Jonathan Edwards has long been accorded a place in the front rank of colonial American writers; his aesthetics are now recognized as the primary characteristic of his theology; and his writings are judged worthy of extended literary analysis. Oddly, perhaps, no attempt has been made to discover if in his aesthetics Edwards attributes a particular significance to art. The discussion to follow contends that art as an instance of what he termed secondary beauty can perform a vital religious function by enabling the saint to conceive, and subsequently receive or revive, the particular emotional sensation that constitutes the religious experience - which Edwards referred to as the sense of the heart. My purpose in what is to follow is not to survey and to analyze Edwards' writings as works of art but to probe his aesthetic theory in order to discern the import he assign to art.

This compilation of reader response to Jonathan Edwards, spanning 276 years, includes a reprint of two earlier works ? Jonathan Edwards: A Reference Guide (1981) and Jonathan Edwards: An Annotated Bibliography (1994) ? and the publication of a third, a gathering of commentary from 1994 to 2005. Nearly 140 essays have been added to the first and second works, while the last new gathering ? which includes a celebration of the tercentenary of Edwards??'s birth ? adds another 700 to the whole. The text preserves the pattern of arranging items alphabetically within a given year and of recording cross-references. Essays in a collection are annotated serially rather than alphabetically. Each of the three sections is self-contained with an introduction and annotated bibliography of its own. Adding to the immense value of this work to Edwards scholars are the chronology of Edwards??'s works, listed by date and by short and long title, which precedes the entire work, and the three comprehensive indexes ? of authors and titles, of subjects, and additions to the previous volumes.

This dissertation is a theological analysis of the trinitarian shape of Jonathan Edwards' aesthetics of beauty. The contributions of this dissertation lie chiefly in three areas. The primary aim of this study is to advance the burgeoning field of the study of Jonathan Edwards by elucidating his views of beauty. In so doing, I present him as a rich source for the theological engagement of beauty, which could serve not only the field of Edwards studies, but also that of theological aesthetics more broadly.

This book focuses on the legacy of Jonathan Edwards on the Particular Baptists by way of apprehending theories held by their congregations during the eighteenth and nineteenth centuries. In particular, special attention is directed to the Edwardsean legacy as manifested in the theology of Andrew Fuller. The monograph positions itself between Edwards and Fuller in the transatlantic, early modern period and attempts by the two theologians to express a coherent understanding of traditional dogma within the context of the Enlightenment. The scope of the research traces Fuller’s theological indebtedness by way of historical reconstruction, textual expositions, and theological and philosophical implications of the following works: Freedom of the Will, Religious Affections, Humble Attempt, and Justification by Faith Alone et al.

Jonathan Edwards on the Experience of Beauty relates Edwards' idea of beauty to his understanding of the psychology of religious experience. In his vocabulary of the language of beauty Edwards articulates a traditional understanding of beauty in the various relations that constitute primary and secondary beauty. All beauty, however, is ultimately founded on the beauty of God's Trinitarian being. Edwards' concept of the "sense of the heart," related to his psychology of religious experience, is articulated as an infusion of God's beauty. This experience results in a new perception and manifestation of holiness and beauty in the lives of the saints, both individually and corporately. True believers are to be "proportioned Christians," showing forth beauty in their affections. Edwards explicated this perspective in sermons, treatises--especially Religious Affections--and in a number of cases he presented, including the religious experiences of David Brainerd, Sarah Edwards, and his own awakening and conversion. In these cases, the language of beauty plays a prominent descriptive role. In summary, Jonathan Edwards on the Experience of Beauty shows the importance of Edwards' idea of beauty for his understanding of genuine religious experience. Edwards defines true or genuine religion as an experience of God's beauty that becomes manifested in the beauty of the affections. Further, in articulating that understanding, he utilized the vocabulary of his language of beauty. For Jonathan Edwards, beauty is the structure of genuine religious experience.

Jonathan Edwards (1703&–1758) has been acclaimed as the quintessential puritan of eighteenth-century America who defined not only what Puritanism was, but also what American Christianity would become. Anri Morimoto finds that Edwards's theology, once regarded as disarrayed, precarious, and dangerously unorthodox, is in fact consistent and integral to his general ontology and natural philosophy. By presenting Edwards's vision of salvation as a dynamic process of sharing God's excellence and holiness, Morimoto presents a new paradigm that is radically inclusive, yet theologically responsible. By discussing Edwards in relation to Roman Catholic traditions, Morimoto places him in the context of a broader Christian tradition rather than that of New England Puritanism. Morimoto argues that this view of salvation was not new to the Protestant tradition&—in fact, this view was present in Luther, Calvin, and much of the Reformed tradition&—but Edwards accented it more clearly and emphatically than anyone else. Morimoto concludes that one does not have to surrender or compromise one's theology to promote ecumenical harmony. This study will be of interest to scholars, teachers and students of theology and religion, church leaders and lay persons of all denominations, evangelical or liberal, and especially those interested in Edwards, Puritanism, and early American intellectual history.

The first reference work on one of the key subjects in American history, filling an important gap in the literature, with over 500 original essays.