Kant announces that the Critique of the Power of Judgment will bring his entire critical enterprise to an end. But it is by no means agreed upon that it in fact does so and, if it does, how. In this book, Ido Geiger argues that a principal concern of the third Critique is completing the account of the transcendental conditions of empirical experience and knowledge. This includes both Kant's analysis of natural beauty and his discussion of teleological judgments of organisms and of nature generally. Geiger's original reading of the third Critique shows that it forms a unified whole - and that it does in fact deliver the final part of Kant's transcendental undertaking. His book will be valuable to all who are interested in Kant's theory of the aesthetic and conceptual purposiveness of nature.

Kant famously argues that our experience of the empirical world is shaped by our cognitive faculties. But an important part of this story is yet to be told. This book explores the final instalment of Kant's transcendental undertaking, tying closely together his elusive discussions of natural beauty and teleology.

Immanuel Kant famously said that he was awoken from his "dogmatic slumbers," and led to question the possibility of metaphysics, by David Hume's doubts about causation. Because of this, many philosophers have viewed Hume's influence on Kant as limited to metaphysics. More recently, some philosophers have questioned whether even Kant's metaphysics was really motivated by Hume. In Knowledge, Reason, and Taste, renowned Kant scholar Paul Guyer challenges both of these views. He argues that Kant's entire philosophy--including his moral philosophy, aesthetics, and teleology, as well as his metaphysics--can fruitfully be read as an engagement with Hume. In this book, the first to describe and assess Hume's influence throughout Kant's philosophy, Guyer shows where Kant agrees or disagrees with Hume, and where Kant does or doesn't appear to resolve Hume's doubts. In doing so, Guyer examines the progress both Kant and Hume made on enduring questions about causes, objects, selves, taste, moral principles and motivations, and purpose and design in nature. Finally, Guyer looks at questions Kant and Hume left open to their successors.

The theory of action underlying Immanuel Kant's ethical theory is the subject of this book. What 'maxims' are, and how we act on maxims, are explained here in light of both the historical context of Kant's thought, and his classroom lectures on psychology and ethics. Arguing against the current of much recent scholarship, Richard McCarty makes a strong case for interpreting Kant as having embraced psychological determinism, a version of the 'belief-desire model' of human motivation, and a literal, 'two-worlds' metaphysics. On this interpretation, actions in the sensible world are always effects of prior psychological causes. Their explaining causal laws are the maxims of agents' characters. And agents act freely if, acting also in an intelligible world, what they do there results in their having the characters they have here, in the sensible world. McCarty additionally shows how this interpretation is fruitful for solving familiar problems perennially plaguing Kant's moral psychology.

The book offers a detailed account of Kant's views on judgments of taste, aesthetic pleasure, imagination and many other topics.

It is well known that Hegel conceives of history as the gradual process of rational thought and of forms of political life. But he is usually thought to place himself at the end of this process. This book argues that an essential part of Hegel's historical-political thinking has escaped the notice of its interpreters.

Essays on Kant contains a collection of seventeen essays written by Henry E. Allison, one of the world's leading scholars on Kant. Although these essays cover virtually the full spectrum of Allison's work on Kant, most of them revolve around three basic themes: the nature of transcendental idealism and its relation to other aspects of Kant's thought; freedom of the will; and the concept of the purposiveness of nature. The first two themes are intended asclarifications, elaborations, and further developments of Allison's previous work on Kant, while the essays on the third theme demonstrate the central place of Kant's 'critical' philosophy in his thought.Allison places Kant's views in their historical context and explores their contemporary relevance to present day philosophers.