East Meets West in Dance chronicles this development in the words of many of its best known and most active exponents. This collection of articles provides a theoretical discussion of the promises and pitfalls inherent in transplanting art forms from one culture to another; it offers practical guidance for those who might want to participate in this enterprise and explains the general history of the dance exchange to date. It also identifies the differences that are unique to specific cultures, such as the development of theatrical forms, arts education, and the status of artists. This is a first examination of a phenomenon that has already touched most people in the arts community worldwide, and that none can afford to ignore. A lively dialogue has evolved over the last few decades between dance professionals -- performers, teachers and administrators -- in the United States and Europe and their counterparts in Asia and the Pacific rim.

He had been away on business for half a year, but the lock on his home door had changed. His wife's body was swollen like a kiss, her stockings had been written down, and she had left a pen with someone's name in the house ...

Married eight years, husband addicted to online gambling, waste business, Xia Yuhan had to take charge of the family business, for him to pay off the gambling debts. On the crowded way back from work, I ran into my husband holding a bright and beautiful little demoness in his arms. Xia Yuhan dispiritedly decided to divorce her daughter along with her, but her ex-husband arrogantly said that giving up on her would be her loss. The little goblin even took her ex-husband's hand and swore to her. Suddenly, a refined and mature figure jumped out from the crowd. He knelt down on one knee, and raised the diamond ring in his hand. "Dearest, please marry me."

At the end of the school term Kai's summer was all planned out: Party, date the hottest girl around, play football, play basketball and pursue his hobby, taking pictures with his camera.He lands a job working for a professional photographer, and gets to spend the last weekend of summer at the Reading Music Festival.Life is good for Kai. That is, until a new arrival to Aintree moves into the house across from his....Tasha's summer was all planned out too: settle in her new home and keep a low profile. She gets sucked into joining the clique of teenagers in the area but she soon discovers that not everyone in Aintree is thrilled to have her around. Homesick and unable to fit in, life is not exactly great for Tasha. That is, until she receives an unexpected, genuine offer of friendship... or is it?

Contemporary Romance with Heart and Soul... Like butterflies in the spring that disappear into cocoons and emerge, completely changed, M.J.’s characters are no longer the same when their stories end. This set includes Books 4 – 6 in the Butterfly Memoirs: Nobody’s Business Determined to make up for his past mistakes, Trevon gives his ex what she wanted before their breakup, what feels like his soul, which means he needs to forget about the exotic woman who stole his heart one fateful night… Alone With a new job waiting in Atlanta, the only other thing Derrick’s looking for is a woman who's willing to fit his no-strings-attached relationship policy. But then he runs into Kelli, a woman with a smart mouth who challenges him in every way… Shattered When Brian and Ebony and their married friends arrive in sunny Miami Beach, they vow to place life troubles on hold and enjoy a child-free weekend. But even paradise can’t whisk away problems… The realities of life after saying I do come to light. Unresolved issues from the past surface. The bonds of matrimony shatter. And one couple may never have a chance to make things right. What Readers are Saying about the Butterfly Memoirs: ⭐⭐⭐⭐⭐ "I loved how the characters got to really know each other despite the ethnic differences... M.J. Kane has just found another fan." — Goodreads (A Heart Not Easily Broken) ⭐⭐⭐⭐⭐ "A Wonderful Story of Love and Triumph." — Hopeless Romantic (A Heart Not Easily Broken) ⭐⭐⭐⭐⭐ "Laughter through tears is my favorite emotion…" — Goodreads (Jaded) ⭐⭐⭐⭐⭐ "Looking for an HEA, straight-up romance—this is for you…" — Goodreads (Lonely Heart)

In the delightfully whimsical and fantastical world of Ernest Bramah's The Kai Lung Fantasy Series, readers are transported to ancient China, where they are met with a blend of humor, satire, and intricate storytelling. Through the use of clever dialogue and cunning wordplay, Bramah weaves together a collection of interconnected tales filled with cunning tricksters, mystical creatures, and cunning schemes. The series stands out for its unique narrative style that combines traditional Chinese folklore with British humor, creating a captivating and engaging read for fans of both genres. Each story within the series offers a glimpse into the rich tapestry of Chinese mythology, providing a fascinating blend of culture and entertainment. Ernest Bramah's proficiency in storytelling shines through in this collection, showcasing his talent for creating vivid and entertaining narratives that resonate with readers of all ages. As a pioneer in blending Eastern and Western storytelling traditions, Bramah's The Kai Lung Fantasy Series is a must-read for anyone looking for a charming and immersive literary experience that transcends cultural boundaries.

In this fascinating and wide-ranging book, Yoko Kawaguchi explores the Western portrayal of Japanese women—and geishas in particular—from the mid-nineteenth century to the present day. She argues that in the West, Japanese women have come to embody certain ideas about feminine sexuality, and she analyzes how these ideas have been expressed in diverse art forms, ranging from fiction and opera to the visual arts and music videos. Among the many works Kawaguchi discusses are the art criticism of Baudelaire and Huysmans, the opera Madama Butterfly, the sculptures of Rodin, the Broadway play Teahouse of the August Moon, and the international best seller Memoirs of a Geisha. Butterfly’s Sisters also examines the impact on early twentieth-century theatre, drama, and dance theory of the performance styles of the actresses Madame Hanako and Sadayakko, both formerly geishas.