Kant's Transition Project and Late Philosophy is the first study to provide a close reading of the connection between texts written by Kant during 1796 and 1798. Connecting Kant's unfinished book project, the Opus postumum, with the Metaphysics of Morals, it identifies and clarifies issues at the forefront of Kant's focus towards the end of his life. Labelled by Kant as the “Transition Project”, the Opus postumum generates debate among commentators as to why Kant describes the project as filling a “gap” within his system of critical philosophy. This study argues for a pervasive transition project that can be traced through Kant's entire critical philosophy and is the key to addressing current debates in the scholarship. By showing that there is not only a Transition Project in Kant's theoretical philosophy but also a Transition Project in his practical philosophy, it reveals why an accurate assessment of Kant's critical philosophy requires a new understanding of the Opus postumum and Kant's parallel late writings on practical philosophy. Rather than seeing Kant's late thoughts on a Transition as afterthoughts, they must be seen at the centre of his critical philosophy.

"Kant's Transition Project and Late Philosophy is the first study to provide a close reading of the connection between texts written by Kant during 1796 and 1798. Connecting Kant's unfinished book project, theOpus postumum, with the Metaphysics of Morals, it identifies and clarifies issues at the forefront of Kant's focus towards the end of his life. Labelled by Kant as the "Transition Project", the Opus postumum generates debate among commentators as to why Kant describes the project as filling a "gap" within his system of critical philosophy. This study argues for a pervasive transition project that can be traced through Kant's entire critical philosophy and is the key to addressing current debates in the scholarship. By showing that there is not only a Transition Project in Kant's theoretical philosophy but also a Transition Project in his practical philosophy, it reveals why an accurate assessment of Kant's critical philosophy requires a new understanding of the Opus postumum and Kant's parallel late writings on practical philosophy. Rather than seeing Kant's late thoughts on a Transition as afterthoughts, they must be seen at the centre of his critical philosophy."--Bloomsbury Publishing

Occupying him for more than the last decade of his life, this volume includes the first English translation of Kant's last major work, the so-called Opus postumum, which he described as his "chef d'oeuvre" and the keystone of his entire philosophical system.

In this book, Bryan Wesley Hall breaks new ground in Kant scholarship, exploring the gap in Kant’s Critical philosophy in relation to his post-Critical work by turning to Kant’s final, unpublished work, the so-called Opus Postumum. Although Kant considered this project to be the "keystone" of his philosophical efforts, it has been largely neglected by scholars. Hall argues that only by understanding the Opus Postumum can we fully comprehend both Kant’s mature view as well as his Critical project. In letters from 1798, Kant claims to have discovered a "gap" in the Critical philosophy that requires effecting a "transition from the metaphysical foundations of natural science to physics"; unfortunately, Kant does not make clear exactly what this gap is or how the transition is supposed to fill the gap. To resolve these issues, Hall draws on the Opus Postumum, arguing that Kant’s transition project can solve certain perennial problems with the Critical philosophy. This volume provides a powerful alternative to all current interpretations of the Opus Postumum, arguing that Kant’s transition project is best seen as the post-Critical culmination of his Critical philosophy. Hall carefully examines the deep connections between the Opus Postumum and the view Kant develops in the Critique of Pure Reason, to suggest that properly understanding the post-Critical Kant will significantly revise our view of Kant’s Critical period.

Kant's final drafts, known as his Opus postumum, attempt to make what he calls a 'transition from the metaphysical foundations of natural science to physics.' Interpreters broadly agree that in this project Kant seeks to connect the general a priori principles of natural science, as set out in the major critical works, to the specific results of empirical physics. Beyond this, however, basic interpretative issues remain controversial. This Element outlines a framework that aims to combine the systematic ambition of early twentieth-century readings with the rigor of more recent studies. The author argues that a question that has animated much recent scholarship – which 'gap' in Kant's previous philosophy does the Opus postumum seek to fill? – can be profitably set aside. In its place, renewed attention should be given to a crucial part of the manuscript, fascicles X/XI, and to the problematic 'arrival point' of the transition, namely, Kant's question: What is physics?

First essay collection devoted to Kant's faculty of feeling, a concept relevant to issues in ethics, aesthetics, and the emotions.

Beth Lord looks at Kant's philosophy in relation to four thinkers who attempted to fuse transcendental idealism with Spinoza's doctrine of immanence. Examining Jacobi, Herder, Maimon and Deleuze, Lord argues that Spinozism is central to the development of Kant's thought, and opens new avenues for understanding Kant's relation to Deleuze.