A tribute to the first Singer-Superstar of Indian Cinema Hailed as shahenshah-e-mausiqi (emperor of music) and acclaimed as the ghazal king, K.L. Saigal became a phenomenon in his own lifetime. Idolized for his distinctive style by the first generation of Bollywood playback singers, he is now also the subject of study by several scholars. With no formal training, Saigal recorded 185 songs, including the immortal Diya jalao jagmag jagmag, Rumjhum rumjhum chaal tihari, Baag laga doon sajani and Jab dil hi toot gaya. He also acted in thirty-six feature films, including Tansen, Street Singer and Shahjehan. His popularity, however, skyrocketed with Devdas in which he played the doomed lover to perfection, a portrayal which would influence every actor playing a tragic hero thereafter. This book, interspersed with archival photographs and appended with a filmography and selected songs, provides a fascinating account of one of Hindi cinema’s greatest legends.

On Kundan Lal Saigal, 1904-1946, singer and actor of Hindi cinema.

On Kundan Lal Saigal, 1904-1946, Indian singer and actor.

Lahore, First Published In 1993, Is Pran Nevile S Tribute To The Land Of His Birth. Grounded In Memory And Redolent With Nostalgia, Nevile S Reminiscences Transport The Reader Into The Heart Of Lahore As It Was In The 1930S And 40S A City Bustling With Activity Where People Coexisted Harmoniously, Unfettered By Considerations Of Religion, Region Or Caste. From The Riotous Seasonal Festivities Of Kite-Flying To Clandestine Love-Affairs Upon Rooftops, From Matinee Shows At The Cinema To Twilight Hours Spent Amongst The Bejewelled Dancing Girls Of Hira Mandi, Lahore Emerges As A City Of Mesmerizing Contradictions And Chaotic Splendour. The Author Underscores The Contrast Between Pre- And Post-Partition Lahore, And The Sense Of Pain, Loss And Longing For One S Homeland Experienced By The Displaced Millions In India And Pakistan Is Palpable. Evocative And Informative, Lahore Is At Once Social Commentary, Historical Documentation And Memoir.

A rare compilation of hand-printed as well as digitalized landmark Hindi film posters from the 1930s to the present - both tracing the journey of an art form and the evolution of cinema in India. The text accompanying each poster carries a synopsis, banner, details of cast and technical crew, date of release, famous songs, awards won, and some lesser-known anecdotes about the film. The posters are from young Hindi film buff, S M M Ausaja's personal collection of posters, lobby cards, record album covers and other memorabilia.

This Indian film music book is a collection of eighty essays about the people who made remarkable music in Bollywood cinema, especially during the great era, and the ideas such people brought to the recording studios. When songs had to go without rhythms or when melodies had plenty of Q n A in them. In this music book, we flirt with Rock n Roll and scan songs that speed up at the end, we peep behind the screen to see what the idea was behind chorus songs in our films – even if there was no one to sing that chorus on the screen; it’s a huge list. These pages are a reflection of the time when everyone was fired up in their art, and when no one wanted to finish last in the race. It is about artists who every now and then dreamt ideas, and only after crystallizing things perfectly in their mind’s eye, went out to translate and transform their dreams into unforgettable melodies in Indian movies. Jukebox will interest the layman as well as the academician.

Twilight Zone is a collection of nine short stories,all written by the same author,Ranganathan Magadi.The stories relate to murder,love, homosexuality, AIDS, gang war, terrorism, patriotism, filial affection, marital fraud and medical negligence.The themes are very new and the mode of presentation is different.