It is a bright sunny morning, and a giant of a man is walking through bracken fern. Suddenly, he hears a voice from a tiny fairy down below: he's accidentally stood on her wing. What happens next is part of a collection of short stories with unresolved endings. These stories are based on fiction, although they could happen. With a little bit of imagination anything is possible! Inspiration for these stories comes from thoughts and dreams and from his TAFE teacher Graham who encouraged him to write these stories.

The book discusses a selection of coming-of-age narratives that offer a revisiting of the classic Bildungsroman heroine – the young white middle-class woman – and present her developments in postwar and postmillennial British literature. In terms of theoretical approaches, the study draws on works by the feminist critics whose incorporation of gender into the studies of the Bildungsroman resulted in the delineation of the female version of the genre, the female Bildungsroman and its specific twentieth-century variation, the feminist Bildungsroman. The selected coming-of-age novels present further transformations of the female Bildungsroman. The classic heroine of eighteenth- and nineteenth-century Bildung narratives reappears in twentieth-century novels as a modern girl who experiences a significant rise of feminist consciousness. In more recent works, she becomes a postfeminist girl who questions “victim feminism” and tests the potential of “girl power” to subvert the patriarchal tradition. Relating the postfeminist developments of the girl heroine to the influence of contemporary media culture, the book explores whether these literary representations of girlhood incorporate antifeminist backlash messages. It will be of interest to scholars and students in the fields of literary and girls’ studies, particularly those who want to see new trends and issues in young adult fiction in the context of a literary tradition.

The summer before ninth grade, when Joss sets off to meet his uncle and hunt down the beast that murdered his younger sister three years earlier, he learns he is destined to join the Slayer Society.

A Jewish refugee flees Russia for a new life in England in this saga of love, family, and suspense perfect for fans of Lisa Kleypas & Santa Montefiore. The Rose Stone. A diamond, gained through betrayal and blood, upon which the Rosenberg family's fortunes were founded and whose price is yet to be paid. Kiev, 1875: Josef Rosenberg narrowly escapes death from a Cossack raid, rescuing Tanya, the youngest daughter of his old friend Boris Anatov. Fleeing to a new life in England, his skill as a diamond cutter—and the notoriety of being the man who cut the famed Rose Stone—are the foundation of success and security. But even as his reputation for fine jewelry flourishes, and Josef’s new family grows large and wealthy, the thought of the Rose Stone—and of what had been done to acquire it—will cast a dark shadow of guilt and revenge, eclipsing generations to come . . .

This book, the first to trace revenge tragedy's evolving dialogue with early modern law, draws on changing laws of evidence, food riots, piracy, and debates over royal prerogative. By taking the genre's legal potential seriously, it opens up the radical critique embedded in the revenge tragedies of Kyd, Shakespeare, Marston, Chettle and Middleton.