Over the past four centuries botanists and gardeners in the British Isles have gathered, maintained and propagated many varying species of plants. Their work has been documented in innumerable books and articles which are often difficult to trace. The Dictionary of British and Irish Botanists and Horticulturalists represents a time-saving reference source for those who wish to discover more about the lives and achievements of the horticulturalists listed. The dictionary's utility comes not only from indicating the major publications of the named authors, but also the location of their herbaria and manuscripts.; The previous 1977 edition of the Dictionary has for many years been a much used source of information for botanists, botanic artists and archivists. In this revised edition the scope has been expanded to include among its 13,000 entries flower painters in addition to botanical artists over 1400 entries and, for the first time, garden designers.; Finally the Dictionary should have international appeal since so many botanists and gardeners worked on collective plants overseas, in particular in North America and the British Commonwealth.; Each entry gives, wherever possible, details of dates and places of birth and death, educational qualifications, professional posts, honours and awards, publications, location of plant collections, manuscripts, drawings and portraits. Its main function, however, is to provide further biographical references to books and periodicals. Comprehensive classified indices facilitate access by professions and activities, countries, and plant interests.

A study of British imperialism’s imaginative geography, exploring the pairing of India and the Atlantic world from literature to colonial policyIn this lively book, Ashley Cohen weaves a complex portrait of the imaginative geography of British imperialism. Contrary to most current scholarship, eighteenth-century Britons saw the empire not as separate Atlantic and Indian spheres but as an interconnected whole: the Indies. Crisscrossing the hemispheres, Cohen traces global histories of race, slavery, and class, from Boston to Bengal. She also reveals the empire to be pervasively present at home, in metropolitan scenes of fashionable sociability. Close-reading a mixed archive of plays, poems, travel narratives, parliamentary speeches, political pamphlets, visual satires, paintings, memoirs, manuscript letters, and diaries, Cohen reveals how the pairing of the two Indies in discourse helped produce colonial policies that linked them in practice. Combining the methods of literary studies and new imperial history, Cohen demonstrates how the imaginative geography of the Indies shaped the culture of British imperialism, which in turn changed the shape of the world.