On his 12th birthday, Kai learns that he must leave his home in China and journey alone to Gold MountainAmericato live with his father. The year is 1934, and the U.S. does not welcome Chinese immigrants. When Kai arrives he is detained on Angel Island in a crowded barracks, with harsh interrogations and the threat of being returned to China. Will Kai ever be free to join his father?

Describes the experiences of Chinese immigrants who took part in the California Gold Rush and the building of the transcontinental railroad

In this dramatic memoir of early-twentieth century immigration, author Li Keng Wong shares her family's difficult journey from rural China to a new life in California. In 1933, seven-year-old Li Keng's life changed forever when her father decided to bring his family from a small village in southern China to California. Getting to America was not easy, as their family faced America's strict anti-Chinese immigration laws that meant any misstep could mean deportation and disgrace. Life in America during the Great Depression brought many exciting surprises as well as many challenges. Hunger, poverty, police raids, frequent moves, and the occasional sting of racism were a part of everyday life, but slowly Li Keng and her family found stability and a true home in "Gold Mountain." An author's note contains photos and an update on Li Keng Wong's family. This evocative memoir presents the joys and sorrows of pursuing the American Dream during a time of racism and great poverty, but also immense opportunity. The book also contains information on Angel Island and its significance in history as well as an explanation of the Chinese Exclusion Act.

Working on the Transcontinental Railroad promises a fortune—for those who survive. Growing up in 1860s China, Tam Ling Fan has lived a life of comfort. Her father is wealthy enough to provide for his family but unconventional enough to spare Ling Fan from the debilitating foot-binding required of most well-off girls. But Ling Fan’s life is upended when her brother dies of influenza and their father is imprisoned under false accusations. Hoping to earn the money that will secure her father’s release, Ling Fan disguises herself as a boy and takes her brother’s contract to work for the Central Pacific Railroad Company in America. Life on “the Gold Mountain” is grueling and dangerous. To build the railroad that will connect the west coast to the east, Ling Fan and other Chinese laborers lay track and blast tunnels through the treacherous peaks of the Sierra Nevada, facing cave-ins, avalanches, and blizzards—along with hostility from white Americans. When someone threatens to expose Ling Fan’s secret, she must take an even greater risk to save what’s left of her family . . . and to escape the Gold Mountain alive.

Guangdong -- Gold Mountain -- Central Pacific -- Foothills -- The High Sierra -- The Summit -- The Strike -- Truckee -- The Golden Spike -- Beyond Promontory.

When she was a girl, Lisa See spent summers in the cool, dark recesses of her family`s antiques store in Los Angeles' Chinatown. There, her grandmother and great-aunt told her intriguing, colourful stories about their family`s past - stories of missionaries, concubines, tong wars, glamorous nightclubs, and the determined struggle to triumph over racist laws and discrimination. They spoke of how Lisa`s great-great-grandfather emigrated from his Chinese village to the United States, and how his son followed him. As an adult, See spent fives years collecting the details of her family`s remarkable history. She interviewd nearly one hundred relatives and pored over documents at the National Archives, the immigration office, and in countless attics, basements, and closets for the initmate nuances of her ancestors` lives. The result is a vivid, sweeping family portriat that is att once particular and universal, telling the story not only of one family, but of the Chinese people in America - and of America itself, a country that both welcomes and reviles its immigrants like no other culture in the world.

Marlon Hom has selected and translated 220 rhymes from two collections of Chinatown songs published in 1911 and 1915. The songs are outspoken and personal, addressing subjects as diverse as sex, frustrations with the American bureaucracy, poverty and alienation, and the loose morals of the younger generation of Americans. Hom has arranged the songs thematically and gives an overview of early Chinese American literature.