Alejandro Tapia y Rivera (1826-1882) was a Puerto Rican poet, dramaturg, essayist and writer. Tapia is considered to be the father of Puerto Rican literature and as the person who has contributed the most to the cultural advancement of Puerto Rico's literature. In addition to his writing, he was also a abolitionist and a women's rights advocate. One of his most important works was his play, La Cuarterona, the tragic love story of Carlos, a young Cuban who falls in love with Julia, a childhood friend, but racial, class, and status divisions keep them apart, since he is from a white land-owning family and she is the daughter of a slave. This first translation with a critical introduction and an exhaustive bibliography on Tapia, is a useful contribution to the study of drama, African slavery and its abolition, Hispanic literature and culture, Puerto Rican studies, women's studies, colonial and post-colonial studies, human rights, and the history of the Atlantic World.

In her fiction debut, Doreen Baingana follows a Ugandan girl as she navigates the uncertain terrain of adolescence. Set mostly in pastoral Entebbe with stops in the cities Kampala and Los Angeles, Tropical Fish depicts the reality of life for Christine Mugisha and her family after Idi Amin’s dictatorship. Three of the eight chapters are told from the point of view of Christine’s two older sisters, Patti, a born-again Christian who finds herself starving at her boarding school, and Rosa, a free spirit who tries to “magically” seduce one of her teachers. But the star of Tropical Fish is Christine, whom we accompany from her first wobbly steps in high heels, to her encounters with the first-world conveniences and alienation of America, to her return home to Uganda. As the Mugishas cope with Uganda’s collapsing infrastructure, they also contend with the universal themes of family cohesion, sex and relationships, disease, betrayal, and spirituality. Anyone dipping into Baingana’s incandescent, widely acclaimed novel will enjoy their immersion in the world of this talented newcomer. *Winner of the Commonwealth Writers’ Prize for Best First Book in the Africa region *Winner of the Association of Writers and Writing Programs (AWP) Award Series in Short Fiction *Winner of the Washington Writing Prize for Short Fiction *Finalist for the Caine Prize in African Writing

Offers a new interpretation of the history of colonial India and a critical contribution to the understanding of environmental history and the tropical world. Arnold considers the ways in which India’s material environment became increasingly subject to the colonial understanding of landscape and nature, and to the scientific scrutiny of itinerant naturalists.

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The memoirs of Filipinos in Hollywood span more than 80 years, dating back to the early 1920s when the first wave of immigrants, who were mostly males, arrived and settled in Los Angeles. Despite the obstacles and hardships of discrimination, these early Filipino settlers had high hopes and dreams for the future. Many sought employment in Hollywood, only to be marginalized into service-related fields, becoming waiters, busboys, dishwashers, cooks, houseboys, janitors, and chauffeurs. They worked at popular restaurants, homes of the rich and famous, movie and television studios, clubs, and diners. For decades, Filipinos were the least recognized and least documented Asians in Hollywood. But many emerged from the shadows to become highly recognized talents, some occupying positions in the entertainment industry that makes Hollywood what it is today--the world's capital of entertainment and glamour.