Journalists and Job Loss explores the profound disruption of journalism work in the 21st century’s networked digital media environment. The chapters analyse how journalists have experienced and navigated job loss, re-employment, career change and career re-invention as traditional patterns of newsroom employment give way to occupational change, income insecurity and precarious work in journalism globally. The authors showcase the design, methodology and results of the New Beats project, a ground-breaking longitudinal study of change in the work of Australian journalists, as well as related case studies of job loss and career change in journalism based on research in different national settings across the global North and global South. The book also considers the wider implications of changes in journalism work for media sustainability, gender equity, and journalism work futures. The book provides a theoretically informed and empirically grounded analysis of job loss and the new contours of journalistic work in a critical political, cultural, economic, and social industry. It will be an important resource for researchers and students in disciplines including journalism, media and communication studies, business, and the social sciences in general.

The New Beats Report examines key findings from four annual surveys conducted between 2014 and 2017. The surveys focussed on whether, and how, those who left Australian media newsrooms between 2012 and 2014 adapted their traditional skills and remade their careers in digital media. The surveys tracked the experiences of those who had difficulty finding paid journalistic work, as well as those who chose to move to different industries.

‘Journalism was a trade you could go into and if you were any good at it you were a reasonably prosperous member of the community ... that’s just no longer the case.’ — David Marr Journalists make a living out of telling other people's stories. Rarely are we shown a glimpse of their doubts and vulnerabilities, their hopes and fears for the future. It's time we hear this side of the story. Newsrooms, the engine rooms of reporting, have shrunk. The great digital disruption of the twentieth century has shattered newspapers, radio and television. Journalism jobs, once considered safe for life, have simply disappeared. Captivating yet devastating, Upheaval is an under-the-hood look at Australian journalism as it faces seismic changes. Sharing first-hand stories from Australia's top journalists — including David Marr, Amanda Meade, George Megalogenis and more — Upheaval reveals the highs and the lows of those who were there to see it all.

From the best-selling author of Why We Get Fat, a groundbreaking, eye-opening exposé that makes the convincing case that sugar is the tobacco of the new millennium: backed by powerful lobbies, entrenched in our lives, and making us very sick. Among Americans, diabetes is more prevalent today than ever; obesity is at epidemic proportions; nearly 10% of children are thought to have nonalcoholic fatty liver disease. And sugar is at the root of these, and other, critical society-wide, health-related problems. With his signature command of both science and straight talk, Gary Taubes delves into Americans' history with sugar: its uses as a preservative, as an additive in cigarettes, the contemporary overuse of high-fructose corn syrup. He explains what research has shown about our addiction to sweets. He clarifies the arguments against sugar, corrects misconceptions about the relationship between sugar and weight loss; and provides the perspective necessary to make informed decisions about sugar as individuals and as a society.

Journalism's Lost Generation discusses how the changes in the industry not only indicate a newspaper crisis, but also a crisis of local communities, a loss of professional skills, and a void in institutional and community knowledge emanating from newsrooms. This text also provides a broad vie

A seminal work and examination of the psychopathology of journalism. Using a strange and unprecedented lawsuit by a convicted murder againt the journalist who wrote a book about his crime, Malcolm delves into the always uneasy, sometimes tragic relationship that exists between journalist and subject. Featuring the real-life lawsuit of Jeffrey MacDonald, a convicted murderer, against Joe McGinniss, the author of Fatal Vision. In Malcolm's view, neither journalist nor subject can avoid the moral impasse that is built into the journalistic situation. When the text first appeared, as a two-part article in The New Yorker, its thesis seemed so radical and its irony so pitiless that journalists across the country reacted as if stung. Her book is a work of journalism as well as an essay on journalism: it at once exemplifies and dissects its subject. In her interviews with the leading and subsidiary characters in the MacDonald-McGinniss case -- the principals, their lawyers, the members of the jury, and the various persons who testified as expert witnesses at the trial -- Malcolm is always aware of herself as a player in a game that, as she points out, she cannot lose. The journalist-subject encounter has always troubled journalists, but never before has it been looked at so unflinchingly and so ruefully. Hovering over the narrative -- and always on the edge of the reader's consciousness -- is the MacDonald murder case itself, which imparts to the book an atmosphere of anxiety and uncanniness. The Journalist and the Murderer derives from and reflects many of the dominant intellectual concerns of our time, and it will have a particular appeal for those who cherish the odd, the off-center, and the unsolved.

Journalism’s Lost Generation discusses how the changes in the industry not only indicate a newspaper crisis, but also a crisis of local communities, a loss of professional skills, and a void in institutional and community knowledge emanating from newsrooms. Reinardy’s thorough and opinionated take on the transition seen in newspaper newsrooms is coupled with an examination of the journalism industry today. This text also provides a broad view of the newspaper journalism being produced today, and those who are attempting to produce it.