Kant's Critique of Judgment seems not to be an obviously unified work. Unlike other attempts to comprehend it as a unity, which treat it as serving either practical or theoretical interests, Kristi Sweet's book posits it as examining a genuinely independent sphere of human life. In her in-depth account of Kant's Critical philosophical system, Sweet argues that the Critique addresses the question: for what may I hope? The answer is given in Kant's account of 'territory,' a region of experience that both underlies and mediates between freedom and nature. Territory forms the context in which purposiveness without a purpose, the Ideal of Beauty, the sensus communis, genius and aesthetic ideas, and Kant's conception of life and proof of God are best interpreted. Encounters in this sphere are shown to refer us to a larger, more cosmic sense of a whole to which both freedom and nature belong.

A collection of essays on the foundational themes of freedom and spontaneity in Immanuel Kant's philosophy.

The concept of systematicity is central to Immanuel Kant's conception of scientific knowledge and to his practical philosophy. But Kant also held that we must be able to unite the separate systems of nature and freedom into a single system: on the one hand, morality itself requires that we be able to see its commands and goals as realizable within nature, while on the other hand our experience of nature itself leads us to see it as a system with the goal of human moral development. The essays in this volume, including two published here for the first time, explore various aspects of Kant's conception of the system of nature, the system of freedom, and the system of nature and freedom. The essays in the first part explore the systematicity of concepts and laws as the ultimate goal of natural science, consider the implications of Kant's account of our experience of organisms for the goal of the unity of science, and examine Kant's attempts to prove that the existence of an ether is a necessary condition for a physical system of nature. The essays in the second part explore Kant's view that morality requires a systematic union of persons as ends in themselves and of the ends that persons set for themselves, and examine the system of duties and obligations necessary to realize such a systematic union of persons and their ends. These essays thus examine both the general foundations of Kant's moral philosophy and his final account of the duties of right or justice and of ethics or virtue in his late work, the Metaphysics of Morals. The essays in the third part examine Kant's attempt, in the last of his three great critiques, the Critique of the Power of Judgment., to unify the systems of nature and freedom through a radical transformation of traditional teleology as a theory of the creation of organic nature into an account of our experience of organic nature and of nature as a whole.

A new translation of Immanuel Kant’s 1790 "Critique of Judgement" in modern American English with the original German in the back for reference. This is Volume IX in the Complete Works of Immanuel Kant from Newcomb Livraria Press. "Herewith I end my whole critical business" Kant states in the preface to his third and final Critique in his core triad of critical philosophical treatises. In his old age, he turned from being Polemic to being prescriptive in his vision for a future of transcendental, rational morality. Here he recaps his whole critical system and breaks out his final thoughts between a Critique of Aesthetic and Teleological Judgment. Between Pure Reason (theoretical) and Practical Reason (law and ethics) stands the mediating Power of Judgement which recognizes the particular in the general and bridges the chasm between sensuality and morality, nature and freedom, manifesting itself to the senses. Kant's Teleological, dialectal understanding of the experience of art is still used today in Modern art theory. His analysis of sublimity as "disinterested pleasure" as an aesthetic experience between the dynamics of the cognitive faculties of sensuality and rationality, creates a paradox of judgment as both subjective and universal. To Kant, the correct recognition of what beauty is, and responding to it authentically (morally), is vital to his entire project.

An in-depth account of Kant's Critical philosophical system which argues that the third Critique answers the question: for what may I hope?

The essays in this volume provide new readings of Kant’s account of human nature. Despite the relevance of human nature to Kant’s philosophy, little attention has been paid to the fact that the question about human nature originally pertains to pure reason. The chapters in this volume show that Kant’s point is not to state once and for all what the human being actually is, but to unite pure reason’s efforts within a unitary teleological perspective. The question about human nature is the cornerstone of reason’s unity in its different activities and domains. Kant’s question about human nature goes beyond our empirical inquiries to show that the notion of humanity represents the point of convergence and unity of pure reason’s most fundamental interests. Kant on Freedom and Human Nature will appeal to scholars and advanced students working on Kant’s philosophy.

The Critique of Judgment, also translated as the Critique of the Power of Judgment and more commonly referred to as the third Critique, is a philosophical work by Immanuel Kant. Critique of Judgment completes the Critical project begun in the Critique of Pure Reason and the Critique of Practical Reason (the first and second Critiques, respectively). The book is divided into two main sections: the Critique of Aesthetic Judgment and the Critique of Teleological Judgment, and also includes a large overview of the entirety of Kant's Critical system, arranged in its final form. The end result of Kant's Critical Project is that there are certain fundamental antinomies in human Reason, most particularly that there is a complete inability to favor on the one hand the argument that all behavior and thought is determined by external causes, and on the other that there is an actual "spontaneous" causal principle at work in human behavior._x000D_ Immanuel Kant (1724-1804) was a German philosopher, who, according to the Stanford Encyclopedia of Philosophy is "the central figure of modern philosophy." Kant argued that fundamental concepts of the human mind structure human experience, that reason is the source of morality, that aesthetics arises from a faculty of disinterested judgment, that space and time are forms of our understanding, and that the world as it is "in-itself" is unknowable. Kant took himself to have effected a Copernican revolution in philosophy, akin to Copernicus' reversal of the age-old belief that the sun revolved around the earth._x000D_