Attorney William Billy Parkers life has come full circle. Now grown up, he takes on new adventures, friends, family, and marriage. In this, the sequel to Inquiring Minds, and the third and final book in the series, Billy makes important life choices that involve his kindergarten friend Dorca who has not only changed her name to Dana, but also has changed her face through Hollywood surgery. Ka-Chi-Fo follows the life of the Parkers and their family and friends. Dora the housekeeper and cook retires, and the family gets a new chef with a special bonus that impacts the family. Doris Wright, who needs a kidney transplant, finds a passion for helping the less-fortunate, and includes her butler Finley in her escapades. Sonjee, a young girl travels to Africa to find herself. From celebrations, homecomings, births, and deaths, Billys life comes together. A novel of triumph and tragedy, forgiveness and blame, Ka-Chi-Fo narrates the ups and downs of a grand lifestyle that communicates the thin line between the good and the bad of money.

With the backdrop of new global powers, this volume interrogates the state of writing in English. Strongly interdisciplinary, it challenges the prevailing orthodoxy of postcolonial literary theory. An insistence on fieldwork and linguistics makes this book scene-changing in its approach to understanding and reading emerging literature in English.

Beautiful and lyrical, Chioma Urama's A Body of Water is a poetic exploration of ancestry in the American South. These poems are the result of a conversation Urama opened with her ancestors, whose documented and oral histories have been fragmented by a history of enslavement. Urama’s examination of generational trauma collapses linear time and posits that the traumas of the past are present within the consciousness of our bodies until we transmute the energy surrounding them. The work ebbs and flows between pared-down poems where erasure and white space take on substance and roiling lyric essays that fold in divergent voices from historic documents, music, and film. This collection is both vulnerable and political; a meditation on love and grief; an exploration of loss and connectivity. These poems embrace imagination as a tool to emotionally traverse spaces within history that we are told we cannot enter. A Body of Water is an act of remembering, engaging with the idea that “all water has a perfect memory,” and nothing is ever truly lost.

"One of the best books of this year." -Arts and Africa "Adjapon tells a gripping tale" -The Nation "Bisi Adjapon has tackled some of the truly difficult aspects of love and sexuality." -The Mirror "At times hilariously funny and at others deeply disturbing. Of Women and Frogs offers a refreshing and insider perspective onto two West Africa societies." -Literandra London "Unputdownable, a book that makes you go from laughing out loud to bawling and back to laughing again." -Ayesha Haruna Attah, author of The Hundred Wells of Salaga "Stunning. I spent hours moving between out-loud laughter, gripping fear and deep annoyance and love for Esi and her father." -Africa in Dialogue A precocious African girl, whose sexual curiosity brings unexpected heartbreak, wishes frogs will turn her into a man. Will she ever find a way to love herself again and become the extraordinary woman she hoped to be? Esi is a feisty half-Nigerian girl growing up in Ghana, with occasional visits to her family in Lagos. When curiosity about her womanhood leads to a burning punishment from her stepmother, Esi begins to question the hypocrisy of adults around her and the restrictions they place on girls. Moving between Ghana and Nigeria, this heartwarming story of a girl beating a path to self-actualization amidst political upheaval in Rawlings' Ghana and strained relationships between her ancestral countries. OF WOMEN AND FROGS is a heartwarming, soulful coming-of-age tale. Explore girlhood with the inquisitive, unflappable Esi as she journeys through the trials of becoming a woman to find her best self. "This is a really wonderful story. [Bisi Adjapon] writes with incredible vividness and clarity. [Her] similes and attention to all the senses are really extraordinary." - Dave Eggers, publisher of McSweeney's Quarterly Concern and Pulitzer Prize-winning author of A Heartbreaking Work of Staggering Genius

Theatre was made for children. With their fertile imaginations and their honest ability to be carried away by a story, they are the best audiences that directors, actors, and playwrights could ever hope to encounter. They also represent the future of the arts. Theatre for Children is a collection of new and classic plays for children. Adapted from some of the most beloved stories in children's literature, such as Roald Dahl's The Witches, The Great Gilly Hopkins, and Dr. Seuss' How the Grinch Stole Christmas, as well as original plays, this anthology brings together new and overlooked plays that children are sure to love. Theatre for Children is an invaluable resource for directors, teachers, and students of theatre. Foreword Country Mouse and the Missing Lunch Mystery by Sandra Fenichel Asher Ernie's Incredible Illucinations by Alan Ayckbourn Two Donuts by Jose Cruz González Dr. Seuss' How the Grinch Stole Christmas by Timothy Mason and Mel Marvin A Laura Ingalls Wilder Christmas by Laurie Brooks Braille: The Early Life of Louis Braille by Lola H. and Coleman A. Jennings Bless Cricket, Crest Toothpaste, and Tommy Tune by Linda Daugherty The Great Gilly Hopkins by David Paterson and Steve Liebman The Witches by David Wood Mississippi Pinocchio by Mary Surface and David Maddox The Wolf and Its Shadows by Sandra Fenichel Asher Ezigbo, The Spirit Child by Max Bush and Adaora Nzelibe Schmiedl Inuk and the Sun by Henry Beissel A Village Fable by James Still The Witch of Blackbird Pond by Y York

A member of the Igbo tribe of Nigeria who became a nun and trained as an anthropologist, Joseph Therese Agbasiere had a unique opportunity to transcend some of the preconceptions and subjectivities inevitable when an 'outsider' studies a native society. Her richly detailed ethnography examines kinship practices, marriage customs, and women's responsibilities in the house and the community, establishing the tremendous influence that Igbo women wield in public affairs. Igbo ideas about the universe, the person and spiritual considerations are also discussed and shown to be primarily centred around women. This fascinating work is a testament to the combination of personal insight and academic detachment which the author brought to her study of Igbo women before her death in 1998. It will be a valuable resource for students and scholars in anthropology, African studies and women's studies.