The first biography of a legendary tenor.

In its first ten years, a small Midwestern cinema has attracted some of the most intriguing and groundbreaking filmmakers from around the world, screened the best in arthouse and repertory films, and presented innovative and unique cinematic experiences. Indiana University Cinema tells the story of how the cinema on the campus of Indiana University Bloomington grew into a vibrant, diverse, and thoughtfully curated cinematheque. Detailing its creation of a transformative cinematic experience throughout its inaugural decade, the IU Cinema has arguably become one of the best venues for watching movies in the country. Featuring 17 exclusive interviews with filmmakers and actors, as well as an afterword from Jonathan Banks (Breaking Bad and Better Call Saul), Indiana University Cinema, is a lavishly illustrated book that is sure to please everyone from the casual moviegoer to the most passionate cinephile.

To its devotees, opera is the most sublime of arts. It is also one of the most accident prone, and when things go wrong, they tend to do so on a grand scale. Great Operatic Disasters records some of the most memorable calamities from opera houses around the world. Most of them are true, some have been embroidered over the years, and a few, well, se non e vero, e ben trovato.

Contains the complete text of the libretto with annotations in both English and Italian and a critical historical commentary. The text also includes the background of the composer, biographies of the principal singers and conductor. The two accompanying CDs contain the complete opera sung in Italian.

The first major study of Saint-Saëns's stage music, timed to coincide with revivals of his operas on stage.

A more unlikely world opera star than Paul Frey could not be found. Born into a conservative order Mennonite farming family in rural Ontario, Canada in 1941, he was a high school dropout. His first career was as a truck driver, transporting livestock to market. But he was a young man with a powerful and true tenor voice, and a desire to sing opera. Entering opera school unable to read musical notes or count beats, Frey was offered primarily chorus roles during training and after graduation. Frustrated, he moved to Switzerland in 1977, signing a contract with the Theater Basel as house tenor. In 1987, Frey came to the attention of Wolfgang Wagner of the famed Bayreuth Opera House in Bayreuth, Germany. He was chosen to star in Bayreuth's Werner-Herzog-directed production of Richard Wagner's Lohengrin. At Bayreuth, Frey became a star and the world sat up and took notice. Offered lead roles from opera houses across the globe, Paul Frey was compared to the greatest of tenors, including Canadian Jon Vickers. Retiring in 2005, Paul Frey lives today in "Mennonite Country," where he was born and raised.

Sketches of opera composers, opera synopses, and CD reviews.