"Scott asserts that a new feminist consciousness will facilitate fresh discoveries in Joyce. Shifting from contexts, to individuals, to texts, she provides the reader with a re-vision of women and Joyce. She develops a feminist framework for approaching Joyce, which allows for the mutual communication of conventional and feminist critics. In Joyce and Feminism, Scott demonstrates Joyce's need for and use of women in the creation and publication of his work. She evaluates his sensitivity to the problems of real women in life and fiction and discusses the evolution of his work from early, realistic depictions to late recreations of the goddess"--Jacket.

This second edition of The Cambridge Companion to Joyce contains several revised essays, reflecting increasing emphasis on Joyce's politics, a fresh sense of the importance of his engagement with Ireland, and the changes wrought by gender studies on criticism of his work. This Companion gathers an international team of leading scholars who shed light on Joyce's work and life. The contributions are informative, stimulating and full of rich and accessible insights which will provoke thought and discussion in and out of the classroom. The Companion's reading lists and extended bibliography offer readers the necessary tools for further informed exploration of Joyce studies. This volume is designed primarily as a students' reference work (although it is organised so that it can also be read from cover to cover), and will deepen and extend the enjoyment and understanding of Joyce for the new reader.

James Joyce is located between, and constructed within, two worlds: the national and international, the political and cultural systems of colonialism and postcolonialism. Joyce's political project is to construct a postcolonial contra-modernity: to write the incommensurable differences of colonial, postcolonial, and gendered subjectivities, and, in doing so, to reorient the axis of power and knowledge. What Joyce dramatizes in his hybrid writing is the political and cultural remainder of imperial history or patriarchal canons: a remainder that resists assimilation into the totalizing narratives of modernity. Through this remainder - of both politics and the psyche - Joyce reveals how a minority culture can construct political and personal agency. Joyce: Feminism / Post / Colonialism, edited by Ellen Carol Jones, bears witness to the construction of that agency, tracing the inscription of the racial and sexual other in colonial, nationalist, and postnational representations, deciphering the history of the possible. Contributors are Gregory Castle, Gerald Doherty, Enda Duffy, James Fairhall, Peter Hitchcock, Ellen Carol Jones, Ranjana Khanna, Patrick McGee, Marilyn Reizbaum, Susan de Sola Rodstein, Carol Shloss, and David Spurr.

Finalist, 2019 PROSE Award in Biography, given by the Association of American Publishers Fifty years after the start of the women’s liberation movement, a book that at last illuminates the profound impact Jewishness and second-wave feminism had on each other Jewish women were undeniably instrumental in shaping the women’s liberation movement of the 1960s, 70s, and 80s. Yet historians and participants themselves have overlooked their contributions as Jews. This has left many vital questions unasked and unanswered—until now. Delving into archival sources and conducting extensive interviews with these fierce pioneers, Joyce Antler has at last broken the silence about the confluence of feminism and Jewish identity. Antler’s exhilarating new book features dozens of compelling biographical narratives that reveal the struggles and achievements of Jewish radical feminists in Chicago, New York and Boston, as well as those who participated in the later, self-consciously identified Jewish feminist movement that fought gender inequities in Jewish religious and secular life. Disproportionately represented in the movement, Jewish women’s liberationists helped to provide theories and models for radical action that were used throughout the United States and abroad. Their articles and books became classics of the movement and led to new initiatives in academia, politics, and grassroots organizing. Other Jewish-identified feminists brought the women’s movement to the Jewish mainstream and Jewish feminism to the Left. For many of these women, feminism in fact served as a “portal” into Judaism. Recovering this deeply hidden history, Jewish Radical Feminism places Jewish women’s activism at the center of feminist and Jewish narratives. The stories of over forty women’s liberationists and identified Jewish feminists—from Shulamith Firestone and Susan Brownmiller to Rabbis Laura Geller and Rebecca Alpert—illustrate how women’s liberation and Jewish feminism unfolded over the course of the lives of an extraordinary cohort of women, profoundly influencing the social, political, and religious revolutions of our era.

This incisive work provides a comparative political analysis of the women's movement in England, the United States, and Sweden from the 1960s to the present. Based on extensive interviews in each of the three countries, Feminism and Politics focuses not only on the internal dynamics of the movements themselves, but also on the relationship of feminist politics to the political process as a whole and to the economic and ideological context. Joyce Gelb finds that differences in the feminist movements in each country relate to systemic and cultural differences. In Britain the closed nature of the political system has greatly narrowed opportunities for feminist political activities. By contrast, the feminist movement in the United States has enjoyed relative autonomy and success, primarily because it has been unconstrained by the necessity of working through existing groups such as unions and political parties. In Sweden Gelb finds a situation in which the state has implemented many feminist policies but has allowed little ideological or political space for an autonomous movement. In its scope and analysis, Feminism and Politics offers a valuable perspective on women's political activities. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1989.

"The author of the acclaimed The Odyssey of Style in Ulysses here presents her thinking on James Joyce dating from that landmark work. Who's Afraid of James Joyce? is consistently erudite and thought provoking."--John Gordon, Connecticut College "Contains riches and will become an essential resource for new generations of Joyce critics looking to build on Lawrence's immense contributions to the field. The glittering intelligence of the individual pieces in this collection reminds us that each time Lawrence returns to Joyce's body of work, she manages not just to extract a creative reading, but to develop a fundamentally new way of approaching these immensely influential stories and novels."--Sean Latham, University of Tulsa The development of Joycean studies into a respected and very large subdiscipline of modernist studies can be traced to the work of several important scholars. Among those who did the most to document Joyce's work, Karen Lawrence can easily be considered one of that elite cadre. A retrospective of decades of work on Joyce, this collection includes published journal articles, book chapters, and selections from her best known work (all updated and revised), along with one new essay. Featuring engaging close readings of such Joyce works as Dubliners and Ulysses, it will be a welcome addition to any serious Joycean's library and will prove extremely useful to new generations of Joyce critics looking to build on Lawrence's expansive scholarship. Both readable and lively, this work may inspire a lifetime of reading, re-reading, and teaching Joyce. Karen R. Lawrence is president of Sarah Lawrence College. She has authored and edited several other books, most recently Transcultural Joyce.

An introduction to Finnegans Wake which aims to draw the reader quickly into the novel's depths through detailed feminist and Lacanian reading of several crucial sections and themes. Includes a substantial introduction concerning Joyce's attitudes toward women. Paper edition (unseen), $17.95. Annotation copyright by Book News, Inc., Portland, OR