A god with a powerful weapon. An immortal sorcerer. An inevitable showdown. Successful in deciphering Krishna's puzzles and retrieving the Kaustubha locket, Anirudh finally accepts his destiny as Kalki--the tenth avatar of Vishnu. However, with the ever-perilous world moving too fast for him to keep up with, he is taken under the wing of an esoteric society created for his protection. As ancient allies watch over him from the Himalayas, Anirudh moves to find the greatest weapon in the universe hidden in the fabled submerged palace of Dwarka. However, the Demon of Time, Kalarakshasa, yearns to possess it as well. In an ultimate showdown, the cloaked sorcerer faces the last avatar of Vishnu on the battlefield. Will it be long before Kali, the Lord of Evil, takes up the reins of the mortal world? And will the darkness brought upon by the Kali yuga soon eclipse the earth?

'If I am here, in the flesh, then I am not here to forgive. I am here to conclude.' Anirudh, the Kalki avatar, has been slain by the enemy. His allies swiftly regroup, not having the luxury to mourn the fallen hero. Bewildered at their loss, they look towards Avyay, who wields the mantle of the avatar now. Taking over the reins of the battle, the group faces the inevitable challenge as Ashwatthama fulfils his mission: resurrecting Kali, the Lord of Evil. Will the forces of Kalki be able to save the earth or will everything perish? With unforeseen surprises and events stretching across realms known and unknown, and across yugas present and past, this third instalment concludes the Kalki Chronicles with an ending that you never saw coming

What if the legend of Kalki, the tenth avatar of Vishnu, is an elaborate hoax created by Lord Krishna? In the year 2025, twenty-year-old Anirudh starts dreaming of Krishna. But these visions that keep flashing through his mind are far from an ordinary fantasy-they are vivid episodes from the god's life. Through these scenes, as Krishna's mystifying schemes are revealed, Anirudh slowly comes to terms with his real identity . . . He is the last avatar of Vishnu, sent to restore the balance between good and evil. But an ancient and powerful nemesis, burning with the fire of revenge, has already started assembling a clan of mighty sorcerers to finally be rid of the protector god and unleash depravity on earth. Will Anirudh realize his potential before it's too late? Or will the enemy destroy everything in their wake before the avatar finally manifests? This gripping read is the first part in the Kalki Chronicles, which unveils the greatest legend of the Kali yuga.

'If I am here, in the flesh, then I am not here to forgive. I am here to conclude.' Anirudh, the Kalki avatar, has been slain by the enemy. His allies swiftly regroup, not having the luxury to mourn the fallen hero. Bewildered at their loss, they look towards Avyay, who wields the mantle of the avatar now. Taking over the reins of the battle, the group faces the inevitable challenge as Ashwatthama fulfils his mission: resurrecting Kali, the Lord of Evil. Will the forces of Kalki be able to save the earth or will everything perish? With unforeseen surprises and events stretching across realms known and unknown, and across yugas present and past, this third instalment concludes the Kalki Chronicles with an ending that you never saw coming

A fresh, strikingly immediate and elegant verse translation of the classic, with an introduction and helpful guides to each section, by the rising American poet. Born in the United States into a secularized Hindu family, Amit Majmudar puzzled over the many religious traditions on offer, and found that the Bhagavad Gita had much to teach him with its "song of multiplicities." Chief among them is that "its own assertions aren't as important as the relationships between its characters . . . The Gita imagined a relationship in which the soul and God are equals"; it is, he believes, "the greatest poem of friendship . . . in any language." His verse translation captures the many tones and strategies Krishna uses with Arjuna--strict and berating, detached and philosophical, tender and personable. "Listening guides" to each section follow the main text, and expand in accessible terms on the text and what is happening between the lines. Godsong is an instant classic in the field, from a poet of skill, fine intellect, and--perhaps most important--devotion.

Autobiographical sketches and stories from India's best-loved writer in English. For over four decades now, by way of innumerable short stories, essays, poems and novels, Ruskin Bond has championed simplicity and quietude in life and in art. This collection of essays and episodes from his journals is, in his own words, "a celebration of my survival as a freelance'. The author's early forays into the literary magazines of the 1950s and '60s are described in the first part of the book, along with some examples of his work at the time. The sections that follow contain extracts from an unpublished travel journal he kept during the '60s, episodes from the highways on which he was a frequent traveller, and vignettes of life in Mussoorie, past and present. With understated humour and compassion, Ruskin Bond records the charming eccentricities of friends and acquaintances (a former princess cheerfully obsessed with death and disaster); the silent miracles of nature ("New moon in a purple sky'); life's little joys (the smell of onions frying) and its fleeting regrets. Nostalgic and heart-warming, full of wisdom and charm, The Lamp is Lit provides a fascinating glimpse into the life of "our very own resident Wordsworth in prose.