.

Traditional Okinawa Goju Ryu Karate and Kobujutsu in Kenshikai Attitude According to Dr. Hokama Tetsuhiro

The origins of Karate are shrouded in mythology and a book that tells the art's complete history is both necessary and timely. Author Simon Keegan is a 5th Dan black belt recognised by some of Japan's oldest and most venerable sanctioning bodies

‘Bunkai-Jutsu’ is the analysis of the karate katas and their application in real combat. It is also the title of this pioneering book by Iain Abernethy. The fighting applications of the karate katas (forms) is one of the most fascinating – and sadly misunderstood – aspects of karate practice. Bunkai-Jutsu provides the reader with the information they need to unlock the ‘secrets’ of kata and to begin practising karate as the complete and realistic combat art that it was intended to be! This groundbreaking and often controversial book provides a detailed analysis of the combative concepts and principles upon which the katas are based. 'Bunkai-Jutsu' is essential reading for all those who want to understand the real meaning of kata.

Idealized by sensei Vinicio Antony, all Jutsu material - The Hidden Art in Karate aims to be a new vehicle for sharing the knowledge he has acquired throughout his long career as an athlete and master of Karate. "My intention is that this work can reach a greater number of people who (like me!) Have chosen the way to guide other paths.

At long last we are pleased to announce that the 3rd edition of the 1932 Motobu Choki publication, "Watashi no Karate-jutsu," is finally completed thanks only to the assistance and co-operation of many kind people. The publication is approximately 182 pages in the same size and format as our Funakoshi Gichin publication, Tanpenshu. Here, in this small but provocative publication, lies yet another milestone in the legacy of Karate. "Watashi no Karate-jutsu" ("My Art of Karate"), introduces comprehensive insights into a fighting tradition as known and taught by one of its early Okinawan innovators, Motobu Choki (1870-1944). One of only two books he ever published on the art it is not widely known in modern karate circles or outside the spectrum of those who research its history. Straightforward in its approach, this modest work outlines those unique methods that made Motobu Choki, pound for pound, possibly the greatest technician and karate fighter of his generation. One mistake the modern Karate-ka often makes, when trying to grasp the technical ambiguities surrounding the application of early karate practices, is to depend on contemporary assumption. This small but powerful book provides a window through which the reader is better able to perceive the cultural landscape and social mind-set of those people who shaped its practice. What could possibly improve a reader's overall understanding of the art more than walking in the footsteps of those people most responsible for pioneering it? Great people should never be forgotten, if only to remind us of the potential latent in ourselves. By studying the anthropology of this tradition it becomes evident that many of the early pioneers established a symbiosis with karate so that their lives became as much a product of the art as was the art a product of their lives. Researched and translated by Patrick & Yuriko McCarthy

A translation of an early book on Okinawan Karate. Reprints the Japanese book with an English translation and notes on the opposite page. Also includes a translation of The Ten Articles of Karate by Anko Itosu as well as a poem on Karate by Funakoshi Gichin.