A rich examination of the influence of Aristotle and Thomas Aquinas on James Joyce In this book, Fran O’Rourke examines the influence of Aristotle and Thomas Aquinas on James Joyce, arguing that both thinkers fundamentally shaped the philosophical outlook which pervades the author’s oeuvre. O’Rourke demonstrates that Joyce was a philosophical writer who engaged creatively with questions of diversity and unity, identity, permanence and change, and the reliability of knowledge. Beginning with an introduction to each thinker, the book traces Joyce’s discovery of their works and his concrete engagement with their thought. Aristotle and Aquinas equipped Joyce with fundamental principles regarding reality, knowledge, and the soul, which allowed him to shape his literary characters. Joyce appropriated Thomistic concepts to elaborate an original and personal aesthetic theory. O’Rourke provides an annotated commentary on quotations from Aristotle that Joyce entered into his famous Early Commonplace Book and outlines their crucial significance for his writings. He also provides an authoritative evaluation of Joyce’s application of Aquinas’s aesthetic principles. The first book to comprehensively illuminate the profound impact of both the ancient and medieval thinker on the modernist writer, Joyce, Aristotle, and Aquinas offers readers a rich understanding of the intellectual background and philosophical underpinnings of Joyce’s work. A volume in the Florida James Joyce Series, edited by Sebastian D. G. Knowles

Joyce and Aristotle -- Thomist Joyce -- Knowledge and Permanence -- Identity, Soul, and Substance -- Totality, Diversity, and Order: The Unity of Analogy -- Beauty: Joyce's Thomist Aesthetics -- Joyce's Quotations from Aristotle.

Aristotle’s phrase ‘Every realm of nature is marvellous’ serves as an underlying and unifying motif for this volume of original essays. Aristotelian Interpretations considers themes of perennial interest, offering new avenues of interpretation, illustrating how Aristotle’s thought may be creatively applied to a variety of timeless and contemporary questions. Apart from the final chapter – a comprehensive survey of the extensive and penetrating influence of Aristotle on James Joyce – they are concerned with central topics in metaphysics, aesthetics, political anthropology, ethics, and theory of knowledge. The volume presents an integral survey of Aristotle’s philosophy emphasizing that, far from being just a figure of historical interest, his vision is still alive and relevant. While many of Aristotle’s empirical suppositions are archaic, his deeper intuitions have ageless validity. His philosophy is marked by a robust common sense, an optimistic trust in nature, confidence in the human mind’s capacity to discover truth and value, and an abiding sense of all-embracing beauty. The author’s introduction describes early personal experiences that inspired his affection for a distinctively Aristotelian approach to the world.

This collection charts the vital contextual backgrounds to James Joyce's life and writing. The essays collectively show how Joyce was rooted in his times, how he is both a product and a critic of his multiple contexts, and how important he remains to the world of literature, criticism and culture.

A Portrait of the Artist as a Young Man is semi-autobiographical, following Joyce's fictional alter-ego through his artistic awakening. The young artist Steven Dedelus begins to rebel against the Irish Catholic dogma of his childhood and discover the great philosophers and artists. He follows his artistic calling to the continent.