Migration has been a life event for many Afghans during the past decades, with mass exoduses due to war, insecurity, and poverty. This book explores how Hazara migrant women reinterpret their narration of "self", ventilates opinions of their migratory lives and analyses ways Afghan immigrant women experience life in Germany. It presents an understanding how they experience sociocultural change as a consequence of their migratory experiences. It identifies contradictions in how Afghan immigrant women negotiate identity, belonging to and acquire status in the new society.

An in-depth study traces the experiences of 22 middle-class women and their evolution from traditional wives and mothers to career women.

The global debt and adjustment crisis has challenged the World Bank to become the leading agency in North-South finance and development. The many dimensions of this challenge--which must be comprehensively addressed by the Bank's new president--are the subject of this important volume in the Overseas Development Council's U.S.-Third World Policy Perspectives series. The Bank's ability to design and implement a comprehensive response to global economic needs is threatened by competing objectives and uncertain priorities. Can the Bank design programs attractive to private investors that also serve the very poor? Can it emphasize efficiency while transferring technologies that maximize labor absorption? Can it aggressively condition loans on policy reforms without attracting the criticism that has accompanied IMF programs? Can it meet the needs of the 1990s with the internal organization and staff of the early 1980s? The contributors to this volume assess the role that the World Bank can play in the period ahead. They argue for new financial and policy initiatives and for new conceptual approaches to development, as well as for a restructuring of the Bank as it takes on new systematic responsibilities in the new decade.

Price Evans doesn’t know that his family’s new property connects to Tolk—a land where the animals talk, and where humans are almost mythical beings to the fairies, giants, dwarfs, and other creatures who live there. His neighbor’s wily cat, Sinbad, has taken up residence in both worlds, and is devising a plan to bring humans into Tolk. Knowing that evil and corruption will follow, the desperate Tolks summon Price, an outsider, to help them save their vulnerable world.

When joy is a habit, love is a reflex. The concept of love is abstract. People define love differently; they show it differently and have different expectations of what it should look and feel like. We are often torn between nostalgia for the familiar and an urge for the strange. As often as not, we are homesick most for the places we have ever known. For some, pain is the price of love and for some, it's a precious connection unexplained. The book 'Two worlds apart' focuses on varied perspectives on the question 'Is love a source of harmony or conflict or both?'

An exploration of the lives and works of Verdi and Wagner as well as their respective legacies to the present day, written by a noted cultural critic. This is the first book to compare these two composers and cultural heroes, both of whom were born in 1813 and achieved huge national and inter- national renown in their lifetimes. Yet not only did they never meet, but the differences between them—in music, culture, environment, significance, and legacy—were profound. Peter Conrad begins his tale in a public park in Venice, home to a pair of statues of the composers that are positioned so as to appear to shun each other. This provides a fitting starting point for his argument that they represent two opposite yet equally integral and compelling dimensions of European culture: north versus south, cerebral versus sensual, proud solitude versus human connection, epic mythmaking versus humane magnanimity. The book is a richly argued tour de force that engages passionately and profoundly with music, biography, history, politics, philosophy, psychology, and culture in the broadest sense. As Conrad concludes, “At one time or another, if not simultaneously, we still need the two contradictory, complementary kinds of music that Verdi and Wagner left us.”

In Juggling, Stewart Lawrence Sinclair explores the four-thousand-year history and practice of juggling as seen through his life as a juggler. Sinclair—who learned to juggle as a child and paid his way through college by busking—shares his experiences of taking up juggling after an episode of suicidal ideation, his time juggling on the streets, and ultimately finding comfort in juggling during the COVID-19 pandemic. In many ways, this is a book about loss and recovery. From his own juggling story to clowns braving military checkpoints in Bosnia and Rwanda to perform in refugee camps to contemporary avant-garde performances, Sinclair shows how the universal language of juggling provides joy as well as a respite from difficulties during hard times.