There's an old saying about law school: The first year, they scare you to death; the second year, they work you to death; the third year, they bore you to death. Helping to alleviate this famed fright, sweat, and boredom, The JD Jungle Law School Survival Guide expertly shows current and prospective students how to navigate all three years of law-school torture. Comprehensive, practical, and witty, it includes advice from students in the trenches, successful graduates, sage professors, and working professionals, including:How to identify and get accepted at the law school of your choicePlaces to look for and get financial aidEffective note-taking, study, and exam-day strategiesTips for managing law-school stressHow to pass the bar exam the first timeHow to land a law internship-and then the job of your dreamsFounded by parent company Jungle Interactive Media in 2000, JD Jungle is one of the hottest new magazines on the market. With a circulation of 80,000 subscribers, it can be found on newsstands everywhere. Visit www.JdJungle.com.

A story of the explosive and redemptive powers of the imagination, set during the year Rudyard Kipling lived in Vermont and wrote The Jungle Books. In 1892, at the age of twenty-six, Rudyard Kipling arrived in Vermont virtually penniless, with a newly pregnant wife and the germ of a story about a feral child who was raised by a pack of wolves. Having fled the literary high life in London, he hoped to find a quiet corner in which to raise a family and work, where he might build a sanctuary that could offer him refuge from the scrutiny incurred by his burgeoning fame and the wounds of his own troubled past. From this literary footnote, Victoria Vinton brings to life Kipling’s early years in Bombay, where he lived as the pampered son of a well-connected British family, and explores the repercussions of the abandonment he felt when, at age six, he was severed from his family and sent to live in a foster home in England that he later dubbed “The House of Desolation.” She shows how those experiences formed the basis of his art, how from this cauldron of comfort and pain he wrote The Jungle Books and created his most enduring character, Mowgli. Mixing fact and invention, Vinton parallels Kipling’s story with that of his neighbors, the Connollys, who are forced to question the decisions they have made in the wake of Kipling’s presence in their lives. There is eleven-year-old Joe Connolly, who finds himself drawn to Kipling and his stories, seeing in the adventures of Mowgli a template for his own escape. There is Jack, his father, who views Kipling’s influence over his son as a challenge to his very sense of self. And there is Addie, Jack’s wife, who must embrace and assimilate these changes in order to hold on to her family, confronted by the unsettling power of the imagination.

The future of the free market depends on fair, honest business practices. Business Ethics: Contemporary Issues and Cases aims to deepen students’ knowledge of ethical principles, corporate social responsibility, and decision-making in all aspects of business. The text presents an innovative approach to ethical reasoning grounded in moral philosophy. Focusing on corporate purpose—creating economic value, complying with laws and regulations, and observing ethical standards—a decision-making framework is presented based upon Duties-Rights-Justice. Over 40 real-world case studies allow students to grapple with a wide range of moral issues related to personal integrity, corporate values, and global capitalism. Richard A. Spinello delves into the most pressing issues confronting businesses today including sexual harassment in the workplace, cybersecurity, privacy, and environmental justice.

'In the Gardens of God' is a unique collection of poetry which symbolizes the return of the poet to the source of all creation. Despite the harsh influences of the physical reality the poet excels owing to his devotion to the love of life. Furthermore, the poet managed to overcome temptation owing to the gift of poetry. His realization of the truth was the ray of the new dawn for mankind. This collection is a mirror of the ordeal in which the poet was pressed down to the extreme point of madness. He had to choose between the world of man and the world of God; A choice which was bound to either lead the poet to self destruction or to lead posterity to salvation. Freedom of the human spirit or the demise it occupied the poet's inner world. To conform to the world of man would mean spiritual death whereas to return to God would mean an everlasting life for the human spirit.

The politics of popular westerns are surprising in substance and significance, especially of late. Cowboy Politics shows how westerns in literature, cinema, and television face the challenges of Western Civilization even more than the perils of American frontiers. Its strategy is to compare key westerns with major theories of modern and postmodern politics. So it analyzes novels from Owen Wister to Zane Grey and Larry McMurtry. It focuses on films from the western revival beginning in the 1990s and featuring Clint Eastwood’s Unforgiven, while its interest in TV stretches from singing cowboys and Gunsmoke to David Milch’s Deadwood. Critics are apt to find in westerns the modern politics of Thomas Hobbes and John Locke. They tap devices of individuality, rationality, contract, sovereign enforcement, and representation to overcome the chaotic violence of a wild zone. Cowboy Politics examines how westerns often find such measures insufficient to tame the West as a culture of honor and anger that deteriorates into feud-al vengeance. Instead westerns see the West as the sunset land that is already growing old and moving on. So westerns seek fresh starts informed by comparing civilizations more than demonizing savages. Westerns worry that modern politics devolve into exploitation, oppression, spectacle, and terror. So they pursue supplements in such postmodern politics as republicanism, perfectionism, populism, feminism, and environmentalism. Especially westerns explore politics of persuasive speech-in-action-in-public, doing beauty, and self-reliance in the modes of Hannah Arendt and Ralph Waldo Emerson. The first two chapters of Cowboy Politics explain how westerns do political theory for popular audiences by making many of our myths: the symbolic stories of individuals and communities which we live daily. The next three chapters trace the initially modern theories of government in many westerns. Then western turns to republican honor, rhetoric, response-ability, and character tracking occupy the following four chapters. And these set the stage for another four chapters on western attention to postmodern terror, mythmaking, celebrity, spectacle, and forgiveness. The final two chapters analyze how “late,” “satirical,” and “transformative” westerns develop realist defenses for their surprisingly postmodern politics.