"Judge Dee and the Poisoner of Montmartre" is a dark fantasy Tor.com Original short story from award-winning author Lavie Tidhar. Judge Dee returns to solve a new case involving a Parisian party gone wrong. But this time? Everyone in attendance is a suspect, including the judge himself. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

No vampire is ever innocent in Lavie Tidhar's "Judge Dee and the Limits of the Law", a Tor.com Original short story The wandering Judge Dee serves as judge, jury, and executioner for any vampire who breaks the laws designed to safeguard their kind’s survival. This new case in particular puts his mandate to the test. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Award-winning author Lavie Tidhar returns with a dark fantasy Tor.com Original short story, "Judge Dee and the Three Deaths of Count Werdenfels." Judge Dee is back to solve a brand-new case involving the mysterious death of the vampire Count Werdenfels. The mystery? Who killed him. The twist? Three different people are proudly proclaiming to have committed the crime. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

Young Tom has always dreamed of wolves, which everyone knows don't exist. One day he goes out for a log from the woodpile, and when he returns, there is another Tom, like him, but other. Tom, Thom, this dark and compelling tale from short fiction writer K. M. Ferebee will make you reconsider what may be lurking in the forest. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.

In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.

This book traces the origins of a faith--perhaps the faith of the century. Modern revolutionaries are believers, no less committed and intense than were Christians or Muslims of an earlier era. What is new is the belief that a perfect secular order will emerge from forcible overthrow of traditional authority. This inherently implausible idea energized Europe in the nineteenth century, and became the most pronounced ideological export of the West to the rest of the world in the twentieth century. Billington is interested in revolutionaries--the innovative creators of a new tradition. His historical frame extends from the waning of the French Revolution in the late eighteenth century to the beginnings of the Russian Revolution in the early twentieth century. The theater was Europe of the industrial era; the main stage was the journalistic offices within great cities such as Paris, Berlin, London, and St. Petersburg. Billington claims with considerable evidence that revolutionary ideologies were shaped as much by the occultism and proto-romanticism of Germany as the critical rationalism of the French Enlightenment. The conversion of social theory to political practice was essentially the work of three Russian revolutions: in 1905, March 1917, and November 1917. Events in the outer rim of the European world brought discussions about revolution out of the school rooms and press rooms of Paris and Berlin into the halls of power. Despite his hard realism about the adverse practical consequences of revolutionary dogma, Billington appreciates the identity of its best sponsors, people who preached social justice transcending traditional national, ethnic, and gender boundaries. When this book originally appeared The New Republic hailed it as "remarkable, learned and lively," while The New Yorker noted that Billington "pays great attention to the lives and emotions of individuals and this makes his book absorbing." It is an invaluable work of history and contribution to our understanding of political life.