The Routledge Handbook of Anthropology and Reproduction is a comprehensive overview of the topics, approaches, and trajectories in the anthropological study of human reproduction. The book brings together work from across the discipline of anthropology, with contributions by established and emerging scholars in archaeological, biological, linguistic, and sociocultural anthropology. Across these areas of research, consideration is given to the contexts, conditions, and contingencies that mark and shape the experiences of reproduction as always gendered, classed, and racialized. Over 39 chapters, a diverse range of international scholars cover topics including: Reproductive governance, stratification, justice, and freedom. Fertility and infertility. Technologies and imaginations. Queering reproduction. Pregnancy, childbirth, and reproductive loss. Postpartum and infant care. Care, kinship, and alloparenting. This is a valuable reference for scholars and upper-level students in anthropology and related disciplines associated with reproduction, including sociology, gender studies, science and technology studies, human development and family studies, global health, public health, medicine, medical humanities, and midwifery and nursing.

In Kaylynn in Training, Katlynn has never made friends easily, so it comes as a surprise when she bonds with her new neighbors so quickly. Justin and Jeremiah Carson are both kind to a fault, and their smiles take her breath away. But wanting each man equally could lead to losing them both. When Jarred, their older brother, arrives for a visit and forces her to reveal her deepest desires, Katlynn questions whether these men will fulfill their promises or leave her without any hope of being loved in return. In Serving the Wolf's Den, Maura Dow is looking for a way out from under a mountain of debt and applies to the Wolf's Den, an afterhours club known for its phenomenal tips. Max Andrews, who owns the club, and his brother, Toby, both want to train her, which takes Maura from the bar to the bedroom, where they reveal their dark secret. When she finds herself in danger, the brothers come for her, but should she flee or embrace what could destroy her? In Catering to Three, Julie Larson moves to San Francisco to further her catering business. At an event, she meets Noah Jamison, Keith Barns, and Mark Romano, three men interested in more than just her cooking. They introduce her to a new way of life, and to her chagrin, her body craves to be taken by all three men at the same time. But Julie's happiness is interrupted when a woman hell-bent on ruining Julie's life forces her to abandon everything, including the men she can't live without. Will she find her way back, or is it too late for her to change? ** A Siren Erotic Romance. Kalissa Alexander is a Siren-exclusive author.

In these new essays leading European and North American scholars of medieval medicine focus on manuscripts and their transmission and demonstrate how medievalists in all disciplines can profit by studying the primary medical sources rather than relying on the secondary literature. It is only through the study of actual medical manuscripts that context and audience can be discussed adequately. The lead essay by Bernard Schnell, Prolegomena to a History of Medieval German Medical Literature: The Twelfth Century, clarifies methodological principles for this literary sociology and examines the current state of research in the study of manuscript transmission. The remaining essays discuss either manuscripts by a single author or paradigmatic manuscripts within a single national tradition. Until all the basic sources in medieval texts are uncovered and a survey is made, this volume will stand as an overview of the field.

A full edition of the first quarto of Romeo and Juliet (1597), with helpful commentary.

Se presentan evidencias de la existencia de heterogeneidades en la dinámica de inflación en los países del área euro.

A revealing collection of correspondence between Chester Himes and John A. Williams, two prominent twentieth-century African American novelists. Chester Himes and John A. Williams met in 1961, as Himes was on the cusp of transcontinental celebrity and Williams, sixteen years his junior, was just beginning his writing career. Both men would go on to receive international acclaim for their work, including Himes's Harlem detective novels featuring Grave Digger Jones and Coffin Ed Johnson and Williams's major novels The Man Who Cried I Am, Captain Blackman, and Clifford's Blues. Dear Chester, Dear John is a landmark collection of correspondence between these two friends, presenting nearly three decades worth of letters about their lives and loves, their professional and personal challenges, and their reflections on society in the United States and abroad. Prepared by John A. Williams and his wife, Lori Williams, this collection contains rare and personal glimpses into the lives of Williams and Himes between 1962 and 1987. As the writers find increasing professional success and recognition, they share candid assessments of each others' work and also discuss the numerous pitfalls they faced as African American writers in the publishing world. The letters offer a window into Himes's and Williams's personalities, as the elder writer reveals his notoriously difficult and suspicious streak, and Williams betrays both immense affection and frustration in dealing with his old friend. Despite several rifts in their relationship, Williams's concern for Himes's failing health ensured that the two kept in touch until Himes's death. Dear Chester, Dear John is a heartfelt and informative collection that allows readers to step behind the scenes of a lifelong friendship between two important literary figures. Students and teachers of African American literature will enjoy this one-of-a-kind volume.

Can we re-imagine divine power as deeply related to the changing world? Can we re-imagine the creation of the world as an ongoing process of co-creation in which every individual from particles of atoms to human beings plays a part? Can we re-imagine Goddess/God as the most relational of all relational beings? Can we re-imagine the world as the body of Goddess/God? If we can, then we can understand the deeper meaning of female images of divine power, including Goddess, God-She, Sophia, and Shekhina. Many traditional understandings of divine power begin with thinly disguised rejections of the female body and connection to the natural world. Women theologians from Jewish, Christian, Goddess, and other traditions are re-imagining divine and human power as embodied, embedded in a changing world, and deeply related to all beings in the web of life. Drawing on the work of process philosopher Charles Hartshorne - whose insights deserve a wider hearing - Carol P. Christ offers intellectual foundations for deeply held feelings about the meanings of female images of divine power. Her gift is the ability to make complex ideas seem simple and radically new ideas seem familiar. This book is addressed to everyone who has ever wondered about the implications of re-imagining God as female.