Graffiti, placards and protest ephemera from 2020's Black Lives Matter protests Award-winning Denver-based photographer and human rights activist Jonathan Moller (born 1963) turns away from his usual social documentary work in Central America with a new collection of images recording the Black Lives Matter movement in 2020. In lieu of portraits or scenes from protests, Moller documents the past year of the movement through photographs of related graffiti and street art across Denver, Boston, New York and Washington, DC. These murals, placards and all forms of expression left for the public to read are intended to exist past the important messages presented by large vocal demonstrations. They quietly linger on, hopefully for the long run. Moller's photographs, like the street art, will continue delivering reminders to us all. The selection of COVID-19 response images included at the end of the book acts to contextualize the main body of work in the spirit of the times.

Our Culture Is Our Resistance: Repression, Refuge, and Healing in Guatemala is a stunning document of this tiny Central American country, revealing stories of life and death, of hope and despair, and of struggles for survival, respect, and truth. For the past ten years Jonathan Moller has photographed communities uprooted by war in Guatemala. The beauty and strength of Moller's one hundred forty-seven tritone portraits and the accompanying texts not only document and preserve the faces and events associated with this land and its history, but also display for the viewer the humanity and dignity of these largely Mayan indigenous peoples. Sponsors and official endorsers of the book include Amnesty International, the Soros Foundation, Global Exchange, The Nation Institute, the Photo Review, Witness for Peace, and Cultural Survival.

Japanese Geisha and courtesans intrigue and fascinate Westerners. During the mid-19th century, Japan opened its doors to the world and became an essential destination for travellers. Geisha: A Photographic History 1872-1912 documents the intimate life and culture of this 19th century icon. It portrays the artists of these images in a cultural reality created by staged studio photography, private scenes and rare outdoor images. Essential viewing.

From one of the leading intellectuals of the digital age, The Digital Republic is the definitive guide to the great political question of our time: how can freedom and democracy survive in a world of powerful digital technologies? A Financial Times “Book to Read” in 2022 Not long ago, the tech industry was widely admired, and the internet was regarded as a tonic for freedom and democracy. Not anymore. Every day, the headlines blaze with reports of racist algorithms, data leaks, and social media platforms festering with falsehood and hate. In The Digital Republic, acclaimed author Jamie Susskind argues that these problems are not the fault of a few bad apples at the top of the industry. They are the result of our failure to govern technology properly. The Digital Republic charts a new course. It offers a plan for the digital age: new legal standards, new public bodies and institutions, new duties on platforms, new rights and regulators, new codes of conduct for people in the tech industry. Inspired by the great political essays of the past, and steeped in the traditions of republican thought, it offers a vision of a different type of society: a digital republic in which human and technological flourishing go hand in hand.

“[A] searching and surprisingly witty look at the scientific odds against tomorrow.” —Timothy Ferris Jonathan Weiner—winner of the Pulitzer Prize, the National Book Critics Circle Award, and the Los Angeles Times Book Prize, and one of the most distinguished popular science writers in America—examines “the strange science of immortality” in Long for This World. A fast-paced, sure-to-astonish scientific adventure from “one of our finest science journalists” (Jonah Lehrer), Weiner’s Long for This World addresses the ageless question, “Is there a secret to eternal youth?” And has it, at long last, been found?

George Floyd's death at the hands of a police officer on 25 May 2020 marked a turning point in the Black Lives Matter movement. Emerging in 2013, this black community rights movement gained national and international recognition and support to the point of leading demonstrations at the height of the COVID-19 pandemic.0During those weeks, the visual artist and social activist Jonathan Moller walked the streets of Denver, Boston, Washington and New York following the trail of protests and took hundreds of photographs of the posters, graffiti, banners and murals left behind. The selected photographs and accompanying texts attest to their depth, ensure the permanence of their messages and invite the reader to reflect on their personal contribution to systemic racism that has existed for centuries around the world.