Several years ago on a whim, Culleton requested James Joyce's FBI file. Hoover had Joyce under surveillance as a suspected Communist, and the chain of cross-references that Culleton followed from Joyce's file lead her to obscenity trials and, less obviously, to a plot to assassinate Irish labour leader James Larkin. Hoover devoted a great deal of energy to keeping watch on intellectuals and considered literature to be dangerous on a number of levels. Joyce and the G-Men explores how these linkages are indicative of the culture of the FBI under Hoover, and the resurgence of American anti-intellectualism.

Recipient of the 2015 PEN New England Award for Nonfiction “The arrival of a significant young nonfiction writer . . . A measured yet bravura performance.” —Dwight Garner, The New York Times James Joyce’s big blue book, Ulysses, ushered in the modernist era and changed the novel for all time. But the genius of Ulysses was also its danger: it omitted absolutely nothing. Joyce, along with some of the most important publishers and writers of his era, had to fight for years to win the freedom to publish it. The Most Dangerous Book tells the remarkable story surrounding Ulysses, from the first stirrings of Joyce’s inspiration in 1904 to the book’s landmark federal obscenity trial in 1933. Written for ardent Joyceans as well as novices who want to get to the heart of the greatest novel of the twentieth century, The Most Dangerous Book is a gripping examination of how the world came to say Yes to Ulysses.

"Varied and insightful views on the function of gender within Joyce's canon. . . . Presents innovative views from a range of perspectives while avoiding prescriptive or programmatic readings. "--Michael Patrick Gillespie, Marquette University "Every essay presents new and original approaches to the material. . . . The topic is among the hottest in scholarship generally and Joyce in particular. The essays reflect the evolution of feminist scholarship. . . . Well written, critically informed, and meticulously researched . . . [and] Norris's introduction is the best, most succinct and knowledgeable summary of the current state of feminist criticism and its relationship to Joyce studies I have ever read."--Zack Bowen, University of Miami A variety of theoretical orientations distinguishes this collection of essays on gender in Joyce. Contributors explore exciting new areas in feminist and gender studies on subjects as disparate as Joyce's use of fraternal incest, the cultural code of femme fatale, androgyny and the abject mother, and Mariolatry. This collection will be of interest not only to Joyceans but to anyone with an interest in fresh approaches to gender and cultural studies. CONTENTS Introduction: Joyce's "Mamafesta": Mater and Material, Text and Textile, by Margot Norris 1. The Joyce Brothers in Drag: Fraternal Incest in Ulysses, by Susan Sutliff Brown 2. Female Property: Women and Gift Exchange in Ulysses, by Mark Osteen 3. "Lovely Seaside Girls" or "Sweet Murders of Men"? Fatal Women in Ulysses, by Lesley Higgins 4. S/He-Male Voices in Ulysses: Counterpointing the "New Womanly Man," by Martha F. Black 5. Socialism, Gender, and Imagery in Dubliners, by Heyward Ehrlich 6. Joyce and the Myth of the Mediatrix, by Mary Lowe-Evans 7. Eros and Logos in Ulysses: A Jungian Pattern, by Jean Kimball 8. The Masquerade of Gender: Mrs. Kearney and the "Moral Umbrella" of Mr. O'Madden Burke, by Garry Leonard 9. "Circe": Joyce's Argumentum ad Feminam, by Ewa Ziarek 10. Fabric and Fame in The Odyssey and "Penelope," by Margaret Mills Harper Jolanta W. Wawrzycka is associate professor of English at Radford University in Virginia. Her publications include works on Joyce, Milan Kundera, Roman Ingarden, and Roland Barthes, as well as translations from Polish. Marlena G. Corcoran is an independent scholar associated with the University of Iowa and Harvard University's Center for Literary and Cultural Studies. She has published numerous articles on Plato, Aristotle, Kant, Rushdie, and Joyce, as well as translations from French and German.

Between 1933 and 1939, the FBI pursued an aggressive, highly publicized nationwide campaign against a succession of Depression era "public enemies," including John Dillinger, George "Baby Face" Nelson, Charles Arthur "Pretty Boy" Floyd, George "Machine Gun Kelly" Barnes, Bonnie Parker and Clyde Barrow, and the Ma Barker Gang. Bureau Director J. Edgar Hoover's successes in this crusade made him the hero of law and order in the public mind. This historical analysis reveals the agency's often illegal tactics, including torture, frame-ups, and summary executions--later expanded throughout Hoover's 48-year reign in Washington, D.C., and exposed only after his death (some say murder) in 1972.

“Abbs has found a gripping and little-known story at the heart of one of the 20th century’s most astonishing creative moments, researched it deeply, and brought the extraordinary Joyce family and their circle in 1920s Paris to richly-imagined life.”—Emma Darwin, bestselling author of A Secret Alchemy and The Mathematics of Love For readers who adored novels like The Paris Wife, Z, and Loving Frank, comes Annabel Abbs highly praised debut novel, where she spins the story of James Joyce’s fascinating, and tragic, daughter, Lucia. “When she reaches her full capacity for rhythmic dancing, James Joyce may yet be known as his daughter’s father . . .” The review in the Paris Times in November 1928 is rapturous in its praise of Lucia Joyce’s skill and artistry as a dancer. The family has made theirhome in Paris—where the latest ideas in art, music, and literature converge. Acolytes regularly visit the Joyce apartment to pay homage to Ireland’s exiled literary genius. Among them is a tall, thin young man named Samuel Beckett—a fellow Irish expat who idolizes Joyce and with whom Lucia becomes romantically involved. Lucia is both gifted and motivated, training tirelessly with some of the finest teachers in the world. Though her father delights in his daughter’s talent, she clashes with her mother, Nora. And as her relationship with Beckett sours, Lucia’s dreams unravel, as does her hope of a life beyond her father’s shadow. With Lucia’s behavior growing increasingly erratic, James Joyce sends her to pioneering psychoanalyst Carl Jung. Here, at last, she will tell her own story—a fascinating, heartbreaking account of thwarted ambition, passionate creativity, and the power of love to both inspire and destroy. The Joyce Girl creates a compelling and moving account of the real-life Joyce Girl, of unrealized dreams and rejection, and of the destructive love of a father.

Dubliners is a collection of picturesque short stories that paint a portrait of life in middle-class Dublin in the early 20th century. Joyce, a Dublin native, was careful to use actual locations and settings in the city, as well as language and slang in use at the time, to make the stories directly relatable to those who lived there. The collection had a rocky publication history, with the stories being initially rejected over eighteen times before being provisionally accepted by a publisher—then later rejected again, multiple times. It took Joyce nine years to finally see his stories in print, but not before seeing a printer burn all but one copy of the proofs. Today Dubliners survives as a rich example of not just literary excellence, but of what everyday life was like for average Dubliners in their day. This book is part of the Standard Ebooks project, which produces free public domain ebooks.