Enjoy this great comic from DC’s digital archive!

"Superman created by Jerry Siegel and Joe Shuster, by special arrangement with the Jerry Siegel family; Wonder Woman created by William Moulton Marston"

Superman! Batman! Wonder Woman! The Flash! Green Lantern! Aquaman! The Martian Manhunter! The Justice League of America in its very own series! But will their first adventure be their last? Featuring the first appearance of the mind-controlling villain Despero!

Twenty-five years after the epic battle between Pops and Anti-Pops, Mordecai, Rigby, and the rest of their friends return to the park for a reunion, only to get mixed up with a Fairy King bent on taking Mordecai and Rigby’s children. The Official Continuation of the Hit Cartoon Network Series! Twenty-five years after the epic battle between Pops and Anti-Pops, Mordecai, Rigby, and the rest of their friends return to the park for a reunion! Their crazy youth is nothing but a memory...or so Mordecai and Rigby think. It’s not long before these two friends stumble across a secret fairy world, find themselves young again, and have their children stolen by Viceroy Alberich, the Fairy King. Now 25 years younger, Mordecai and Rigby must work together to reform Alberich’s miscreant children if they want their own returned to them. Join writer Christopher Hastings (Adventure Time, Gwenpool) and newcomer artist Anna Johnstone in the official continuation of Cartoon Network’s Emmy Award-winning Regular Show.

In the hands of dozens of writers and artists, DC Comics Justice League of America (JLA) has experienced moments that can be intensely personal or of great cosmic importance. The comic's ability to shift in tone has always kept the team interesting and reflects the changing tastes among the readers and the times when each moment occurred. The Justice League, the team also known as the World’s Greatest Super-Heroes, have flowered and foundered, seen their ranks swell and shrink, and risen and fallen in sales popularity, but remaining a fixture in pop cultures for decades. What you will see on the pages that follow are one hundred of the greatest moments, each one a piece of the mosaic that is the Justice League. From their first rallying issue to the League finally reaching the big screen in the 2017 feature film Justice League, the members and their stories has remained entertaining for readers and watchers . The selections of iconic comic moments to come were not chosen in a vacuum. Moments chosen consist of nominations from various Facebook fan groups as well as former JLA scribes Mark Waid, Kurt Busiek, J.M. DeMatteis, Bob Rozakis, Gerry Conway, Marv Wolfman and former DC editors Michael Eury and KC Carlson. Ace researcher and comics historian John Wells and current JLA editor Brian Cunningham also offered input on the most contemporary selections.

Winner, John G. Cawelti Award for the Best Textbook/Primer, Popular Culture Association/American Culture Association, 2019 MPCA/ACA Book Award, Midwest Popular Culture Association / Midwest American Culture Association, 2020 Taking a multifaceted approach to attitudes toward race through popular culture and the American superhero, All New, All Different? explores a topic that until now has only received more discrete examination. Considering Marvel, DC, and lesser-known texts and heroes, this illuminating work charts eighty years of evolution in the portrayal of race in comics as well as in film and on television. Beginning with World War II, the authors trace the vexed depictions in early superhero stories, considering both Asian villains and nonwhite sidekicks. While the emergence of Black Panther, Black Lightning, Luke Cage, Storm, and other heroes in the 1960s and 1970s reflected a cultural revolution, the book reveals how nonwhite superheroes nonetheless remained grounded in outdated assumptions. Multiculturalism encouraged further diversity, with 1980s superteams, the minority-run company Milestone’s new characters in the 1990s, and the arrival of Ms. Marvel, a Pakistani-American heroine, and a new Latinx Spider-Man in the 2000s. Concluding with a discussion of contemporary efforts to make both a profit and a positive impact on society, All New, All Different? enriches our understanding of the complex issues of racial representation in American popular culture.