Since the first appearance of Samuel Johnson's edition of Shakespeare's drama in 1765, its Preface has often been published separately, while the Notes have been treated as miscellaneous and fragmentary. As a result, few modern readers realize that the Notes in fact contain coherent interpretations of most of the plays and that many portions of the Preface are generalizations related to those readings. Scholars who have examined the Notes carefully have almost always used them in studies of larger issues, such as Johnson's morality or rhetoric. In this book, Edward Tomarken provides the first full-length study of the Notes to Shakespeare, showing how they raise issues of direct concern to modern critics and theoreticians. While referring to Johnson's notes on all the Shakespearean dramas, Tomarken focuses on eight plays--Henry IV, Troilus and Cressida, Twelfth Night, The Taming of the Shrew, King Lear, The Tempest, Hamlet, and Macbeth--to demonstrate the range of Johnson's editorial and critical abilities. Each chapter, devoted to a single play, moves from the particular to the general-from specific remarks about the play in the Notes, to related theoretical statements in the Preface, and finally to an axiom of literary theory. Ranging from a formulation concerning ideology in criticism to a reconsideration of aesthetic empathy, these axioms are, Tomarken contends, essential to literary criticism as a discipline and manifest Johnson's relevance to modern criticism. The conception of criticism that emerges in this book goes well beyond the theoretical premises of the eighteenth century. Tomarken submits that the ethical dimension of criticism-the moral aspect so fundamental to Johnson but so foreign to modern critics-can point to a way of mediating between the ideological differences that have become so divisive in modern criticism and theory.

In this groundbreaking portrait of Samuel Johnson, Nokes positions the great thinker in his rightful place as an active force in the Enlightenment, not a mere recorder or performer, and demonstrates how his interaction with life impacted his work.

At the start of the gay rights movement in 1969, evangelicalism's leading voices cast a vision for gay people who turn to Jesus. It was C.S. Lewis, Billy Graham, Francis Schaeffer and John Stott who were among the most respected leaders within theologically orthodox Protestantism. We see with them a positive pastoral approach toward gay people, an approach that viewed homosexuality as a fallen condition experienced by some Christians who needed care more than cure. With the birth and rise of the ex-gay movement, the focus shifted from care to cure. As a result, there are an estimated 700,000 people alive today who underwent conversion therapy in the United States alone. Many of these patients were treated by faith-based, testimony-driven parachurch ministries centered on the ex-gay script. Despite the best of intentions, the movement ended with very troubling results. Yet the ex-gay movement died not because it had the wrong sex ethic. It died because it was founded on a practice that diminished the beauty of the gospel. Yet even after the closure of the ex-gay umbrella organization Exodus International in 2013, the ex-gay script continues to walk about as the undead among us, pressuring people like me to say, "I used to be gay, but I'm not gay anymore. Now I'm just same-sex attracted." For orthodox Christians, the way forward is a path back to where we were forty years ago. It is time again to focus with our Neo-Evangelical fathers on care--not cure--for our non-straight sisters and brothers who are living lives of costly obedience to Jesus. With warmth and humor as well as original research, Still Time to Care will chart the path forward for our churches and ministries in providing care. It will provide guidance for the gay person who hears the gospel and finds themselves smitten by the life-giving call of Jesus. Woven throughout the book will be Richard Lovelace’s 1978 call for a "double repentance" in which gay Christians repent of their homosexual sins and the church repents of its homophobia--putting on display for all the power of the gospel.

Philip Smallwood celebrates the emotional power and enduring wisdom of Samuel Johnson's literary criticism, showing how the abyss of the heart informs its powerful life. This title is part of the Flip it Open Programme and may also be available Open Access. Check our website Cambridge Core for details.

Once upon a time there was a war . . . and a young American who thought of himself as the Quiet American and the Ugly American, and who wished to be neither, who wanted instead to be the Wise American, or the Good American, but who eventually came to witness himself as the Real American and finally as simply the Fucking American. That’s me. This is the story of Skip Sands—spy-in-training, engaged in Psychological Operations against the Vietcong—and the disasters that befall him thanks to his famous uncle, a war hero known in intelligence circles simply as the Colonel. This is also the story of the Houston brothers, Bill and James, young men who drift out of the Arizona desert into a war in which the line between disinformation and delusion has blurred away. In its vision of human folly, and its gritty, sympathetic portraits of men and women desperate for an end to their loneliness, whether in sex or death or by the grace of God, this is a story like nothing in our literature. Tree of Smoke is Denis Johnson’s first full-length novel in nine years, and his most gripping, beautiful, and powerful work to date. Tree of Smoke is the 2007 National Book Award Winner for Fiction.