For decades, James Joyce’s modernism has overshadowed his Irishness, as his self-imposed exile and association with the high modernism of Europe’s urban centers has led critics to see him almost exclusively as a cosmopolitan figure. In Joyce’s Ghosts, Luke Gibbons mounts a powerful argument that this view is mistaken: Joyce’s Irishness is intrinsic to his modernism, informing his most distinctive literary experiments. Ireland, Gibbons shows, is not just a source of subject matter or content for Joyce, but of form itself. Joyce’s stylistic innovations can be traced at least as much to the tragedies of Irish history as to the shock of European modernity, as he explores the incomplete project of inner life under colonialism. Joyce’s language, Gibbons reveals, is haunted by ghosts, less concerned with the stream of consciousness than with a vernacular interior dialogue, the “shout in the street,” that gives room to outside voices and shadowy presences, the disruptions of a late colonial culture in crisis. Showing us how memory under modernism breaks free of the nightmare of history, and how in doing so it gives birth to new forms, Gibbons forces us to think anew about Joyce’s achievement and its foundations.

Gilda Joyce?s best friend, Wendy Choy, is chosen to participate in a piano competition in Oxford, England, so of course super-sleuth Gilda finds a way to go too. Once there, the grueling practice schedule takes a backseat to strange and spooky occurrences. There are foreboding tarot cards that keep appearing to the participants and ominous numbers etched in frosty windowpanes. But even more chilling are Wendy?s ghostly nightmares of a young boy?and the haunting melody she can?t shake out of her mind. Could there be a sinister connection to the piano competition? Gilda has a genuine haunting on her hands, and solving this one will take every ounce of psychic intuition she?s got!

DIVDiscusses Ulysses arguing that through the operation of memory, it mimics the working of the human mind and achieves its status as one of the most intellectual achievements of the 20th century./div

A ghost story with a difference from the WORLD FANTASY and multiple BRITISH FANTASY AWARD-winning author of SOME KIND OF FAIRY TALE It is the summer of 1976, the hottest since records began and a young man leaves behind his student days and learns how to grow up. A first job in a holiday camp beckons. But with political and racial tensions simmering under the cloudless summer skies there is not much fun to be had. And soon there is a terrible price to be paid for his new found freedom and independence. A price that will come back to haunt him, even in the bright sunlight of summer. As with SOME KIND OF FAIRY TALE, Graham Joyce has crafted a deceptively simple tale of great power. With beautiful prose, wonderful characters and a perfect evocation of time and place this is a novel that transcends the boundaries between the everyday and the supernatural while celebrating the power of both.

One of American's foremost authors ventures into dark, uncharted territories of the human psyche in a collection of stories that rival the work of Edgar Allan Poe. Oates is the 1994 recipient of the Bram Stoker Award for Lifetime Achievement given by the Horror Writers of America.

A collection of ghost stories and narration unique to the state of Kansas. The stories are a blend of mystery and menace. The ghosts are shown are to notoriously linked to a specific structure or landscape, whether it be an 18th century mansion or a bottomless pool.

Ever since her father died, quirky Gilda Joyce has been working hard to sharpen her psychic skills. She's determined to communicate with spirits from the Other Side and become a crack investigator of spooky, twisted mysteries. After wrangling an invitation to visit relatives in San Francisco, Gilda discovers that her dreary, tight-lipped uncle and his strange, delicate daughter need her help to uncover the terrible family secret that has a tortured ghost stalking their home. From poignant to hair-raising and hilarious, this is a behind-the-scenes, tell-all account of the very first case in the illustrious career of Gilda Joyce, Psychic Investigator.