Journalists Under Fire: Information War and Journalistic Practices is the first book to combine a conceptually audacious analysis of the changing nature of war with an empirically rich critical analysis of journalists who cover conflict. In this book, authors Howard Tumber and Frank Webster explore questions about Information War and journalistic practices. In the era of multi-national journalism, of the Internet and satellite videophone, the book highlights central features of media reporting in contemporary conflict. Drawing on more than fifty lengthy interviews with frontline correspondents, the authors shed light on the motivations, fears, and practices of those who work under conditions of journalism under fire. is the first book to combine a conceptually audacious analysis of the changing nature of war with an empirically rich critical analysis of journalists who cover conflict. In this book, authors Howard Tumber and Frank Webster explore questions about Information War and journalistic practices. In the era of multi-national journalism, of the Internet and satellite videophone, the book highlights central features of media reporting in contemporary conflict. Drawing on more than fifty lengthy interviews with frontline correspondents, the authors shed light on the motivations, fears, and practices of those who work under conditions of journalism under fire.

Veteran White House reporter April Ryan thought she had seen everything in her two decades as a White House correspondent. And then came the Trump administration. In Under Fire, Ryan takes us inside the confusion and chaos of the Trump White House to understand how she and other reporters adjusted to the new normal. She takes us inside the policy debates, the revolving door of personnel appointments, and what it is like when she, as a reporter asking difficult questions, finds herself in the spotlight, becoming part of the story. With the world on edge and a country grappling with a new controversy almost daily, Ryan gives readers a glimpse into current events from her perspective, not only from inside the briefing room but also as a target of those who want to avoid answering probing questions. After reading her new book, readers will have an unprecedented inside view of the Trump White House and what it is like to be a reporter Under Fire.

Examines wartime journalism as practiced during the past hundred years by such creative writers as Stephen Crane and Ernest Hemingway, such newsmen as Ernie Pyle and Robert Capa, and such photographers as Matthew Brady and Margaret Bourke-White.

′...it will appeal not only to students of journalism and media but also to anyone interested in the world around them′ - Marie Kinsey, Times Higher Education Supplement ′Professor Tumber weaves together traditional and topical themes to produce a comprehensive overview of the media′s role at times of conflict′ - Stewart Purvis, City University London ′Presents a vivid picture of what it’s like to be working as a journalist on the front line during a ‘modern’ war. Through the eyes of leading correspondents in the field the authors examine their experience and its impact on the audience, their profession and their own lives′ - The Information Centre about Asylum and Refugees in the UK (ICAR) Journalists Under Fire is the first book to combine a conceptually audacious analysis of the changing nature of war with an empirically rich critical analysis of journalists who cover conflict. In Journalists Under Fire, authors Howard Tumber and Frank Webster explore questions about the information war and journalistic practices. Frontline correspondents play a key role in information war, but their position is considerably more ambiguous and ambivalent than in the epoch of industrial war. They play a central role in the presentation of what is often spectacle to audiences around the world whose actual experience of war is far removed from combat. In the era of multi-national journalism, of the internet and satellite videophone, the book highlights central features of media reporting in contemporary conflict. Drawing on over fifty lengthy interviews with frontline correspondents, the authors shed light on the motivations, fears and practices of those who work under conditions of journalism under fire. Journalists Under Fire is designed for undergraduate and postgraduate students and for scholars, academics and researchers in the fields of journalism, media and communication, Media Studies, sociology, international relations and war studies.

Zeroing in on a stunning lineup of firsthand sources, Borjesson presents a unique and fascinating record of self-examination by some of America's top working journalists. Illustrations.

A former reporter for Newsweek and the Wall Street Journal, Collings (journalism, U. of Michigan) describes how independent journalists have suffered attack for their work and how they are developing more effective ways to fight the repression. c. Book News Inc.

An NCSS Notable Social Studies Trade Books for Young People 2015 Martha Gellhorn jumped at the chance to fly from Hong Kong to Lashio to report firsthand for Collier's Weekly on the conflict between China and Japan. When she boarded the "small tatty plane" she was handed "a rough brown blanket and a brown paper bag for throwing up." The flight took 16 hours, stopping to refuel twice, and was forced to dip and bob through Japanese occupied airspace. Reporting Under Fire tells readers about women who, like Gellhorn, risked their lives to bring back scoops from the front lines. Margaret Bourke-White rode with Patton's Third Army and brought back the first horrific photos of the Buchenwald concentration camp. Marguerite Higgins typed stories while riding in the front seat of an American jeep that was fleeing the North Korean Army. And during the Guatemalan civil war, Georgie Anne Geyer had to evade an assassin sent by the rightwing Mano Blanco, seeking revenge for her reports of their activities. These 16 remarkable profiles illuminate not only the inherent danger in these reporters' jobs, but also their struggle to have these jobs at all. Without exception, these war correspondents share a singular ambition: to answer an inner call driving them to witness war firsthand, and to share what they learn via words or images.