This multi-disciplinary anthology provides new perspectives on the journalist’s role in knowledge generation in the newspaper age—covering diverse topics from fake news to new technologies. Fake news, journalistic authority, and the introduction of cutting-edge technologies are often viewed as new topics in journalism. However, these issues were prevalent long before the twenty-first century. Connecting for the first time two burgeoning strands of research—a newly perceived history of knowledge and the study of journalism—Journalists and Knowledge Practices provides insights into the journalist’s role in the world of knowledge in the newspaper age (ca. 1860s to 1970s). This multi-disciplinary anthology asks how journalists conducted their work and reconstructs histories of journalistic practices in specific regional constellations in Europe and North America. From fake news writing to inventing psychological concepts, integrating electric telegrams to fabricating photographs, explaining pandemics to creating communities, these case studies written by distinguished scholars from various disciplines in the humanities show how notions of fact and truth were shaped, new technologies integrated, and knowledge transfers arranged. This book is crucial reading for scholars and students interested in the historically changing relationships between journalistic practices and the generation and dissemination of knowledge. This volume is crucial reading for scholars and students interested in the history of journalistic practice.

Journalists Under Fire: Information War and Journalistic Practices is the first book to combine a conceptually audacious analysis of the changing nature of war with an empirically rich critical analysis of journalists who cover conflict. In this book, authors Howard Tumber and Frank Webster explore questions about Information War and journalistic practices. In the era of multi-national journalism, of the Internet and satellite videophone, the book highlights central features of media reporting in contemporary conflict. Drawing on more than fifty lengthy interviews with frontline correspondents, the authors shed light on the motivations, fears, and practices of those who work under conditions of journalism under fire. is the first book to combine a conceptually audacious analysis of the changing nature of war with an empirically rich critical analysis of journalists who cover conflict. In this book, authors Howard Tumber and Frank Webster explore questions about Information War and journalistic practices. In the era of multi-national journalism, of the Internet and satellite videophone, the book highlights central features of media reporting in contemporary conflict. Drawing on more than fifty lengthy interviews with frontline correspondents, the authors shed light on the motivations, fears, and practices of those who work under conditions of journalism under fire.

This volume sets out the state-of-the-art in the discipline of journalism at a time in which the practice and profession of journalism is in serious flux. While journalism is still anchored to its history, change is infecting the field. The profession, and the scholars who study it, are reconceptualizing what journalism is in a time when journalists no longer monopolize the means for spreading the news. Here, journalism is explored as a social practice, as an institution, and as memory. The roles, epistemologies, and ethics of the field are evolving. With this in mind, the volume revisits classic theories of journalism, such as gatekeeping and agenda-setting, but also opens up new avenues of theorizing by broadening the scope of inquiry into an expanded journalism ecology, which now includes citizen journalism, documentaries, and lifestyle journalism, and by tapping the insights of other disciplines, such as geography, economics, and psychology. The volume is a go-to map of the field for students and scholars—highlighting emerging issues, enduring themes, revitalized theories, and fresh conceptualizations of journalism.

"More than just a fascinating description of newsmaking and practice in an Indian city, this book has implications for theories of news and communication that make it a timely and significant contribution to the literature on journalism and newsmaking in the changing global environment.'--Mark Peterson, Miami University --

Practical Journalism: How to Write News introduces the beginner to the skills needed to become a journalist in the digital age. The book draws on interviews with dozens of working journalists. They share their thoughts on the profession and we watch them work - selecting stories, carrying out interviews and writing scripts. There are chapters on interviewing, research techniques and news writing. Further chapters cover working in broadcasting and online. Media law and ethics are also included. Most journalists believe they work ethically although few have set rules and others admit to being pressured to behave underhandedly. This book looks at how journalists can work more ethically and provides a guide for beginners. The book is easy to read. Each chapter concludes with activities and a list of further reading. A glossary of terms is included at the end of the book.

Faced with a full-blown crisis, a growing number of journalists are engaging in seemingly unjournalistic practices such as creating and maintaining databases, handling algorithms, or designing online applications. “Data journalists” claim that these approaches help the profession demonstrate greater objectivity and fulfill its democratic mission. In their view, computational methods enable journalists to better inform their readers, more closely monitor those in power, and offer deeper analysis. In Computing the News, Sylvain Parasie examines how data journalists and news organizations have navigated the tensions between traditional journalistic values and new technologies. He traces the history of journalistic hopes for computing technology and contextualizes the surge of data journalism in the twenty-first century. By importing computational techniques and ways of knowing new to journalism, news organizations have come to depend on a broader array of human and nonhuman actors. Parasie draws on extensive fieldwork in the United States and France, including interviews with journalists and data scientists as well as a behind-the-scenes look at several acclaimed projects in both countries. Ultimately, he argues, fulfilling the promise of data journalism requires the renewal of journalistic standards and ethics. Offering an in-depth analysis of how computing has become part of the daily practices of journalists, this book proposes ways for journalism to evolve in order to serve democratic societies.