Enter, in procession, with music, CAESAR; ANTONY, for the course; CALPHURNIA, PORTIA, DECIUS, CICERO, BRUTUS, CASSIUS and CASCA; a great crowd following, among them a SOOTHSAYER.CAESAR.Calphurnia.CASCA.Peace, ho! Caesar speaks.[Music ceases.]CAESAR.Calphurnia.CALPHURNIA.Here, my lord.CAESAR.Stand you directly in Antonius' way, When he doth run his course. Antonius.ANTONY.Caesar, my lord?CAESAR.Forget not in your speed, Antonius, To touch Calphurnia; for our elders say, The barren, touched in this holy chase, Shake off their sterile curse.ANTONY.I shall remember.When Caesar says "Do this," it is perform'd.CAESAR.Set on; and leave no ceremony out.[Music.]SOOTHSAYER.Caesar!CAESAR.Ha! Who c

Julius Caesar is a key link between Shakespeare’s histories and his tragedies. Unlike the Caesar drawn by Plutarch in a source text, Shakespeare’s Caesar is surprisingly modern: vulnerable and imperfect, a powerful man who does not always know himself. The open-ended structure of the play insists that revealing events will continue after the play ends, making the significance of the history we have just witnessed impossible to determine in the play itself. John D. Cox’s introduction discusses issues of genre, characterization, and rhetoric, while also providing a detailed history of criticism of the play. Appendices provide excerpts from important related works by Lucretius, Plutarch, and Montaigne. A collaboration between Broadview Press and the Internet Shakespeare Editions project at the University of Victoria, the editions developed for this series have been comprehensively annotated and draw on the authoritative texts newly edited for the ISE. This innovative series allows readers to access extensive and reliable online resources linked to the print edition.

The first tragedy to be played in the new Globe Theatre, Julius Caesar is set at a crucial turning point in Roman history, as the Republican gives way to the imperial. Safely removed in time and place from Shakespeare’s Elizabethan England, Rome makes the perfect laboratory for the playwright’s free-ranging political analysis.

Arena Stage, 25th Anniversary Season presents Zelda Fichandler, producing director, Thomas C. Fichandler, executive director "Julius Caesar," by William Shakespeare, directed by Carl Weber, setting by Ming Cho Lee, costumes by Marjorie Slaiman, lighting by William Mintzer, music composer Alan Laing, technical director Henry R. Gorfein, associate producer George Touliatos.

Brutus, best friend of the Roman ruler Caesar, reluctantly joins a successful plot to murder Caesar and subsequently destroys himself. Includes notes and an introduction.