In Kaddish for Kovno (the Kaddish is a prayer for the dead) William W Mishell documents in passionate detail the creation and then the obliteration of ghetto Kovno in Lithuania during the Nazi occupation of World War II. It is a troy of ingenuity and heroism as well as of horror and destruction. It illuminates the indomitable human spirit as the Jews of Kovno secured food, smuggled children to safety, set up hospitals, and even organised a ghetto orchestra in the face of numbing deprivations and brutality. A gripping account of four years no human could forget.

After interviewing a Holocaust survivor who took clandestine photographs of the Kovno Ghetto at great risk, a graduate student stumbles over a diary chronicling the same time and place during Nazi occupation. She soon discovers that photographer, George Kaddish is one of only two known Jewish photographers who recorded ghetto life, but most importantly she learns that hope and humanity still exist.

“Remarkable . . . provides a graphic and unparalleled description of the conditions under which the Jews of Kaunas tried to live and survive.” —The Forward As a force that had to serve two masters, both the Jewish population of the Kovno ghetto in Lithuania and its German occupiers, the Kovno Jewish ghetto police walked a fine line between helping Jews survive and meeting Nazi orders. In 1942 and 1943 some of its members secretly composed this history and buried it in tin boxes. This book details the creation and organization of the ghetto, the violent German attacks on the population in the summer of 1941, the periodic selections of Jews to be deported and killed, the labor required of the surviving Jewish population, and the efforts of the police to provide a semblance of stability. A substantial introduction by distinguished historian Samuel D. Kassow places this powerful work within the context of the history of the Kovno Jewish community and its experience and fate at the hands of the Nazis. “No book I've read in recent time about the Holocaust has so moved me, evoking the utter helplessness of the Jew, the plight of the Jewish police and the cunning cruelty of the German. This is a gripping story, page by page, and it reminds us again that there but for the grace of God go we all.” —Marvin Kalb, Senior Advisor to the Pulitzer Center and Edward R. Murrow Professor, Emeritus, Harvard Kennedy School “A landmark of Holocaust historiography.” —Slavic Review

A National Jewish Book Award-winning autobiography that's "an astonishing fusion of learning and psychic intensity; its poignance and lucidity should be an authentic benefit to readers, Jewish and gentile" (The New York Times Book Review). Children have obligations to their parents: the Talmud says "one must honor him in life and one must honor him in death." Beside his father’s grave, a diligent but doubting son begins the mourner’s kaddish and realizes he needs to know more about the prayer issuing from his lips. So begins Leon Wieseltier’s National Jewish Book Award–winning autobiography, Kaddish, the spiritual journal of a man commanded by Jewish law to recite a prayer three times daily for a year and driven, by ardor of inquiry, to explore its origins. Here is one man’s urgent exploration of Jewish liturgy and law, from the 10th-century legend of a wayward ghost to the speculations of medieval scholars on the grief of God to the perplexities of a modern rabbi in the Kovno ghetto. Here too is a mourner’s unmannered response to the questions of fate, freedom, and faith stirred in death’s wake. Lyric, learned, and deeply moving, Wieseltier’s Kaddish is a narrative suffused with love: a son’s embracing the tradition bequeathed to him by his father, a scholar’s savoring they beauty he was taught to uncover, and a writer’s revealing it, proudly, unadorned, to the reader.

This unforgettable Holocaust memoir recounts the story of the Kovno Ghetto, Lithuania, and honors its extraordinary leader, Dr. Elkhanan Elkes.

Winner of the National Jewish Book Award: viewing the Holocaust through the eyes of youth “Zapruder . . . has done a great service to history and the future. Her book deserves to become a standard in Holocaust studies classes. . . . These writings will certainly impress themselves on the memories of all readers.”—Publishers Weekly “These extraordinary diaries will resonate in the reader’s broken heart for many days and many nights.”—Elie Wiesel This stirring collection of diaries written by young people, aged twelve to twenty-two years, during the Holocaust has been fully revised and updated. Some of the writers were refugees, others were in hiding or passing as non-Jews, some were imprisoned in ghettos, and nearly all perished before liberation. This seminal National Jewish Book Award winner preserves the impressions, emotions, and eyewitness reportage of young people whose accounts of daily events and often unexpected thoughts, ideas, and feelings serve to deepen and complicate our understanding of life during the Holocaust. The second paperback edition includes a new preface by Alexandra Zapruder examining the book’s history and impact. Simultaneously, a multimedia edition incorporates a wealth of new content in a variety of media, including photographs of the writers and their families, images of the original diaries, artwork made by the writers, historical documents, glossary terms, maps, survivor testimony (some available for the first time), and video of the author teaching key passages. In addition, an in-depth, interdisciplinary curriculum in history, literature, and writing developed by the author and a team of teachers, working in cooperation with the educational organization Facing History and Ourselves, is now available to support use of the book in middle- and high-school classrooms.

In Drunk on Genocide, Edward B. Westermann reveals how, over the course of the Third Reich, scenes involving alcohol consumption and revelry among the SS and police became a routine part of rituals of humiliation in the camps, ghettos, and killing fields of Eastern Europe. Westermann draws on a vast range of newly unearthed material to explore how alcohol consumption served as a literal and metaphorical lubricant for mass murder. It facilitated "performative masculinity," expressly linked to physical or sexual violence. Such inebriated exhibitions extended from meetings of top Nazi officials to the rank and file, celebrating at the grave sites of their victims. Westermann argues that, contrary to the common misconception of the SS and police as stone-cold killers, they were, in fact, intoxicated with the act of murder itself. Drunk on Genocide highlights the intersections of masculinity, drinking ritual, sexual violence, and mass murder to expose the role of alcohol and celebratory ritual in the Nazi genocide of European Jews. Its surprising and disturbing findings offer a new perspective on the mindset, motivation, and mentality of killers as they prepared for, and participated in, mass extermination. Published in Association with the US Holocaust Memorial Museum.