The oceans rose and from their depths the Kaiju came. Mankind survives in fortified, domed cities, fighting what seems an eternal war with the giant monsters and the smaller creatures they use as foot-soldiers. Now that war is coming to an end as one by one the city states of humanity fall to the Kaiju. Kaiju Apocalypse is the tale of the human race's desperate, final stand.

Though scattered, ragtag groups of humans still continue to fight back, the war with the Kaiju was lost. Humanity teeters on the brink of extinction and the world has become a wasteland of dead cities and scorched Earth. One scientist has a plan to end the Kaiju once and for all but will it come at too high a cost?

The United States, the only country to have dropped the bomb, and Japan, the only one to have suffered its devastation, understandably portray the nuclear threat differently on film. American science fiction movies of the 1950s and 1960s generally proclaim that it is possible to put the nuclear genie back in the bottle. Japanese films of the same period assert that once freed the nuclear genie can never again be imprisoned. This book examines genre films from the two countries released between 1951 and 1967--including Godzilla (1954), The Mysterians (1957), The Incredible Shrinking Man (1957), On the Beach (1959), The Last War (1961) and Dr. Strangelove (1964)--to show the view from both sides of the Pacific.

Sid, Axl, and Ivan volunteer to make a late-night fast-food run for the high school theater crew, and when they return, they find themselves. Not in a deep, metaphoric sense: They find copies of themselves onstage. As they look closer, they begin to realize that the world around them isn’t quite right. Turns out, when they went to the taco place across town, they actually crossed into an alien dimension that’s eerily similar to their world. The aliens have made sinister copies of cars, buildings, and people—and they all want to get Sid, Axl, and Ivan. Now the group will have to use their wits, their truck, and even their windshield scraper to escape! But they may be too late. They may now be copies themselves . . .

Jeremy Robinson returns to the Kaiju Thriller genre he popularized with the largest Kaiju to ever appear in fiction: the Apocalypse Machine. Bursting with all the epic action, desperate struggle and complex characters that readers have come to expect, Robinson takes the world to the brink once more.

The official novelization of the upcoming sci-fi blockbuster Pacific Rim from visionary director Guillermo del Toro! When legions of monstrous creatures, known as Kaiju, started rising from the sea, a war began that would take millions of lives and consume humanity's resources for years on end. To combat the giant Kaiju, a special type of weapon was devised: massive robots, called Jaegers, which are controlled simultaneously by two pilots whose minds are locked in a neural bridge. But even the Jaegers are proving nearly defenseless in the face of the relentless Kaiju. On the verge of defeat, the forces defending mankind have no choice but to turn to two unlikely heroes-a washed up former pilot (Charlie Hunnam) and an untested trainee (Rinko Kikuchi)-who are teamed to drive a legendary but seemingly obsolete Jaeger from the past. Together, they stand as mankind's last hope against the mounting apocalypse. "I wanted to make not a war movie, but an adventure movie, with a huge, romantic sense of adventure, a sense of grandeur, and operatic battles..." - Guillermo Del Toro

Kaiju Rising: Age of Monsters is a collection of stories focused on strange creatures in the vein of Pacific Rim, Godzilla, Cloverfield, and more. Opening with a foreword by Jeremy Robinson--author of Project Nemesis, the highest selling Kaiju novel in the United States since the old Godzilla books--the collection features work from New York Times bestsellers to indie darlings.