A fictionalized biography of Okuni, the 17th Century Japanese temple dancer who invented the Kabuki theatre. The novel chronicles her love life and the public's reaction to her innovations, such as cross-dressing, reaction which tended to vary with the political climate of the day.

Studies the production and psychology of this Japanese drama form and compares its techniques with those of the Western theater

An almost mythical representation of the miraculous moment when an immortalrtform was born, this novel recreates the ethos and mores of early7th-century Japan.

First published in 2005. A complete introduction to traditional Japanese dance, this text will delight readers with its lively descriptions and beautiful illustrations. Covering subjects including dance varieties, Kabuki dance, modern dance movements based on Kabuki dance and the influence of Western dance, this book will undoubtedly be of interest to travellers, dancers and anyone curious about the culture of Japan.

Drawing on both historical and literary sources, examines life in the pleasure houses of Japan during the Edo period from the early 1600s to 1868. Among the topics are the origins, illegal competitors, the cost of a visit, the treatment of the courtesans, traditions and protocols, Yoshiwara arts, th

Alison McQueen Tokita presents a series of case studies that demonstrate the persistence of Japanese sung narratives in a multiplicity of genres over ten centuries, including the way they flourished and declined, together with factors contributing to development and change in narrative performance. Performed narratives are examples of a shared cultural heritage, which in the past have given people a sense of belonging to a community. Narratives that were continually re-told and recycled in different versions and formats over a long period of time served to build people's sense of a common identity over space (the geographical extent of 'Japan') and time (the enduring power of many specific narratives such as The Tale of the Heike). Much scholarly attention has focused on Japanese pre-modern literature and drama, but the tradition of oral narrative has barely been touched. Tokita argues that it is possible to identify a continuous tradition of performed narrative in Japan from the tenth to the twentieth centuries. The elements of variation and change relate to the move away from oral narrative to text-based performance, and from a simple narrative situation with one performer to complex theatrical narratives with dancers, singers and other musicians. The resulting complexity led to the pre-eminence of the musical aspects in some cases, and of dramatic or dance aspects in others. Tokita includes substantial musical analysis and exploration of theoretical issues, as well as documentation of important performance traditions, all of which are extant.