Preliminary material /Editors Joyce, Benjamin and Magical Urbanism -- CONTENTS /Editors Joyce, Benjamin and Magical Urbanism -- BIBLIOGRAPHICAL NOTE /Editors Joyce, Benjamin and Magical Urbanism -- INTRODUCTION: JOYCE, BENJAMIN AND MAGICAL URBANISM /ENDA DUFFY and MAURIZIA BOSCAGLI -- ARCADIAN ITHACA /DOUGLAS MAO -- MEMORIAL DUBLIN /ELLEN CAROL JONES -- THE COMMUNIST FLÂNEUR, OR, JOYCE'S BOREDOM /PATRICK MCGEE -- SPECTACLE RECONSIDERED: JOYCEAN SYNAESTHETICS AND THE DIALECTIC OF THE MUTOSCOPE /MAURIZIA BOSCAGLI -- BENJAMIN, JOYCE AND THE DISAPPEARANCE OF THE DEAD /GRAHAM MACPHEE -- THE HAPPY RING HOUSE /ENDA DUFFY -- JOYCE, BENJAMIN, AND THE FUTURITY OF FICTION /HEYWARD EHRLICH -- “THAT BANTRY JOBBER:” WILLIAM MARTIN MURPHY AND THE CRITIQUE OF PROGRESS AND PRODUCTIVITY IN ULYSSES /SCOTT KAUFMAN -- THE VERTICAL FLÂNEUR: NARRATORIAL TRADECRAFT IN THE COLONIAL METROPOLIS /PAUL K. SAINT-AMOUR.

Hope and future are not the terms with which James Joyce has usually been read, but this book paints a picture of Joyce's fiction in which hope and future assume the primary colours. Rando explores how Joyce's texts, as early as Dubliners and A Portrait of the Artist as a Young Man, delineate a complex hope that is oriented toward the future with restlessness, dissatisfaction, and invention. He examines how Joyce envisions alternatives to the prevailing conventions of hope throughout his works and, in Ulysses and Finnegans Wake, develops formal techniques of spatializing hope to contemplate it from all sides. Casting fresh light on the ways in which hope animates key aspects of Joyce's approach to literary content and form, Rando moves beyond the limitations of negative critique and literary historicism to present a Joyce who thinks agilely about the future, politics, and possibility.

The New Joyce Studies indicates the variety and energy of research on James Joyce since the year 2000. Essays examine Joyce's works and their reception in the light of a larger set of concerns: a diverse international terrain of scholarly modes and methodologies, an imperilled environment, and crises of racial justice, to name just a few. This is a Joyce studies that dissolves early visions of Joyce as a sui generis genius by reconstructing his indebtedness to specific literary communities. It models ways of integrating masses of compositional and publication details with literary and historical events. It develops hybrid critical approaches from posthuman, medical, and queer methodologies. It analyzes the nature and consequences of its extension from Ireland to mainland Europe, and to Africa and Latin America. Examining issues of copyright law, translation, and the history of literary institutions, this volume seeks to use Joyce's canonical centrality to inform modernist studies more broadly.

In this book, Keith Williams explores Victorian culture's emergent 'cinematicity' as a key creative driver of Joyce's experimental fiction, showing how Joyce's style and themes share the cinematograph's roots in Victorian optical entertainment and science.

Compares twentieth-century literature from a network of British colonial cities, tracing a new, peripheral history of urban modernism.

James Joyce must be understood as drawing on French nineteenth- and twentieth-century literary innovations to grapple with the challenges of Paris.

In the fourth and final volume of the Memory Ireland series, Frawley and O’Callaghan explore the manifestations and values of cultural memory in Joyce’s Ireland, both real and imagined. An exemplary author to consider in relation to questions of how history is remembered and recycled, Joyce creates characters who confront particularly the fraught relationship between the individual and the historical past; between the crisis of colonial history and the colonized state; and between the individual’s memory of his or her own past and the past of the broader culture. The collection includes leading Joyce scholars—Vincent Cheng, Anne Fogarty, Luke Gibbons, and Declan Kiberd—and considers such topics as Jewish memory in Ulysses, history and memory in Finnegans Wake, and Joyce and the Bible.