This book describes the later life of Joseph Scaliger (1540-1609), the most original scholar of the late Renaissance. It concentrates on his efforts to date the main events of ancient and medieval history, a study that required him to use both astronomical data and philological methods. Volume I of this study was published in 1983, and received wide critical attention.

The intellectual legacy of Andrew Melville (1545-1622) as a leader of the Renaissance and a promoter of humanism in Scotland has been obscured by "the Melville legend." In an effort to dispense with 'the Melville of popular imagination' and recover 'the Melville of history,' this work situates his life and thought within the broader context of the northern European Renaissance and French humanism and critically re-evaluates the primary historical documents of the period, namely James Melville's Autobiography and Diary and the Melvini epistolae. By considering Melville as a humanist, university reformer, ecclesiastical statesman, and man, an effort has been made to determine his contribution to the flowering of the Renaissance and the growth of humanism in Scotland during the early modern period.

For much of the history of both Judaism and Christianity, the Pentateuch—first five books of the Bible—was understood to be the unified work of a single inspired author: Moses. Yet the standard view in modern biblical scholarship contends that the Pentateuch is a composite text made up of fragments from diverse and even discrepant sources that originated centuries after the events it purports to describe. In Murmuring against Moses, John Bergsma and Jeffrey Morrow provide a critical narrative of the emergence of modern Pentateuchal studies and challenge the scholarly consensus by highlighting the weaknesses of the modern paradigms and mustering an array of new evidence for the Pentateuch’s antiquity. By shedding light on the past history of research and the present developments in the field, Bergsma and Morrow give fresh voice to a growing scholarly dissatisfaction with standard critical approaches and make an important contribution toward charting a more promising future for Pentateuchal studies.

According to conventional wisdom, by the late 1800s, the image of Bible as a supernatural and infallible text crumbled in the eyes of intellectuals under the assaults of secularizing forces. This book corrects the narrative by arguing that in America, the road to skepticism had already been paved by the Scriptures' most able and ardent defenders.

Biblical scholars by and large remain unaware of the history of their own discipline. This present volume seeks to remedy that situation by exploring the early history of modern biblical criticism in the seventeenth century prior to the time of the Enlightenment when the birth of modern biblical criticism is usually dated. After surveying the earlier medieval origins of modern biblical criticism, the essays in this book focus on the more skeptical works of Isaac La Peyrere, Thomas Hobbes, and Baruch Spinoza, whose biblical interpretation laid the foundation for what would emerge in the eighteenth and nineteenth centuries as modern biblical criticism.

This study deals with Latin texts from the twelfth to the fifteenth century that discuss the emendation of the Latin Bible. After consideration of the medieval terminology for different versions of the Bible, it offers an overview of the transmission of the Latin Bible in the Middle Ages and its medieval editions. A survey of the cult of Jerome precedes an investigation of statements by textual critics about the status of the Vulgate and other versions of the Bible. The main body of the work is dedicated to the authors’ views of the textual tradition by examining their statements on the status of Hebrew, Greek and Latin manuscripts for the emendation of the Latin Bible. Finally, this study explores the struggle between consuetudo and veritas and the role of grammar in the emendation of the Latin Bible.

Distinguished scholars discuss editorial theory and how it is applied across the humanities