Grab some coins for the jukebox, and get ready for a colorful, time-traveling, musical tale about family and courage. A mysterious jukebox, old vinyl records, and cryptic notes on music history, are Shaheen's only clues to her father's abrupt disappearance. She looks to her cousin, Tannaz, who seems just as perplexed, before they both turn to the jukebox which starts...glowing? Suddenly, the girls are pulled from their era and transported to another time! Keyed to the music on the record, the jukebox sends them through decade after decade of music history, from political marches, to landmark concerts. But can they find Shaheen’s dad before the music stops? This time-bending magical mystery tour invites readers to take the ride of their lives for a coming-of-age adventure.

The author recounts his journeys throughout the United States, in search of the ideal jukebox and the treasures of old popular, rock, and country music it would hold

Boubacar, a 15-year-old boy from Africa, moves to a rural Mississippi Delta town and soon visits The Celestial Grocery, the city center presided over by a cranky second-generation Chinese proprietor and his equally cranky jukebox. The tie that binds these lives is American popular music.

A Louisiana farmer is jailed for the murder, 30 years earlier, of a black civil rights leader. The farmer claims he is innocent and asks Dave Robicheaux, the sheriff's deputy, to help him prove it. Not easy, as it suits a lot of people to have the case closed.

Sandra Boynton and Michael Ford—the team behind Rhinoceros Tap, the Grammy-nominated #1 New York Times bestseller Philadelphia Chickens, and other toe-tapping book-and-CD sets—bring great words, great music, great performers to children and vintage children alike. Put a nickel in the jukebox, assuming you can locate a jukebox, and that you remember what a nickel is. Here's legendary Beach Boy Brian Wilson singing lead and 10-part harmonies on "Speed Turtle." The incomparable Neil Sedaka crooning "Your Nose." B. B. King brings you a wistful "One Shoe Blues," Gerry and the Pacemakers offer "Mersey Lullaby," and Broadway great Patti LuPone sings—what else—the "Rabbit Tango." And then there's the hit single from Boynton's Your Personal Penguin sung by the impossibly cute Davy Jones of The Monkees. I mean jeepers, even Sha Na Na is here. And OH! The book! Boynton has filled it with all things 50s and 60s. And, well, golly, it’s so happy and colorful and just terrific, Mister! Grab your saddle shoes, plunk two straws into that swell chocolate malt, and let's twist again like we did last century. 119,000 copies in print.

From its indefinite beginnings through its broad commercialization and endless reinterpretation, American rock-and-roll music has been preoccupied with an end-of-the-world mentality that extends through the whole of American popular music. In Apocalypse Jukebox, Edward Whitelock and David Janssen trace these connections through American music genres, uncovering a mix of paranoia and hope that characterizes so much of the nation’s history. From the book’s opening scene, set in the American South during a terrifying 1833 meteor shower, the sense of doom is both palpable and inescapable; a deep foreboding that shadows every subsequent development in American popular music and, as Whitelock and Janssen contend, stands as a key to understanding and explicating America itself. Whitelock and Janssen examine the diversity of apocalyptic influences within North American recorded music, focusing in particular upon a number of influential performers, including Bob Dylan, Leonard Cohen, John Coltrane, Devo, R.E.M., Sleater-Kinney, and Green Day. In Apocalypse Jukebox, Whitelock and Janssen reveal apocalypse as a permanent and central part of the American character while establishing rock-and-roll as a true reflection of that character.

Popular music is with us constantly. It is part of our everyday enviroment and in global terms it is now perhaps the most universal means of communication. The Global Jukebox is the first comprehensive study of the international music industry at a time of great change, as the entertainment industry acknowledges its ever growing global audience. Robert Burnett provides an international overview of the music business and its future prospects in the UK, Northern Europe and the United States and Canada. He examines the relationship between local and global cultures and between concentration of ownership (Sony, Warner and the rest of the `big six') and the diversity of music production and consumption. The Global Jukebox not only illuminataes the workings of the contemporary entertainment industries, it captures the dynamics at work in the production of musical culture between the transnational media conglomerates, the independent music companies and the public. It is essential reading for anyone studying popular music.