In this interdisciplinary work, William L. Davis examines Joseph Smith's 1829 creation of the Book of Mormon, the foundational text of the Latter Day Saint movement. Positioning the text in the history of early American oratorical techniques, sermon culture, educational practices, and the passion for self-improvement, Davis elucidates both the fascinating cultural context for the creation of the Book of Mormon and the central role of oral culture in early nineteenth-century America. Drawing on performance studies, religious studies, literary culture, and the history of early American education, Davis analyzes Smith's process of oral composition. How did he produce a history spanning a period of 1,000 years, filled with hundreds of distinct characters and episodes, all cohesively tied together in an overarching narrative? Eyewitnesses claimed that Smith never looked at notes, manuscripts, or books—he simply spoke the words of this American religious epic into existence. Judging the truth of this process is not Davis's interest. Rather, he reveals a kaleidoscope of practices and styles that converged around Smith's creation, with an emphasis on the evangelical preaching styles popularized by the renowned George Whitefield and John Wesley.

First Published in 1996. This series presents the music of early American composers of sacred music—psalmody, as it was called—in collected critical editions. The purpose of the series is to present the music of important early American composers in accurate editions for both performance and study. This volume presents the collected works of Joseph Stone (1758-1837), one of the most interesting and prolific of American psalmodists

Founder of the largest indigenous Christian church in American history, Joseph Smith published the 584-page Book of Mormon when he was twenty-three and went on to organize a church, found cities, and attract thousands of followers before his violent death at age thirty-eight. Richard Bushman, an esteemed cultural historian and a practicing Mormon, moves beyond the popular stereotype of Smith as a colorful fraud to explore his personality, his relationships with others, and how he received revelations. An arresting narrative of the birth of the Mormon Church, Joseph Smith: Rough Stone Rolling also brilliantly evaluates the prophet’s bold contributions to Christian theology and his cultural place in the modern world.

Discusses the roles and motives of the creators, packagers, advertising agencies, sponsors, producers, and lawyers involved in the scandal

Sandy Rubenstein is the daughter of a survivor. On September 1, 1939, her father, Joseph Horn, began an odyssey through one of the most barbarous atrocities in history. Horn stayed alive while his family perished around him, surviving stays in the Blizyn concentration camp - run by one of the SS's most severe officers - and later Auschwitz and Bergen-Belsen. In her new introduction, Horn's daughter Sandy Rubenstein details the impact of the Holocaust, not only on the survivors, but on their children.

She’s waited a long time to confront me, and after one red-hot kiss, I wonder what’s going to happen when she realizes she can’t have what she wants? JAGGS showed up about a year ago. She’s feisty and difficult to ignore. She befriended my brother, and my family loves her. But the sexy spitfire hates me. She thinks I don’t know why she wants to destroy me or why she appeared out of nowhere, but I do. With his dark amber eyes and smooth whiskey voice, this drug-fueled rock star has somehow become my addiction. So what if he has a black belt in playing guitar, if he’s an Army vet who can deactivate bombs, or that he bubbles over with hotness? He’s the man who ruined my life, and no matter how tempting STONE KANE might be, I plan to crush him.