The last published work of a great poet who wrote a few lines attacking Stalin and was shortly thereafter exiled to Siberia where he died near Vladivostok six years later. An inimitable volume, Journey to Armenia is a travel book in name only. Osip Mandelstam visited Armenia in 1930, and during the eight months of his stay, he rediscovered his poetic voice and was inspired to write an experimental meditation on the country and its ancient culture. This edition also includes the companion piece, “Conversation About Dante,” which Seamus Heaney called “Osip Mandelstam’s astonishing fantasia on poetic creation.” An incomparable apologia for poetic freedom and a challenge to the Bolshevik establishment, the essay was dictated by the poet to his wife, Nadezhda Mandelstam, in 1934 and 1935, during the last phase of his itinerant life. It has close ties to Journey to Armenia.

An NYRB Classics Original Few writers had to confront as many of the last century’s mass tragedies as Vasily Grossman, who wrote with terrifying clarity about the Shoah, the Battle of Stalingrad, and the Terror Famine in the Ukraine. An Armenian Sketchbook, however, shows us a very different Grossman, notable for his tenderness, warmth, and sense of fun. After the Soviet government confiscated—or, as Grossman always put it, “arrested”—Life and Fate, he took on the task of revising a literal Russian translation of a long Armenian novel. The novel was of little interest to him, but he needed money and was evidently glad of an excuse to travel to Armenia. An Armenian Sketchbook is his account of the two months he spent there. This is by far the most personal and intimate of Grossman’s works, endowed with an air of absolute spontaneity, as though he is simply chatting to the reader about his impressions of Armenia—its mountains, its ancient churches, its people—while also examining his own thoughts and moods. A wonderfully human account of travel to a faraway place, An Armenian Sketchbook also has the vivid appeal of a self-portrait.

National Book Critics Circle Award Finalist: A young Armenian-American moves to Istanbul to confront questions of history, loyalty, and loving your enemy. Meline Toumani grew up in a close-knit Armenian community in New Jersey where Turkish restaurants were shunned and products made in Turkey were boycotted. The source of this enmity was the Armenian genocide of 1915 at the hands of the Ottoman Turkish government, and Turkey’s refusal to acknowledge it. A century onward, Armenian and Turkish lobbies spend hundreds of millions of dollars to convince governments, courts, and scholars of their clashing versions of history. Frustrated by her community’s all-consuming campaigns for genocide recognition, Toumani leaves a promising job at the New York Times and moves to Istanbul. Instead of demonizing Turks, she sets out to understand them, and in a series of extraordinary encounters over the course of four years, she tries to talk about the Armenian issue, finding her way into conversations that are taboo and sometimes illegal. Along the way, we get a snapshot of Turkish society in the throes of change, and an intimate portrait of a writer coming to terms with the issues that drove her halfway across the world. In this far-reaching quest, Toumani probes universal questions: how to belong to a community without conforming to it, how to acknowledge a tragedy without exploiting it, and most importantly how to remember a genocide without perpetuating the kind of hatred that gave rise to it in the first place. “Although this book offers plenty of insight—funny, affectionate, often frustrated—into a unique diasporic culture, Toumani is ultimately less interested in what makes a person Armenian, Turkish or anything else than in what can happen when we start to think beyond those national identities.” —The Washington Post “A remarkable memoir.” —Kirkus Reviews (starred review) “An unusual book: courageous, intriguing, and at moments, despite its subject, unexpectedly funny. And [Toumani’s] determination to understand and put behind her a century of hatred has echoes for more peoples than just Turks and Armenians.” —Adam Hochschild, author of To End All Wars: A Story of Loyalty and Rebellion, 1914–1918 “This deft combination of political and personal narrative is an attempt to cross one of the modern world’s most sensitive divides. With warmth and feeling, it shows why so many people and nations are imprisoned by the past, and what can happen when they set themselves free.” —Stephen Kinzer, author of Crescent and Star: Turkey Between Two Worlds

ARMENIA: A Journey Through History contains a wealth of information about the Armenian people, history, significant events, important places, and individuals who did much to make the Armenian nation what it is.

The idea that suicide may be an acceptable, rational option is rarely presented in professional literature. However, recent events and developments forcefully demonstrate that mental health professionals can no longer ignore the possibility that people can make a rational decision to die. After introducing the concept of rational suicide, the book explores the changing views of suicide over the centuries. Common arguments against rational suicide are examined and rebutted.

In Passage to Ararat, which received the National Book Award in 1976, Michael J. Arlen goes beyond the portrait of his father, the famous Anglo-Armenian novelist of the 1920s, that he created in Exiles to try to discover what his father had tried to forget: Armenia and what it meant to be an Armenian, a descendant of a proud people whom conquerors had for centuries tried to exterminate. But perhaps most affectingly, Arlen tells a story as large as a whole people yet as personal as the uneasy bond between a father and a son, offering a masterful account of the affirmation and pain of kinship.