Thoroughly researched study of the design and construction of this radical, inspiring workplace draws on much unpublished archival material. From the genesis of the structurally unique Administration Building — its design development, innovations, and furnishings — to the construction and completion of the Research Towers, Lipman presents a wealth of information. 172 black-and-white illustrations.

Racine, Wisconsin, which celebrates its role as invention city, welcomed the architectural innovations of Frank Lloyd Wright and is now the site of many examples of Wright's designs of private homes and public structures. Hertzberg, photography director at the Racine Journal Times, has created a history of Wright's work in Racine using photograph

Frank Lloyd Wright's SC Johnson Research Tower in Racine, Wisconsin, is one of modern architecture's most significant landmarks. Completed in 1950, the fifteen-story skyscraper is the only existing example of Wright's ambitious taproot design. Like limbs from a tree trunk, alternating square floors and round mezzanines branch out from the weight-bearing central core—a truly revolutionary idea at the time and an engineering marvel today.In 1943 H. F. Johnson Jr., president of the SC Johnson & Son Company, commissioned Wright (1867–1959) to create a new laboratory space that would be as innovative as the research and development team working inside it. The architect eagerly accepted the challenge, envisioning a vertical complement to the firm's streamlined Administration Building, designed by Wright seven years prior. The result was a new kind of skyscraper, one with double-height spaces, windows made of Pyrex glass tubing, and stripes of Wright's signature Cherokee red brick, all balanced on a small pedestal base—the Tower's sinewy core. Although the Tower opened to great acclaim in 1950, it closed just thirty-one years later. Despite its ingenious structure, the building ultimately proved to be an impractical model of urban-industrial architecture.Frank Lloyd Wright's SC Johnson Research Tower investigates the rise and fall of this remarkable building. Bruce Brooks Pfeiffer, director of the Frank Lloyd Wright Foundation Archives, provides an insightful Foreword, while Mark Hertzberg's text explores the design, the construction, and—through interviews with Johnson employees—the experience of working within Wright's iconic Tower. A photo essay titled "The Tower Rises" chronicles the construction with historical photographs, and Hertzberg's artful photographs document the Tower—inside and out—as it appears today.

Between the Stock Market Crash and the Vietnam War, American corporations were responsible for the construction of thousands of headquarters across the United States. Over this time, the design of corporate headquarters evolved from Beaux-Arts facades to bold modernist expressions. This book examines how clients and architects together crafted buildings to reflect their company's brand, carefully considering consumers' perception and their emotions towards the architecture and the messages they communicated. By focusing on four American corporate headquarters: the PSFS Building by George Howe and William Lescaze, the Johnson Wax Administration Building by Frank Lloyd Wright, Lever House by Skidmore, Owings & Merrill, and The Röhm & Haas Building by Pietro Belluschi, it shows how corporate modernism evolved. In the 1930s, architecture and branding were separate and distinct and by the 1960s, they were completely integrated. Drawing on interviews and original material from corporations' archives, it examines how company leaders, together with their architects, conceived of their corporate headquarters not only as the consolidation of employee workplaces, but as architectural mediums to communicate their corporate identities and brands.

Frank Lloyd Wright Paper Models features step–by–step instructions and templates so you can create beautiful kirigami versions of Frank Lloyd Wright's iconic modernist architecture. Frank Lloyd Wright (1867–1959) is the most renowned and popular architect and designer in America. His buildings, including Fallingwater and New York's Guggenheim Museum, are iconic landmarks. Now you can create 14 of his best–loved buildings using the art of kirigami. Frank Lloyd Wright building kirigami templates included are: • Unity Temple • Frederick C. Robie House • Imperial Hotel • Aline Barnsdall "Hollyhock" House • Millard House (La Miniatura) • John Storer House • Freeman House • Charles Ennis House • National Life Insurance Building • Taliesin West • Herbert And Katherine Jacobs I House • Edgar J. Kaufmann House "Fallingwater" • Johnson Wax Administration Building • Solomon R. Guggenheim Museum Perfect for those that enjoy origami, each project features a short history of each house, step–by–step instructions and a template that you remove from the book. You follow the lines on the template, cutting and folding to make your own model. All you need is a scalpel, a cutting mat and a ruler. Clear cutting tips help you with the tricky stages, while photos of the finished model show you the final design. To make things easier, the most intricate parts of the templates have been pre–cut. Simply display your finished model and admire your handiwork. Frank Lloyd Wright Paper Models is a must for Wright fans and architectural model enthusiasts. "Kirigami is the elegant Japanese art of folding and cutting paper to create intricate models. It's also the perfect medium for recreating the harmonious architecture of Frank Lloyd Wright." Sunday Express, UK

Published in conjunction with a major exhibition at The Museum of Modern Art, this catalogue reveals new perspectives on the work of Frank Lloyd Wright, a designer so prolific and familiar as to nearly preclude critical reexamination. Structured as a series of inquiries into the Frank Lloyd Wright Foundation Archives, the book is a collection of scholarly explorations rather than an attempt to construct a master narrative. Each chapter centers on a key object from the archive that an invited author has "unpacked"-interpreting and contextualizing it, tracing its meanings and connections, and juxtaposing it with other works from the archive, from MoMA, or from outside collections. The publication aims to open up Wright's work to questions, interrogations, and debates, and to highlight interpretations by contemporary scholars, both established Wright experts and others considering this iconic figure from new and illuminating perspectives.

Prairie Skyscraper traces the history and evolution of Wright's recently restored nineteen-story-skyscraper masterwork, which takes its place beside the S.C. Johnson Wax Research Tower as one of Wright's only two vertical structures-and, at 221 feet tall-his largest.