This volume of the Collected Writings of John Sallis presents his lecture courses on Kant. Each course was devoted respectively to one of Kant's three Critiques, and so the book as a whole treats the entirety of the Kantian critical project. Sallis displays here, as he does in all his lecture courses, an uncanny ability to open up dense philosophical texts. The matters Kant deals with—in theoretical, practical, and aesthetic philosophy—are difficult in themselves, and Kant's writings might at times seem so convoluted as to magnify the difficulty. Sallis patiently and successfully lays out the issues and the critical approach to them, such that the reader is led step by step into the very core of Kant's spirit of critique. This volume makes Kant accessible to students, while the most advanced scholars will also profit from it.

This volume of the Collected Writings of John Sallis presents his lecture courses on Kant. Each course was devoted respectively to one of Kant's three Critiques, and so the book as a whole treats the entirety of the Kantian critical project. Sallis displays here, as he does in all his lecture courses, an uncanny ability to open up dense philosophical texts. The matters Kant deals with—in theoretical, practical, and aesthetic philosophy—are difficult in themselves, and Kant's writings might at times seem so convoluted as to magnify the difficulty. Sallis patiently and successfully lays out the issues and the critical approach to them, such that the reader is led step by step into the very core of Kant's spirit of critique. This volume makes Kant accessible to students, while the most advanced scholars will also profit from it.

Immanuel Kant is strict about the limits of self-knowledge: our inner sense gives us only appearances, never the reality, of ourselves. Kant may seem to begin his inquiries with an uncritical conception of cognitive limits, but in Kant and the Subject of Critique, Avery Goldman argues that, even for Kant, a reflective act must take place before any judgment occurs. Building on Kant's metaphysics, which uses the soul, the world, and God as regulative principles, Goldman demonstrates how Kant can open doors to reflection, analysis, language, sensibility, and understanding. By establishing a regulative self, Goldman offers a way to bring unity to the subject through Kant's seemingly circular reasoning, allowing for critique and, ultimately, knowledge.

What is happening when someone has a mystical experience, such as “feeling at one with the universe” or “hearing God’s voice?” Does philosophy provide tools for assessing such claims? Which claims can be dismissed as delusions and which ones convey genuine truths that might be universally meaningful? Valuable insights into such pressing questions can be found in the writings of Immanuel Kant, though few philosophical commentators have appreciated the implications beyond his famous “Copernican hypothesis.” In Kant and Mysticism, Stephen R. Palmquist corrects this skewed view of Kant once and for all. Beginning with a detailed analysis of Kant’s 1766 work Dreams of a Spirit-Seer, Palmquist demonstrates that in Dreams Kant first discovers and explains his plan to write a new, “critical” philosophy that will revolutionize metaphysics by laying bare the limits of human reason. Palmquist shows how the same metaphorical relationship—between reason’s dreams (metaphysics) and sensibility’s dreams (mysticism)—permeates Kant’s mature writings. Clarifying how Kant’s final (unfinished) book, Opus Postumum, completes this dual project, Palmquist explains how the “critical mysticism” entailed by Kant’s position has profound implications for contemporary understandings of religious and mystical experience, both by religious individuals and by philosophers seeking to understand such experiences.

Commentators on the work of Immanuel Kant have long held that his later "critical" writings are a radical rejection of his earlier, less celebrated efforts. In this pathbreaking book, Susan Shell demonstrates not only the developmental unity of Kant's individual writings, but also the unity of his work and life experience. Shell argues that the central animating issues of Kant's lifework concerned the perplexing relation of spirit to body. Through an exacting analysis of individual writings, Shell maps the philosophical contours of Kant's early intellectual struggles and their relation to his more mature thought. The paradox of mind in matter and the tensions it generates—between freedom and determinacy, independence and community, ideal and real—are shown to inform the whole of his work. Shell's fresh, penetrating analysis of the precritical works will surely catapult them to new prominence in Kant studies. Shell's critique goes further to consider the context of contemporary intellectual life. She explores the fascinating realm of Kant's sexual and medical idiosyncracies, linking them to the primary concerns of his critical philosophy. She develops a sure-to-be controversial treatment of the connection between Kant's philosophy and his chronic hypochondria, and illuminates previously unforeseen connections in a remarkable convergence of life and thought, with important theoretical and practical implications for modern times.

The eminent philosopher delivers an illuminating interpretation of Kant’s magnum opus in what is itself a significant work of Western philosophy. The text of Martin Heidegger’s 1927–28 university lecture course on Emmanuel Kant’s Critique of Pure Reason presents a close interpretive reading of the first two parts of this masterpiece of modern philosophy. In this course, Heidegger continues the task he enunciated in Being and Time as the problem of dismantling the history of ontology, using temporality as a clue. Heidegger demonstrates that the relation between philosophy, ontology, and fundamental ontology is rooted in the genesis of the modern mathematical sciences. He also shows that objectification of beings as beings is inseparable from knowledge a priori, the central problem of Kant’s Critique. He concludes that objectification rests on the productive power of imagination, a process that involves temporality, which is the basic constitution of humans as beings.

First essay collection devoted to Kant's faculty of feeling, a concept relevant to issues in ethics, aesthetics, and the emotions.