This work, through poetic renderings, examines how Chinese philosophy influenced the writings of Franz Kafka, Rainer Maria Rilke, and Arno Nadel. The connection for Kafka came through Confucianism, while for Rilke, the major tie-in was Zen Buddhism, and for Nadel, the primary influence was Taoism. Even though the writings of Kafka and Rilke are generally well-known to the English-reading public, this is the first time that selections from Nadels German poetry have been translated into English.

There are two major factors that helped Ludwig Feuerbach (1804–1872) earn a great deal of respect from both his philosophy colleagues and the lay readers of his books. First, his anthropological interest in studying “the absolute and exalted” compelled Feuerbach to bring these very abstract and complex subjects back down to earth. Second, with his focus directed toward reason, cooperation, and mutual understanding, Feuerbach was determined to show that a relationship between the self and others (or as he called it, “I and thou”) is more essential and rewarding than any kind of faith-based desire for a supernatural communion. In this latest book by Professor Wasserman, he devotes himself to translating many of Feuerbach’s insightful epigrammatic poems, which appear to specifically coincide with the two special themes that are mentioned above.

Exhibition catalog, Frey Norris Gallery Annex, San Francisco, Feb. 7-Mar. 30, 2008.

A fully revised second edition of this multi-author account of Canadian literature, from Aboriginal writing to Margaret Atwood.

All cities are multilingual, but there are some where language relations have a special importance. These are cities where more than one historically rooted language community lays claim to the territory of the city. This book focuses on four such linguistically divided cities: Calcutta, Trieste, Barcelona, and Montreal. Though living with the ever-present threat of conflict, these cities offer the possibility of creative interaction across competing languages and this book examines the dynamics of translation in its many forms. By focusing on a category of cities which has received little attention, this study contributes to our understanding of the kinds of language relations that sustain the diversity of urban life. Illustrated with photos and maps, Cities in Translation is both an engaging read for a wide-ranging audience and an important text in advancing theory and methodology in translation studies.

This book is the first major study in English of René Schickele's work. Hailed by his contemporaries as one of the foremost German-language novelists of the inter-war period, and celebrated for his Expressionist poetry and his controversial First World War drama Hans im Schnakenloch, Schickele also produced socio-critical essays and pioneering editorial work for the pacifist journal Die Weißen Blätter. From his literary débuts in fin-de-siècle Strasbourg to the French and German prose fiction of his anti-Nazi exile, Schickele's work reflects his bilingual, bicultural upbringing: his vision of Alsace as a symbolic broker of Franco-German peace finds its clearest expression in the trilogy of novels Das Erbe am Rhein. Schickele remains a paradoxical figure, in his own words, a 'citoyen français und deutscher Dichter' (French citizen and German poet). Through readings of all the major texts, Eric Robertson's study situates Schickele's work within its socio-political and historical context. Particular attention is paid to the personal and political implications of his adoption of German as literary idiom and his reversion to the French mother tongue during the 1930s; Schickele's copious diaries and his correspondence with fellow writers including Thomas Mann, Heinrich Mann and Stefan Zweig are shown to be especially revealing. Schickele's œuvre holds a unique and hitherto underrated place in the European writing of his era.

Highlights the shifting terrain in literary studies of slavery and challenges the notion of what constitutes slavery and its representation.