Jupiter is a horse-breaker and coach driver, and was born into slavery. During a freak electrical storm, he is struck by lighting which gives him the power of immortality, and makes his scars translucent. Jupiter escapes to the North and finds the abolitionist and former enslaved person, Harriet Tubman. Together, they plot to smuggle run-away slaves through the underground railroad. Jupiter continually puts his life on the line to help others knowing he cannot be killed. Eventually, Jupiter outlives everyone and experiences dramatic changes in America from the Civil War to modern times. Can Jupiter use his powers and wisdom to change the course of history to rectify racial injustice and inequality?

Jupiter is a horse-breaker and coach driver, and was born into slavery. During a freak electrical storm, he is struck by lighting which gives him the power of immortality, and makes his scars translucent. Jupiter escapes to the North and finds the abolitionist and former enslaved person, Harriet Tubman. Together, they plot to smuggle run-away slaves through the underground railroad. Jupiter continually puts his life on the line to help others knowing he cannot be killed. Eventually, Jupiter outlives everyone and experiences dramatic changes in America from the Civil War to modern times. Can Jupiter use his powers and wisdom to change the course of history to rectify racial injustice and inequality?

Jupiter is a horse-breaker and coach driver, and was born into slavery. During a freak electrical storm, he is struck by lighting which gives him the power of immortality, and makes his scars translucent. Jupiter escapes to the North and finds the abolitionist and former enslaved person, Harriet Tubman. With help of other free slaves and abolitionist -- he plots a rescue of his love from the infamous Chateau.

When all the men in Mancastle get eaten by a dragon, the women take over! Now the blacksmith's wife Merinor is King, Princess Aeve is the Captain, and the only remaining (and least capable) knight Sir Riddick is tasked with teaching the ladies of the castle how to defend against all manner of monsters! Novelist Delilah S. Dawson (Star Wars: The Perfect Weapon, As Wicked as She Wants, Wake of Vultures) brings her first original series to comics, and is joined by breakthrough illustrators Ashley A. Woods (Niobe: She Is Life) and Becca Farrow for a rollicking fantasy adventure featuring women reclaiming their lives on their terms. Collects issues the complete limited series.

A new superhero has arisen in India in the wake of the brutal gang rape on a Delhi bus two years ago: Priya, a mortal woman who is raped herself, but who fights back against sexual violence with the help of the goddess Parvati – and a tiger. – THE GUARDIAN “Priya’s Shakti is the first Indian comic book of its kind — not only confronting teenagers with the sensitive issue of sexual violence, but also engaging young people through its innovative use of augmented reality technology.” — REUTERS

In truth, I found it hard going. It is not clear whether it is intended to be a book of instruction about the Roman conquest of Britain or an adventure story of a young boy who learns the tricks of the fighting trade from the Romans with the intention of using them against the same Romans back in Ireland. It turns out that this will not be necessary, but that he will have to fight his uncle Niall, who up to this point has been painted as a heroic figure. At the end, the future contact with Christianity is foreseen. As an exposition of military and colonial problems in Britain and Ireland in the 5th century, it is a wonderful piece of erudition. The explanation of the different origins of names and customs shows a mastery of the history and politics of the day. Similarly the story of the foreign cavalry in the Roman army/ The problem is that the reader is expecting an adventure yarn, with frequent setbacks and heroic reversals, culminating in some kind of temporary triumph. The longer the book goes on, the less this aspect is important. Clearly the book needs a map of Britain and Ireland and it would make easier reading if the names of the towns and regions were given in English. There needs to be a decision about which characters are important (what happened Sal Bui?) The notes at the heads of the chapters are a distraction – these should form a 20-page appendix at the end of the book. A true adventure story would not have such openings, because the story would be more important than the explanations. I suggest that you break up long paragraphs and have a consisted way of dealing with things like quotation marks, breaks between paragraphs etc. The difference between the followers of Christ and of Jesus is good; so is the account of the raiding pirates from across the North Sea. There are many other excellent things, but ultimately, I feel the book falls between two stools: Roman history and adventure yarn. An example is Ch 2, the initiation of Dathi which appears to have no further relevance to the story.

Reprint of the original, first published in 1873.