This beautifully illustrated monograph explores the drawings and paintings of Joseph Goldyne. The tactile quality of Goldyne's work is evident in both the ink drawings and paintings of books and clothing. 227 colour illustrations

A new collection from one of Canada’s finest contemporary poets. In The Ridge, Robert Bringhurst offers a work of nonfiction in poetic form, intensely focused on the ecological past, present and future of the West Coast of Canada. At the book’s heart is a long poem, “The Ridge,” in which Bringhurst makes meticulous use of scientific language and, with a poet’s perspective and precision, translates abstract concepts into tangible and devastating imagery. Global energy consumption is measured in cords of wood instead of BTUs or megawatts; subatomic particles demarcating time and space are prayer flags tearing free in the slow destruction of the solar system. In dazzling prose that weaves together the physical and the metaphysical, Bringhurst shifts his attention from tiny spores to fish farms, the spirit world, telescopes and epistemology. Beautiful, profound and insightful, The Ridge reflects the author’s reputation as one of Canada’s most esteemed poets.

In Indigenous Enlightenment Stuart D. McKee examines the methodologies, tools, and processes that British and American educators developed to inculcate Indigenous cultures of reading. Protestant expatriates who opened schools within British and U.S. colonial territories between 1790 and 1850 shared the conviction that a beneficent government should promote the enlightenment of its colonial subjects. It was the aim of evangelical enlightenment to improve Indigenous peoples’ welfare through the processes of Christianization and civilization and to transform accepting individuals into virtuous citizens of the settler-colonial community. Many educators quickly discovered that their teaching efforts languished without the means to publish books in the Indigenous languages of their subject populations. While they could publish primers in English by shipping manuscripts to printers in London or Boston, books for Indigenous readers gained greater accuracy and influence when they stationed a printer within the colony. With a global perspective traversing Western colonial territories in the U.S.-Mexico borderlands, the South Pacific, Madagascar, India, and China, Indigenous Enlightenment illuminates the challenges that British and American educators faced while trying to coerce Indigenous children and adults to learn to read. Indigenous laborers commonly supported the tasks of editing, printing, and dissemination and, in fact, dominated the workforce at most colonial presses from the time printing began. Yet even in places where schools and presses were in synchronous operation, missionaries found that Indigenous peoples had their own intellectual systems, and most did not learn best with Western methods.

New York magazine was born in 1968 after a run as an insert of the New York Herald Tribune and quickly made a place for itself as the trusted resource for readers across the country. With award-winning writing and photography covering everything from politics and food to theater and fashion, the magazine's consistent mission has been to reflect back to its audience the energy and excitement of the city itself, while celebrating New York as both a place and an idea.