A trip to the Moon? Sounds like the perfect family vacation. Only, for 13-year-old Charles "Chigger" Dingillian, life is anything but perfect. His parents fight so much, they put the "dis" into dysfunctional. His brothers, Stinky and Weird, are impossible to get along with. And his neighborhood is a down-trodden tunnel community on Earth. It's supposed to be a short vacation—a trip up the Line, Earth's space elevator, and then home again. Halfway there, Chigger hits on a plan: if his parents can't find a way to work things out, why not just divorce them? The idea sounds crazy . . . until it works. But Chigger soon realizes he has much bigger problems: The people they meet on the Moon seem overly friendly and way too interested in his family. Suddenly, the quick pleasure trip takes a detour into danger as Chigger suspects they are targets of an interstellar manhunt. Their only hope may be to jump off the planet.

Charles thought the Moon would be a new beginning. Now, he knows he'll be lucky just to stay alive. Having escaped both an Earth on the verge of global collapse and their squabbling parents in a "divorce" at Geosynchronous Station, a newly independent Charles "Chigger" Dingillian and his two brothers find themselves alone on the Moon with very few prospects. Worse, they are being hunted by ruthless interplanetary corporations who would stop at nothing to come in possession of a memory bar the boys smuggled on board. Totally unsure of who they can trust—if anyone—the three boys must find a way to make it on their own in unfamiliar territory. Only one thing is certain: The Moon is not a safe place to be.

For use in schools and libraries only. A mystery man inspires two boys to build a space ship which takes them to the planet of Basidium to help the Mushroom people.

Winner of the 2023 Hugo Award for Best Series! Adrian Tchaikovsky's award-winning novel Children of Time, is the epic story of humanity's battle for survival on a terraformed planet. Who will inherit this new Earth? The last remnants of the human race left a dying Earth, desperate to find a new home among the stars. Following in the footsteps of their ancestors, they discover the greatest treasure of the past age—a world terraformed and prepared for human life. But all is not right in this new Eden. In the long years since the planet was abandoned, the work of its architects has borne disastrous fruit. The planet is not waiting for them, pristine and unoccupied. New masters have turned it from a refuge into mankind's worst nightmare. Now two civilizations are on a collision course, both testing the boundaries of what they will do to survive. As the fate of humanity hangs in the balance, who are the true heirs of this new Earth?

NAMED ONE OF THE BEST BOOKS OF THE YEAR BY People ∙ O: The Oprah Magazine ∙ Financial Times ∙ Kansas City Star ∙ BookPage ∙ Kirkus Reviews ∙ Publishers Weekly ∙ Booklist NEW YORK TIMES BESTSELLER “A stunner.”—Justin Cronin “It’s never the disasters you see coming that finally come to pass—it’s the ones you don’t expect at all,” says Julia, in this spellbinding novel of catastrophe and survival by a superb new writer. Luminous, suspenseful, unforgettable, The Age of Miracles tells the haunting and beautiful story of Julia and her family as they struggle to live in a time of extraordinary change. On an ordinary Saturday in a California suburb, Julia awakes to discover that something has happened to the rotation of the earth. The days and nights are growing longer and longer; gravity is affected; the birds, the tides, human behavior, and cosmic rhythms are thrown into disarray. In a world that seems filled with danger and loss, Julia also must face surprising developments in herself, and in her personal world—divisions widening between her parents, strange behavior by her friends, the pain and vulnerability of first love, a growing sense of isolation, and a surprising, rebellious new strength. With crystalline prose and the indelible magic of a born storyteller, Karen Thompson Walker gives us a breathtaking portrait of people finding ways to go on in an ever-evolving world. “Gripping drama . . . flawlessly written; it could be the most assured debut by an American writer since Jennifer Egan’s Emerald City.”—The Denver Post “Pure magnificence.”—Nathan Englander “Provides solace with its wisdom, compassion, and elegance.”—Curtis Sittenfeld “Riveting, heartbreaking, profoundly moving.”—Kirkus Reviews (starred review) Look for special features inside. Join the Circle for author chats and more.

A gringa takes the leap into unknown currents of the Amazon River surrounded by the largest rainforest in the world, Amazonas. It is the drama, some comedy and some tragedy, of her immigration and acculturation as she sinks deeper into the culture. What she discovers in this world of spirits and myths from the people of the jungle, both native and mestizo. Finally, the biggest tragedy of all, history, greed, corruption, and poverty transform an enchanting paradise into one of the worst misuses of natural resources in history. Along with it, people undergo drastic changes that affect the culture, economy, politics, and social structure. Includes an international artist, medicinal plants, and native history.

In 2013, a Dutch scientist unveiled the world’s first laboratory-created hamburger. Since then, the idea of producing meat, not from live animals but from carefully cultured tissues, has spread like wildfire through the media. Meanwhile, cultured meat researchers race against population growth and climate change in an effort to make sustainable protein. Meat Planet explores the quest to generate meat in the lab—a substance sometimes called “cultured meat”—and asks what it means to imagine that this is the future of food. Neither an advocate nor a critic of cultured meat, Benjamin Aldes Wurgaft spent five years researching the phenomenon. In Meat Planet, he reveals how debates about lab-grown meat reach beyond debates about food, examining the links between appetite, growth, and capitalism. Could satiating the growing appetite for meat actually lead to our undoing? Are we simply using one technology to undo the damage caused by another? Like all problems in our food system, the meat problem is not merely a problem of production. It is intrinsically social and political, and it demands that we examine questions of justice and desirable modes of living in a shared and finite world. Benjamin Wurgaft tells a story that could utterly transform the way we think of animals, the way we relate to farmland, the way we use water, and the way we think about population and our fragile ecosystem’s capacity to sustain life. He argues that even if cultured meat does not “succeed,” it functions—much like science fiction—as a crucial mirror that we can hold up to our contemporary fleshy dysfunctions.