An overview of Korean Buddhism and its major figures in the modern period.

This is a translation of the Han’guk ui Bulgyo sasang, the magnum opus of Koh Ikjin 高翊晉(1934–1988), a renowned scholar of Korean Buddhism that surveys the Korean Buddhist thought and serves as a guide for its development. As a professor in the Department of Buddhist Studies at Dongguk University, Koh researched the Buddhist thought from India to Korea. In addition to the Han’guk ui Bulgyo sasang, he left several works, including the Aham beopsang ui chegyeseong yeon’gu (Research on the Systems of Āgama’s Dharma Teaching), the Han’guk godae Bulgyo sasangsa (History of Ancient Korean Buddhist Thought), and the Hyeondae Han’guk Bulgyo ui banghyang (Direction of Contemporary Korean Buddhism), which show his extensive scholarship. This book consists of four chapters: (1) “An Interpretation of Korean Buddhism from the Perspective of History as the Mind’s Manifestation”; (2) “Iryeon’s Perception of History and the Dan’gun Myth”; (3) “Origins and Development of Korean Buddhist Philosophy”; (4) “Buddhist Ethics and Korean Society.” Chapter 1 explains the perspective of history as the mind’s manifestation and the emergence and transmission of the Taego lineage. Chapter 2 deals with the Dongmyeong wang-pyeon, Iryeon’s view of the Dan’gun myth through the Samguk yusa, and the rationalist moralist view of history. Chapter 3 examines main concepts in the history of Korean Buddhist philosophy, such as the concept of emptiness as seen in the Perfection of Wisdom Sutras of the Mahayana tradition, Seungnang’s Madhyamaka view of emptiness, Woncheuk’s Yogācāra view of emptiness, Wonhyo’s Hwaeom view of emptiness, and Jinul’s Seon view of emptiness. Chapter 4 explores ethical doctrines of Buddhism, Buddhist ethics established in Korean society, and contemporary significance of Buddhist ethics.

Uncovering hidden histories, this book focuses on Korean Buddhist nuns and laywomen from the fourth century to the present. Today, South Korea's Buddhist nuns have a thriving monastic community under their own control, and they are well known as meditation teachers and social service providers. However, little is known of the women who preceded them. Using primary sources to reveal that which has been lost, forgotten, or willfully ignored, this work reveals various figures, milieux, and activities of female adherents, clerical and lay. Contributors consider examples from the early days of Buddhism in Korea during the Three Kingdoms and Unified Silla periods (first millennium CE); the Koryŏ period (982–1392), when Buddhism flourished as the state religion; the Chosŏn period (1392–1910), when Buddhism was actively suppressed by the Neo-Confucian Court; and the contemporary resurgence of female monasticism that began in the latter part of the twentieth century.

A Collection of Modern Korean Buddhist Discourses consists of twelve articles which were carefully selected from Buddhist journals of the modern period. These articles critically discuss the past and the present of Korean Buddhism and offer the prospect for the future by dealing with various topics in different fields, such as history, religion, literature, politics, society, and culture. The authors include not only renowned scholars of Buddhist studies, such as Gim Beomnin 金法麟 (1899–1964), Kim Yeongsu 金映遂 (1884–1967), Gim Taeheup 金泰洽 (1899–1989), and Baek Seonguk 白性郁(1897–1981), as well as prominent figures in Korean studies and Korean literature, such as Choe Namseon 崔南善 (1890–1957) and Yi Gwangsu 李光洙 (1892–1950). The twelve selected articles are as follows: ① Choe Namseon, “Overview of Korean Buddhism: A Diachronic Approach to Korean Buddhism” (1918) ② Yi Gwangsu, “Buddhism and Korean Literature” (1925) ③ Baek Seonguk, “To Establish a Modern Buddhism” (1926) ④ Gim Taeheup, “Research on Religion and the Development of Social Work” (1926–1928) ⑤ Gim Byeokong, “A Concern for Korean Buddhism: The Words Addressed to All Korean Buddhist Clerics” (1927) ⑥ Choe Namseon, “Korean Buddhism: Its Position in the Cultural History of the East” (1930) ⑦ Yu Yeop, “Buddhism and the Trend of Social Thought” (1931) ⑧ Kang Yumun, “Overview of Korean Buddhism for the Last Hundred Years” (1932) ⑨ Gim Beomnin, “On the Separation of Religion and Politics” (1932) ⑩ Heo Yeongho, “Foundations and Errors of Anti-Religion Movement” (1932) ⑪ Mong Jeongsaeng, “Examining the Causes of Korean Buddhism Facing a Crisis” (1932) ⑫ Gim Yeongsu, “On the Principle Teachings of Korean Buddhism” (1933)

The Temple of Words: An Anthology of Modern Korean Buddhist Poetry is a collection of one hundred and thirty-two Buddhist poems by fifteen poets, including Seon monks. This volume, which is composed of highly praised poetry in modern Korean literature, offers an opportunity to appreciate the aesthetic world of Buddhism that is embedded in sentiments of the modern intellectuals. The majority of the poems (120 pieces) in this book are written by monastics, monks and nuns. The list of the monks and the number of their poems included in this collection are as follows: Gyeongheo 鏡虛 9 poems, Yongseong 龍城 6 poems, Hanyeong 漢永 14 poems, Guha 九河 1 poem, Man’gong 滿空 8 poems, Hanam 漢岩 5 poems, Manhae 萬海 48 poems, Hyobong 曉峰 3 poems, Gyeongbong 鏡峰 11 poems, and Iryeop 一葉 14 poems. The other poets include O Sangsun 1 poem, Shin Seokjeong 3 poems, Gim Daljin 3 poems, Seo Jeongju 2 peoms, and Jo Jihun 4 poems. Manhae’s “Nim ui Chimmuk” (My Love’s Silence), Seo Jeongju’s “Gukhwa yeop eseo” (Beside a Chrysanthemum), and Jo Jihun’s “Seungmu” (Monk’s Dance) are widely known to the general public in Korea. The monastic poetry represents the unconventional features of Seon and their insights attained by the traditional practice of meditative contemplation. The other poetry by the secular Buddhist writers also attempts to express the subtle truth of Buddhism in the Korean script (Han-geul), thereby making a great contribution in causing the masses to know the Buddhist way of thinking and feeling, and leading them to empathize with the religion. The Temple of Words: An Anthology of Modern Korean Buddhist Poetry helps us to understand the “colors” of the modern Korean Buddhist intellectuals’ lyrical sensitivity and the “codes” in which they were communicating with the public.