In the fall of 1862 Julia Wilbur left her family’s farm near Rochester, New York, and boarded a train to Washington, DC. As an ardent abolitionist, the forty-seven-year-old Wilbur left a sad but stable life, headed toward the chaos of the Civil War, and spent the next several years in Alexandria, Virginia, devising ways to aid recently escaped slaves and hospitalized Union soldiers. A Civil Life in an Uncivil Time shapes Wilbur’s diaries and other primary sources into a historical narrative of a woman who was alternately brave, self-pitying, foresighted, and myopic. Paula Tarnapol Whitacre describes Wilbur’s experiences against the backdrop of Alexandria, a southern town held by the Union from 1861 to 1865; of Washington, DC, where Wilbur became active in the women’s suffrage movement; and of Rochester, New York, where she began a lifelong association with Frederick Douglass and Susan B. Anthony. Harriet Jacobs, author of Incidents of a Slave Girl, became Wilbur’s friend and ally. Together, the two women, black and white, fought social convention to improve the lives of African Americans escaping slavery by coming across Union lines. In doing so, they faced the challenge to achieve racial and gender equality that continues today. A Civil Life in an Uncivil Time is the captivating story of a woman who remade herself at midlife during a period of massive social upheaval.

During the first hundred years of Chinese immigration--from 1848 to 1943--San Francisco was home to a shockingly extensive underground slave trade in Asian women, who were exploited as prostitutes and indentured servants. In this gripping, necessary book, bestselling author Julia Flynn Siler shines a light on this little-known chapter in our history--and gives us a vivid portrait of the safe house to which enslaved women escaped. The Occidental Mission Home, situated on the edge of Chinatown, served as a gateway to freedom for thousands. Run by a courageous group of female Christian abolitionists, it survived earthquakes, fire, bubonic plague, and violent attacks. We meet Dolly Cameron, who ran the home from 1899 to 1934, and Tien Fuh Wu, who arrived at the house as a young child after her abuse as a household slave drew the attention of authorities. Wu would grow up to become Cameron's translator, deputy director, and steadfast friend. Siler shows how Dolly and her colleagues defied convention and even law--physically rescuing young girls from brothels, snatching them from their smugglers--and how they helped bring the exploiters to justice. Riveting and revelatory, The White Devil's Daughters is a timely, extraordinary account of oppression, resistance, and hope.

In Belles and Poets, Julia Nitz analyzes the Civil War diary writing of eight white women from the U.S. South, focusing specifically on how they made sense of the world around them through references to literary texts. Nitz finds that many diarists incorporated allusions to poems, plays, and novels, especially works by Shakespeare and the British Romantic poets, in moments of uncertainty and crisis. While previous studies have overlooked or neglected such literary allusions in personal writings, regarding them as mere embellishments or signs of elite social status, Nitz reveals that these references functioned as codes through which women diarists contemplated their roles in society and addressed topics related to slavery, Confederate politics, gender, and personal identity. Nitz’s innovative study of identity construction and literary intertextuality focuses on diaries written by the following women: Eliza Frances (Fanny) Andrews of Georgia (1840–1931), Mary Boykin Miller Chesnut of South Carolina (1823–1886), Malvina Sara Black Gist of South Carolina (1842–1930), Sarah Ida Fowler Morgan of Louisiana (1842–1909), Cornelia Peake McDonald of Virginia (1822–1909), Judith White Brockenbrough McGuire of Virginia (1813–1897), Sarah Katherine (Kate) Stone of Louisiana (1841–1907), and Ella Gertrude Clanton Thomas of Georgia (1843–1907). These women’s diaries circulated in postwar commemoration associations, and several saw publication. The public acclaim they received helped shape the collective memory of the war and, according to Nitz, further legitimized notions of racial supremacy and segregation. Comparing and contrasting their own lives to literary precedents and fictional role models allowed the diarists to process the privations of war, the loss of family members, and the looming defeat of the Confederacy. Belles and Poets establishes the extent to which literature offered a means of exploring ideas and convictions about class, gender, and racial hierarchies in the Civil War–era South. Nitz’s work shows that literary allusions in wartime diaries expose the ways in which some white southern women coped with the war and its potential threats to their way of life.

Presenting an original, thought-provoking look at Ulysses S. Grant, Soldier of Destiny evokes the life of the general through his conflicted connection to slavery, allowing readers a clearer understanding of this great American. Captain Ulysses S. Grant, an obscure army officer who was expelled for alcohol abuse in 1854, rose to become general-in-chief of the United States Army in 1864. What accounts for this astonishing turn-around during this extraordinary decade? Was it destiny? Or was he just an ordinary man, opportunistically benefiting from the turmoil of the Civil War to advance to the highest military rank? Soldier of Destiny reveals that Grant always possessed the latent abilities of a skilled commander—and he was able to develop these skills out West without the overwhelming pressure faced by more senior commanders in the Eastern theater at the beginning of the Civil War. Grant was a true Westerner himself and it was his experience in the West—before and during the Civil War—that was central to his rise. From 1861 to 1864, Grant went from being ambivalent about slavery to becoming one of the leading individuals responsible for emancipating the slaves. Before the war, he lived in a pro-slavery community near St. Louis, where there were very few outright abolitionists. During the war, he gradually realized that Emancipation was the only possible outcome of the war that would be consistent with America’s founding values and future prosperity. Soldier of Destiny tells the story of Grant’s connection to slavery in far more detail than has been done in previous biographies. Grant’s life story is an almost inconceivable tale of redemption within the context of his fraught relationships with his antislavery father and his slaveholding wife. This narrative explores the poverty, inequality, and extraordinary vitality of the American West during a crucial time in our nation’s history. Writers on Grant have tended to overlook his St. Louis years (1854-1860), even though they are essential for understanding his later triumphs. Walt Whitman described Grant as “a common trader, money-maker, tanner, farmer of Illinois—general for the republic, in its terrific struggle with itself, in the war of attempted secession. Nothing heroic, as the authorities put it—and yet the greatest hero. The gods, the destinies, seem to have concentrated upon him.”

Winner of the Los Angeles Times Book Prize in History: a bold and searing investigation into the role of white women in the American slave economy “Stunning.”—Rebecca Onion, Slate “Makes a vital contribution to our understanding of our past and present.”—Parul Sehgal, New York Times “Bracingly revisionist. . . . [A] startling corrective.”—Nicholas Guyatt, New York Review of Books Bridging women’s history, the history of the South, and African American history, this book makes a bold argument about the role of white women in American slavery. Historian Stephanie E. Jones-Rogers draws on a variety of sources to show that slave‑owning women were sophisticated economic actors who directly engaged in and benefited from the South’s slave market. Because women typically inherited more slaves than land, enslaved people were often their primary source of wealth. Not only did white women often refuse to cede ownership of their slaves to their husbands, they employed management techniques that were as effective and brutal as those used by slave‑owning men. White women actively participated in the slave market, profited from it, and used it for economic and social empowerment. By examining the economically entangled lives of enslaved people and slave‑owning women, Jones-Rogers presents a narrative that forces us to rethink the economics and social conventions of slaveholding America.

A study of seven autobiographies by women who defied the domestic ideology of 19th-century America by serving as itinerant preachers. Literally and culturally homeless, all of them used their autobiographies to construct plausible identities as women and Christians.