An indispensable resource both to Conrad specialists and to students of literary Modernism, this four-volume collection seeks to provide as complete as possible a view of the contemporary reception of the writer's works in the English-speaking world. The reviews cover all of Conrad's writings from Almayer's Folly (1895) to the posthumously published Last Essays (1926). The volumes also take into their purview the collaborations with Ford Madox Ford. Found here are evaluations by journalists as well as by creative writers, the latter including H. G. Wells, Katherine Mansfield, Walter de la Mare and Virginia Woolf. The volumes offer insights into early twentieth-century reviewing practices, the marketing of 'literary' fiction and the wide interest in such writing, as reviews of Conrad's work regularly appeared in provincial and colonial newspapers.

Joseph Conrad: Contemporary Reviews (five volumes) is an indispensable resource for Conrad specialists and students of literary Modernism generally, aiming to provide as complete a view as possible of the contemporary reception of Joseph Conrad's works in the English-speaking world. These volumes offer insights into early twentieth-century reviewing practices, the marketing of literary fiction and the wide interest in such writing, as reviews of Conrad's work regularly appeared in provincial and colonial newspapers. Contemporary Reviews Volume 5 offers previously unavailable reviews spanning Conrad's career, from Almayer's Folly (1895) to Last Essays (1926). The nearly one thousand reviews collected here chart the consolidation of Conrad's reputation as a major English author, recording his impact upon late-Victorian literature and demonstrating how he helped shape literary Modernism. Articulating areas of critical interest that continue to attract readers and commentators today, the Contemporary Reviews confirm Conrad's growing stature in the colonial literary marketplace.

Joseph Conrad: Contemporary Reviews (five volumes) is an indispensable resource for Conrad specialists and students of literary Modernism generally, aiming to provide as complete a view as possible of the contemporary reception of Joseph Conrad's works in the English-speaking world. These volumes offer insights into early twentieth-century reviewing practices, the marketing of literary fiction and the wide interest in such writing, as reviews of Conrad's work regularly appeared in provincial and colonial newspapers. Contemporary Reviews Volume 5 offers previously unavailable reviews spanning Conrad's career, from Almayer's Folly (1895) to Last Essays (1926). The nearly one thousand reviews collected here chart the consolidation of Conrad's reputation as a major English author, recording his impact upon late-Victorian literature and demonstrating how he helped shape literary Modernism. Articulating areas of critical interest that continue to attract readers and commentators today, the Contemporary Reviews confirm Conrad's growing stature in the colonial literary marketplace.

Throughout the twentieth and twenty-first centuries, Joseph Conrad's novels and short stories have consistently figured into - and helped to define - the dominant trends in literary criticism. This book is the first to provide a thorough yet accessible overview of Conrad scholarship and criticism spanning the entire history of Conrad studies, from the 1895 publication of his first book, Almayer's Folly, to the present. While tracing the general evolution of the commentary surrounding Conrad's work, John G. Peters's careful analysis also evaluates Conrad's impact on critical trends such as the belles lettres tradition, the New Criticism, psychoanalysis, structuralist and post-structuralist criticism, narratology, postcolonial studies, gender and women's studies, and ecocriticism. The breadth and scope of Peters's study make this text an essential resource for Conrad scholars and students of English literature and literary criticism.

“Enlightening, compassionate, superb” —John Le Carré Winner of the 2018 Cundhill History Prize A New York Times Book Review Notable Book of 2017 One of the New York Times 100 Notable Books of 2017 A visionary exploration of the life and times of Joseph Conrad, his turbulent age of globalization and our own, from one of the most exciting young historians writing today Migration, terrorism, the tensions between global capitalism and nationalism, and a communications revolution: these forces shaped Joseph Conrad’s destiny at the dawn of the twentieth century. In this brilliant new interpretation of one of the great voices in modern literature, Maya Jasanoff reveals Conrad as a prophet of globalization. As an immigrant from Poland to England, and in travels from Malaya to Congo to the Caribbean, Conrad navigated an interconnected world, and captured it in a literary oeuvre of extraordinary depth. His life story delivers a history of globalization from the inside out, and reflects powerfully on the aspirations and challenges of the modern world. Joseph Conrad was born Józef Teodor Konrad Korzeniowski in 1857, to Polish parents in the Russian Empire. At sixteen he left the landlocked heart of Europe to become a sailor, and for the next twenty years travelled the world’s oceans before settling permanently in England as an author. He saw the surging, competitive "new imperialism" that planted a flag in almost every populated part of the globe. He got a close look, too, at the places “beyond the end of telegraph cables and mail-boat lines,” and the hypocrisy of the west’s most cherished ideals. In a compelling blend of history, biography, and travelogue, Maya Jasanoff follows Conrad’s routes and the stories of his four greatest works—The Secret Agent, Lord Jim, Heart of Darkness, and Nostromo. Genre-bending, intellectually thrilling, and deeply humane, The Dawn Watch embarks on a spell-binding expedition into the dark heart of Conrad’s world—and through it to our own.

A unique collection of contemporary book and performance reviews of Joseph Conrad's three plays, The Secret Agent, One Day More, and Laughing Anne.