A slightly revised version of a Ph. D. dissertation submitted to the University of Cambridge in September 1993.

Writer, critic, and cultural activist José Bergamín (1895-1983) was unjustly relegated to the sidelines of contemporary Spanish intellectual life for reasons that have more to do with his political dissidence and long periods of exile than with the interest and importance of his written work. This book represents the first attempt to come to terms with that work. Professor Dennis's study focuses on the period 1920-1936, the so-called silver age of Spanish literature, during which Bergamín rose to prominence alongside a group of superlatively gifted writers and friends, among them Frederico Garcia Lorca, Rafael Alberti, Jorge Guillén, and Pedro Salinas. It sets out to explain the nature of the relationship Bergamín had as a critic and prose writer with the major poets of the 1920s and 1930s, and at the same time systematically examines the singularity of his own work as an aphorist, essayist, and dramatist. Professor Dennis also devotes attention to explaining the sense of Bergamín's initiative in founding the important journal Cruz y Raya (1933-1936) and the role this publication played, both culturally and politically, during the troubled years of the Second Republic. This book not only fills a notable gap in our understanding of pre--Civil War literary and intellectual life in Spain, but also lays the foundation for all future research into the work of this fascinating and enigmatic writer.

This volume contains a selection of 112 poems taken from Spanish poet, Jose Bergamin's poetry.

Philosophers, theologians, physicists, and psychologists join their efforts to reflect on the crucial issues of limit and infinity, time and eternity, empty space and material space. The volume offers an invaluable contribution to some of the most important issues of our times: questions on God and consciousness are discussed in parallel with quantum theory, black holes, the inflationary universe, the Big Bang, and string theory, from different perspectives and angles, ranging from neuroscience to AI.

Vert ciel ciel ciel ciel vert vert ciel ciel ciel ciel noir vert vert ciel marron ciel ciel ciel noir noir noir noir blanc blanc noir vert marron ciel ciel cahce dans ses poches ses mains la nuit ciel aloes fleur ciel cobalt de corde livre de chevet ciel Coeur eventual violet ciel robe de soir bouquet de violettes violet violet ciel Pierre de lune ciel noir vert ciel marron roué de fue d'artifice perle ciel noir jaune vert citronnier noir ciseaux ombre jaune neige vert marron crème remplie d'eau-de-vie un vol de canaries bleu vert noir loup ciel ciel ciel jaune linge brodé vert nuit ciel soufre blanc plat d'argent terre labourée ciel ciel blane ciel ciel ciel blanc ciel ciel ciel ciel blanc blanc ciel bleu bleu bleu

Honest Bodies: Revolutionary Modernism in the Dances of Anna Sokolow illustrates the ways in which Sokolow's choreography circulated American modernism among Jewish and communist channels of the international Left from the 1930s-1960s in the United States, Mexico, and Israel. Drawing upon extensive archival materials, interviews, and theories from dance, Jewish, and gender studies, this book illuminates Sokolow's statements for workers' rights, anti-racism, and the human condition through her choreography for social change alongside her dancing and teaching for Martha Graham. Tracing a catalog of dances with her companies Dance Unit, La Paloma Azul, Lyric Theatre, and Anna Sokolow Dance Company, along with presenters and companies the Negro Cultural Committee, New York State Committee for the Communist Party, Federal Theatre Project, Nuevo Grupo Mexicano de Clásicas y Modernas, and Inbal Dance Theater, this book highlights Sokolow's work in conjunction with developments in ethnic definitions, diaspora, and nationalism in the US, Mexico, and Israel.