Readers' comments on previous journals. # I HIGHLY RECCOMMEND to all ! I must compliment you on some superb reading matter, once I started reading I couldn't put it down! The methods of humiliation you and your friends so exquisitely force upon your bitch boy are of the best I've ever read! # Your sadistic and controlling mind is simply magnificent! How wonderfully effective you are in making it the nothing that it is - an object to be molded and used simply for your pleasures! You are indeed an amazing and awesome Mistress! # I think you are the most magnificent Mistress and an example of female domination and enslaved male lifestyle equal to the best. # It is your imaginative cruelty and sadism that ignites and inflames and there are so many instances in your Journals that demonstrate it. # Just read "Part I" - looking forward to Part 2, 3, 4, 5 and 6

This is volume 1 of my journals which describe my life as a dominant female. I live with my husband, bitch-boy. Bitch-boy is a subjugated, trapped slave and source of amusement. He does all the chores and housework, and fetches and carries and his reward is enforced chastity, humiliation and punishment. For this journal, the year of writing is 2010. In general, the events within are not in chronological order. Each of the events described are picked at my whim from my extensive diaries of the last nine years of my life. My tastes are eclectic and in the journal entries you will find accounts of petticoating humiliation as little girl, school girl and French maid; accounts of sub-human slave treatment, babyfication, bondage, enforced hospitalisation, dickie-discipline, lesbian cuckolding, the use of an electrical box, tease and denial, and of course sessions of discipline to maintain appropriate standards of submissiveness. My BLOG: http: //msscarletuk.wordpress.co

The Model Rules of Professional Conduct provides an up-to-date resource for information on legal ethics. Federal, state and local courts in all jurisdictions look to the Rules for guidance in solving lawyer malpractice cases, disciplinary actions, disqualification issues, sanctions questions and much more. In this volume, black-letter Rules of Professional Conduct are followed by numbered Comments that explain each Rule's purpose and provide suggestions for its practical application. The Rules will help you identify proper conduct in a variety of given situations, review those instances where discretionary action is possible, and define the nature of the relationship between you and your clients, colleagues and the courts.

Mistress Benay, a Professional Dominatrix, and one of America's most vocal and exciting proponents of Female Domination documents in this Pictorial Journal how she has taken a male she met on the Internet, and turned him into first her slave, then her soul mate, and eventually her husband.This journey is described in great detail, accompained by many pictures taken by Mistress Benay which clearly show how a Dominant Woman can take control of a male and turn him into her willing slave.This journal which is Volume I of Mistress Benay's Female Dominaation Series is an easy and informative read which leaves nothing to the imagination. If there is a male out there who wishes that his partner would take control of their realtionship, he needs to give her a copy of this book. Likewise, any Female who wishes to take control of her man, needs to read this journal by Mistress Benay which will provide her with a detailed road map which will lead to Female Domination in her Relationship.

This book provides a long-overdue account of online technology and its impact on the work and lifestyles of professional employees. It moves between the offices and homes of workers in the knew "knowledge" economy to provide intimate insight into the personal, family, and wider social tensions emerging in today’s rapidly changing work environment. Drawing on her extensive research, Gregg shows that new media technologies encourage and exacerbate an older tendency among salaried professionals to put work at the heart of daily concerns, often at the expense of other sources of intimacy and fulfillment. New media technologies from mobile phones to laptops and tablet computers, have been marketed as devices that give us the freedom to work where we want, when we want, but little attention has been paid to the consequences of this shift, which has seen work move out of the office and into cafés, trains, living rooms, dining rooms, and bedrooms. This professional "presence bleed" leads to work concerns impinging on the personal lives of employees in new and unforseen ways. This groundbreaking book explores how aspiring and established professionals each try to cope with the unprecedented intimacy of technologically-mediated work, and how its seductions seem poised to triumph over the few remaining relationships that may stand in its way.

It is common to hear talk of how music can inspire crowds, move individuals and mobilise movements. We know too of how governments can live in fear of its effects, censor its sounds and imprison its creators. At the same time, there are other governments that use music for propaganda or for torture. All of these examples speak to the idea of music's political importance. But while we may share these assumptions about music's power, we rarely stop to analyse what it is about organised sound - about notes and rhythms - that has the effects attributed to it. This is the first book to examine systematically music's political power. It shows how music has been at the heart of accounts of political order, at how musicians from Bono to Lily Allen have claimed to speak for peoples and political causes. It looks too at the emergence of music as an object of public policy, whether in the classroom or in the copyright courts, whether as focus of national pride or employment opportunities. The book brings together a vast array of ideas about music's political significance (from Aristotle to Rousseau, from Adorno to Deleuze) and new empirical data to tell a story of the extraordinary potency of music across time and space. At the heart of the book lies the argument that music and politics are inseparably linked, and that each animates the other.

Every year, hundreds of thousands of women become victims of sexual violence in conflict zones around the world; in the Democratic Republic of Congo alone, approximately 1,100 rapes are reported each month. This book offers a comprehensive analysis of the causes, consequences and responses to sexual violence in contemporary armed conflict. It explores the function and effect of wartime sexual violence and examines the conditions that make women and girls most vulnerable to these acts both before, during and after conflict. To understand the motivations of the men (and occasionally women) who perpetrate this violence, the book analyzes the role played by systemic and situational factors such as patriarchy and militarized masculinity. Difficult questions of accountability are tackled; in particular, the case of child soldiers, who often suffer a double victimization when forced to commit sexual atrocities. The book concludes by looking at strategies of prevention and protection as well as new programs being set up on the ground to support the rehabilitation of survivors and their communities. Sexual violence in war has long been a taboo subject but, as this book shows, new and courageous steps are at last being taken Ð at both local and international level - to end what has been called the “greatest silence in history”.